Cymraeg

Retired gentleman at the MG Car owners Ball 1967 Copyright David Hurn Magnum Photos
Retired gentleman at the MG Car owners Ball, 1967. G.B. SCOTLAND, Edinburgh. © David Hurn/MAGNUM PHOTOS

Amgueddfa Cymru – National Museum Wales is the recipient of an exceptional gift from Magnum photographer David Hurn. Of Welsh descent, Hurn lives and works in Wales and is one of Britain’s most influential documentary photographers. Now, his home country will benefit from his collection of photographs.

David Hurn’s gift is made up of two collections: approximately 1500 of his own photographs that span his sixty-year career as a documentary photographer; and approximately 700 photographs from his private collection which he has compiled throughout the course of his career. Speaking of his gift, Hurn notes, 

“My earliest visual/cultural memories are visiting the museum when I must have been four or five. I remember the naughty statue - Rodin’s ‘The Kiss’ - and cases full of stuff that people had donated. Well now I have the chance to repay, something of mine will be there forever, I feel very privileged.”

A definitive edit of a life's work

Over the last two years, Hurn has been selecting photographs from his archive to create a definitive edit of his life’s work.

The collection of approximately 1500 new prints includes work made in Wales, England, Scotland, Ireland, Arizona, California and New York. It includes some of Hurn’s most celebrated photographs, such as Queen Charlotte’s BallBarbarella and Grosvenor Square.

However, it is his carefully observed photographs of his home country of Wales that are the focus of the collection. Following his generous gift, National Museum Wales is now the institution with the largest holdings of Hurn’s work worldwide.

The Promenade at Tenby 1974 Copyright David Hurn Magnum Photos
G.B. WALES. Tenby. The promenade at the elegant seaside town of Tenby, South Wales. 1974 © David Hurn/MAGNUM PHOTOS

A Collection of Swaps

In addition to his own photographs, the Museum is also acquiring approximately 700 photographs from Hurn’s private collection, which he has amassed over the past sixty years.

Throughout the course of his career, Hurn has swapped photographs with fellow photographers, including many of his Magnum colleagues.

In doing so, he has assembled a significant and diverse collection, which includes leading 20th and 21st century photographers such as Henri Cartier-Bresson, Eve Arnold, Sergio Larrain, Bill Brandt, Martine Franck, Bruce Davidson and Martin Parr, through to emerging photographers such as Bieke Depoorter, Clementine Schneidermann and Diana Markosian.

A selection of works from Hurn’s private collection will be on display for the first time at National Museum Cardiff from 30th September 2017, in Swaps: Photographs from the David Hurn Collection of Photography, an exhibition that launches the Museum’s new gallery dedicated to photography. 

Photography Collections at Amgueddfa Cymru - National Museum Wales

National Museum Wales’ existing photography collections are uniquely inter-disciplinary and span subjects including Art, Social and Industrial History and the Natural Sciences.

Importantly it includes some of the earliest photographs taken in Wales by pioneering photographer John Dillwyn Llewelyn and his family. The addition of Hurn’s exceptional donation will transform the Museum’s photography collections and raise the profile of Amgueddfa Cymru - National Museum Wales as an important centre for photography in the UK. 

Sun City Outdoor group fitness in Sun City Arizona 1980 Copyright David Hurn Magnum Photos
USA. Arizona. Sun City. Outdoor group fitness early in the morning in the retirement Sun City. Ages range from 60 to a 94 year old who had run a 50 secs hundred meters in the Senior Olympics. The sense of fun and community was very infectious. 1980 © David Hurn/MAGNUM PHOTOS

The exhibition at National Museum Cardiff follows an earlier presentation of Hurn’s collection at Photo London, the international photography event held annually at Somerset House in London. Curated by Martin Parr and David Hurn, the Photo London exhibition, David Hurn’s Swaps marks the 70th anniversary of Magnum Photos.

 

For the Royal Horticultural Society’s Flower Show in Cardiff this year, we decided to build on previous experience of creating real botanical windows. We wanted something that would form an eye-catching backdrop to the collections on display within Amgueddfa Cymru's woodland-themed marquee.

The botanical windows began in 2015 with our Museum in a House exhibit for the Made in Roath festival. We wanted a display that would reflect aspects of our Museum work as well as to represent the herbarium itself. We pressed plants following the standard method for creating herbarium specimens as shown below. In this way, plant specimens last for hundreds of years on conservation grade card and out of light in herbarium cupboards.

Method for pressing plants for long-term storage in the botany collections:

  1. Select a plant showing as many characters as possible – fruit, flowers, roots.
  2. Place between blotting paper, arranging the plant at the same time, to limit the amount of overlapping material.
  3. Place in a plant press and tie as tightly as possible.
  4. Place in a drier between 20 and 30oC.
  5. Change the blotting paper initially every day, and then less often until the plants are completely dry. This will take about a week.
  6. Attach plant to conservation-grade card (for example made from cotton) using small strips of adhesive cotton tape. Place the tape strips strategically on the plant’s stems and leaves to hold it safely on the card. This technique allows for some flexing of the card without damage to the plant and for easy removal of the plant from the card for study.
  7. Store out of light in an environment with humidity between 40 and 60 RH.

After pressing, we attached the plants to large sheets of tracing paper using small pieces of transparent tape strips (rather than the conservation grade materials we would normally use for the botany collections). The tracing paper was then wrapped carefully for transport to the site of the exhibit and then taped to sunny windows in the living room.

For the RHS Flower Show in 2016, we built on the initial idea but had the added complication of having to create our own windows to install in the marquee. We had nine 80 x 60 cm sheets of 2mm thick acrylic cut, with holes drilled into each of the corners for hanging. We attached the plants to these sheets using small transparent tape strips. Once at the Flower Show, we attached strong metal rings to the corner of each panel and hung the panels from the cross bars of the marquee by looping fishing line (the type strong enough to catch a 60lb fish!) through the metal rings. The only worry now was whether the ranges of temperature and humidity in the marquee would be too much for the transparent tape and we would arrive the next day to find the plants on the floor! We certainly would never subject pressed specimens from the collection to this environment. We were relieved to find that the panels held well the whole weekend – and with much praise from visitors.

In 2017, we planned to recreate the botanical windows for the Flower Show, but with a slight twist. We had a woodland theme, so we chose Welsh trees for each panel: Oak, Beech, Hazel, Hawthorn, Holly, Scots Pine, Yew and Lime. To make the display really stand out, we printed a silhouette of the tree with its Welsh, English and scientific name onto transparent material for the backdrop. We taped the transparencies onto the acrylic and then taped the pressed plants onto the transparencies as before. Unfortunately, this year was particularly warm weather – the transparent tape holding the pressed plants did not last as long on some of the panels, so remedial work had to be carried out to keep the display looking good.

 

Read about the RHS Flower Show in 2017:

 

Find out more on our Made in RoathMuseum in a House’ installation in 2015 and the RHS Flower Show in 2016

 

Over the last few months you may have seen the Saving Treasures; Telling Stories team on social media using the hashtag ‘Finds Friday’, where we’ve been showcasing some of our wonderful treasure and non-treasure items recorded by the Portable Antiquities Scheme Cymru.

This month we’d like to focus on two special finds from Wales: The Abergavenny Coin Hoard and a prehistoric feasting site in Llanmaes.

Why these two finds?

Both have been nominated in a nationwide competition, held by the British Museum and The Daily Telegraph, to search for the nation’s favourite treasure item from the ‘Top 20’ list.

2017 marks the 20th anniversary since the passing of the 1996 Treasure Act and items on the ‘Top 20’ list highlight some of the most important treasure discoveries since the Treasure Act.

We might be a tad biased towards which ones we’ll be voting for, but we want to share the history behind these finds as they really do have a story to tell, or in the case of Llanmaes, an enigmatic mystery as to what was actually happening at the site. You can read about the 20 items by clicking this link, and don't forget to vote!

This is the logo for the '20 years of Treasure' competition, run by the British Museum and the Daily Telegraph.
20 Years of Treasure logo

Llanmaes

Our first nomination on the ‘Top 20’ treasure list is a site, rather than a single group of objects. The discovery is a prehistoric feasting place and settlement, uncovered in Llanmaes, in the Vale of Glamorgan.

This important site was discovered following the reporting of a potential treasure find by two metal detectorists in 2003, and excavation continued for the next seven years by archaeologists from the National Museum of Wales, assisted by students from Cardiff University and local volunteers.

The story behind Llanmaes

The earliest remains on the site, dating to about 2150-1950 BC, are the cremated remains of an adult male, which were buried in an urn. It seems that this burial provided the focus for later settlement, which yielded treasure objects such as a gold bead. One mystery object in the shape of a great white shark’s tooth has left archaeologists puzzled. We’re not too sure where it came from or why it was left there!

By the beginning of the Iron Age (about 675 BC) this settlement had been abandoned, but the site continued to be the focus of human activity in the form of feasting, which left behind an extensive midden deposit. This is the first known example from Wales, of a class of middens representing remarkable accumulations of cultural material gathered by communities at the beginning of the Iron Age. This has revealed an extraordinary prehistoric feasting mound, containing thousands of pig bones, further feasting vessels, bronze cauldrons, pottery and axes.

Unexpectedly, nearly three-quarters of the animal bones were from pigs – a far higher proportion than is usual for such deposits, and, even more remarkable is the discovery that the majority of the pigs’ bones were from the right fore-quarter of the animal. Similarly, some of the axe-heads are of a type associated with parts of northern France, so it seems as though people were converging on Llanmaes during the Early Iron Age from a wide area to engage in cultural activities which had clear rules and accepted practices.

Feasting seems to have come to an end at the site during the Roman period, when changing cultural practices made the earlier rituals less appropriate, but evidence of continued Roman occupation suggests that it still held meaning for local people into the 4th century AD.

The community at Llanmaes were closely involved with the excavations over the years, and the National Museum’s Archaeology department brought in a number of school groups to work with artists on creative responses, such as performances, inspired by the site.

Feasting and pig bones from Llanmaes (Credit: Amguedffa Cymru)

A prehistoric site is being excavated
Llanmaes excavation

Abergavenny hoard

In April 2002 three metal-detectorists had the find of their lives in a field near Abergavenny, Monmouthshire where they found a scattered hoard of 199 silver pennies.

The Abergavenny hoard is the earliest Norman hoard from Wales and provides a vivid picture of monetary circulation in the Welsh March in the 1080s CE. It includes 130 coins of the Anglo-Saxon king Edward the Confessor (1042-66) and 69 coins of the Norman king William the Conqueror (1066-87).

Where did they come from?

Norman incursions into Gwent (present-day Monmouthshire) had followed hard on the heels of the conquest of England by Duke William in 1066 and they brought with them the habit of using coins.

The 199 silver pennies provide a rich mixture of issues of Edward the Confessor (1042-66) and William the Conqueror (1066-87); there are coins of 104 moneyers from 36 mints, with Hereford prominent.

The coins had been lost or hidden in a cloth bag, after about 1080 CE and for most people living in that time they would have represented several months’ pay. However, the lack of positive archaeological context makes it impossible to judge whether the coins had been concealed deliberately or were simply lost. We shall probably never know quite why these coins ended up in the corner of a field in Monmouthshire but, as well as expanding our knowledge of the coinage itself, they will cast new light on monetary conditions in the area after the Norman Conquest.

And there we have it, our two treasure finds on the ‘Top 20’ treasures list.

The online voting continues until May 15th, and you can vote for LLanmaes or the Abergavenny Hoard by following this link:

http://www.telegraph.co.uk/wellbeing/mood-and-mind/treasure-20-vote-favourite/.

5,098 pupils from across the UK are to be awarded Super Scientist certificates on behalf of Amgueddfa Cymru - National Museum Wales, in recognition for their contribution to the Spring Bulbs for Schools Project.

A big congratulations to you all! Thank you for working so hard planting, observing, measuring and recording, you really are Super Scientists! Each one of you will receive a Super Scientist certificate and pencil, these will be sent to your school by mid-May.

Many thanks to The Edina Trust for funding this project.

Super Scientist Winners 2017

Winners

England:          Carnforth North Road Community Primary School

Scotland:         Auchenlodment Primary School

Wales:              Tonyrefail Primary School

 

Runners-up

England:

Arkholme C of E Primary School

Breckon Hill Primary School

Hemlington Hall Academy

Ladygrove Park Primary School

St Clare's Catholic Primary School

St Michael's CE Aided Primary School

St Nicholas Primary School

St Peter's Primary School

Scotland:

Biggar Primary School

Carnbroe Primary School

Gavinburn Primary School

Wales:

Broad Haven

Evenlode Primary

Glanyfferi

Henllys Church in Wales Primary

Rougemont Prep School

St. Robert's Catholic Primary

Trellech Primary School

Ysgol Borth Y Gest

Ysgol Deganwy

Ysgol Gynradd Gymraeg Tonyrefail

Ysgol Pentrefoelas

Ysgol Rhostyllen

Ysgol y Wern

 

High Recognition

England:

Coppull Parish Church School

Garstang St Thomas

Hudson Road

Stanford in the Vale Primary School

The Blake CE Primary School

Abbey Primary School

Scotland:

Bellyeoman Primary School

Lawhead School

Loch Primary School

Our Lady of Peace Primary School

St Mary's Primary School

Wormit Primary School

Wales:

Ysgol Tal y Bont

Blaengwawr Primary School

Llangors Church in Wales School

Llanharan Primary School

Llanvihangel Crucorney Primary School

Severn Primary School

St Athan Primary

Ysgol Tanygrisiau

 

Receiving Sunflower Seeds

England:

Barmston Village Primary School

Barnes Junior School

Bernard Gilpin Primary School

Boston West Academy

Chorley St James Primary School

Ellel St John's CE Primary School

Fosse Way Academy

Leyland Methodist Junior School

Our Lady Queen of Peace RCVA Primary School

Peel Park Primary School

Quernmore Primary School

Saint Leonards Church of England Primary School

St Leonard's RC Primary School

Staining C of E School

Usworth Colliery Primary School

Scotland:

Alexander Peden Primary Sch Alexander Peden

Barsail Primary School

Bent Primary School

Carbrain Primary School

Dykesmains Primary School

East Fulton Primary School

Greenburn School

Hill of Beath Primary School

Kelso High School

Lanark Primary School

Law Primary School

New Monkland Primary School

Newmains Primary School

Newport Primary School

Our Lady and St Francis Primary School

Pirnmill Primary School

St Charles Primary School

St Columbkilles Primary School

St Mary's Primary School, Lanark

St Mary's Primary School, Paisley

St Ronan's Primary School

Wales:

Beulah School

Coedpenmaen Primary

Crymlyn primary

Darran Park Primary

St. Paul's CIW Primary

Trallwn Primary

Whitestone Primary School

Ysgol Pennant

Ysgol Rhys Prichard

 

Receiving Certificates and pencils

England:

Alston Lane Catholic Primary School

Bacup Thorn Primary School

Belmont Community Primary School

Bolton-le-Sands Church of England School

Coningsby St Michael's Primary School

George Washington Primary School

Trinity Church of England Methodist Primary School

Wolvercote Primary School

Scotland:

Abronhill Primary School

Calderbridge Primary School

Glebe Primary School

St Catherine's Primary School

Stane Primary School

West Primary School

Wales:

Betws Primary School

Castle School

Melin Junior School

St Brides Major CW Primary School

St. Michael's RC Primary

Ysgol Abererch

Ysgol Bethel

Ysgol Betws yn Rhos

Ysgol Bro Ogwr

Ysgol Iau Hen Golwyn

Ysgol Pencae

Ysgol San Sior

Ysgol Tudweiliog

Ysgol Ty Coch

Ysgol y Tywyn

Thank you for all your hard work Bulb Buddies,

Professor Plant

Our collaborations with Cardiff University in the area of heritage science continue to grow. Just before Easter, Daniel Griffiths from the School of Engineering contributed towards our goal of developing monitoring tools for use by museum conservators.

One of the routine tasks of conservators is to keep an eye on the condition of items stored in museums. Being responsible for looking after Amgueddfa Cymru - National Museum Wales’ five million objects, the team of less than 20 the conservators have their work cut out. In addition to the sheer number of objects in need of monitoring, for some categories of items there are currently issues with keeping adequate records for comparison with future condition assessments. We also want to objectivise the entire process to enable easier comparison between assessments undertaken at different times or by different people.

Presently, changes to collection items (if any) are detected by visual assessments and recording these in a text form, often supplemented with photographs. If such items are small and prone to chemical reactions, the results of which are difficult to describe, condition assessments are very difficult to undertake.

How do we make things easier, quicker and more objective? Daniel, a student in engineering, undertook a pilot study to create an overview of our options for non-invasive damage testing in geological specimens (specifically, in minerals). Some testing methods – such as acoustic emission, ultrasound, and X-ray and micro magnetic resonance imaging – were discounted early on in the project for various reasons. Any further techniques Daniel considered are based on imaging or scanning, grounded in the assumption that most damage to minerals is visible as changes in shape, integrity or colour.

Initial thoughts on using artificially aged pyrite were replaced in favour of CAD-designed and 3D-printed models of ‘crystals’: one set ‘undamaged’ and a second ‘damaged’ set with deliberately introduced yet precisely known ‘decay features’, such as holes and cuts. Daniel then scanned or imaged these models and compared the results for speed, ease of use, cost effectiveness and accuracy of recording of ‘decay’.

The best results were obtained with the Artec Space Spider, a handheld high-resolution 3D scanner based on blue light technology with easy-to-use software. The downside of this technique is the high purchasing cost of this instrument and software. Mobile phone technology, which was one of the comparative techniques, is not yet evolved enough to provide useful (i.e., good image quality, faithful recording of defects smaller than 5mm diameter) results.

The results of this study are encouraging because they provide us with a good foundation for future development work. There are questions about the faithful recording of colour, especially of reflective crystal surfaces, and combining features of storage, processing and analysis of images through one single computer program.

Daniel was supervised by Prof Rhys Pullin and Dr John McCrory from Cardiff University’s School of Engineering. We thank both of them for their support and cooperation in this project.

Find out more about Care of Collections at Amgueddfa Cymru - National Museum Wales here.