Last year, 77 finds from across Wales, all over 300 years old, were reported as treasure. My favourite treasure cases are the ones that include jewellery, especially rings. Yes, they are beautiful little objects, but they are also very personal items each with a story to tell.

I often wonder how these prized possessions end up in buried in the ground. Perhaps lost on a countryside stroll, the owner only realising with a jolt of panic once they have returned home. An argument between lovers perhaps, resulting in a ring being thrown across fields in a fit of rage. Or the remembering of a loved one with the private placing of the ring at a shared special place.

Love, in one form or another, is the common theme here, so to celebrate Valentine’s Day let’s take a closer look at some of the rings recently declared treasure in Wales.

 

A gold posy-ring dating from the late 1600s to early 1700s (treasure case 21.26 from Esclusham Community, Wrexham). The inscription inside reads ‘Gods providence is our inheritance’.

Posy rings were used to communicate secret messages of love, faith and friendship between the giver and the recipient. The wearing of hidden words against the skin offering a poignant, intimate connection.

 

 

A medieval gold fede or betrothal ring, decorated with engraved leaves and flower heads (treasure case 21.14 from Bronington Community, Wrexham).

The inscription on the outer surface reads ‘de bon cuer’ which means ‘of good heart’. The ring forms part of a hoard of coins and finger-rings dating to the Wars of the Roses during the later 15th century.

 

 

A gold finger ring, dated 1712, (treasure case 19.41 from Llanbradach and Pwll y Pant Community, Caerphilly).

The initials A. D. and E. P. are inscribed either side of two joined hearts, representing the names of the couple betrothed or married.

 

 

Remember to keep an eye on our social channels for new treasure declarations and please do check out our website to find out more.

https://museum.wales/treasure/ 

 

 

I’ll finish with a few FAQs about Treasure - everyone has heard of it, but what does it mean?

 

How is Amgueddfa Cymru – Museum Wales involved in Treasure declarations? 
Curators based at Amgueddfa Cymru provide expert advice and make recommendations to Coroners on cases of reported treasure from Wales. They compare finds with the legal definition of treasure, as set out in the Treasure Act 1996 and the Treasure Act 1996: Code of Practice (3rd Revision) of 2023. We also have Portable Antiquities Scheme Finds Officers based at our museums, who work with finders, often metal-detectorists, who show their treasure and non-treasure archaeological finds, enabling them to be recorded and reported.

 

Why does a Coroner make the decision on Treasure cases? 
The role of Coroners in treasure cases arose from the Medieval duty of the Coroner as a protector of the property of the Crown belonging to the king or queen of the day. In Middle English, the word ‘coroner’ referred to an officer of the Crown, derived from the Latin corona, meaning ‘crown’.

 

What happens to ‘Treasure’? 
When treasure finds are declared treasure by Coroners, they legally become the property of the Crown. Finders and landowners are entitled to rewards, usually each receiving 50% of the independent commercial value placed on the treasure find. The Treasure Valuation Committee, an appointed group of experts representing the antiquities trade, museums and finder groups, commissions and agrees the values placed on treasure. Interested accredited museums may acquire treasure for their collections and for wider public benefit, by paying the agreed valuation sum placed on a find.  
 

A penny and a brooch

Two rare objects have recently been kindly donated to Amgueddfa Cymru-National Museum Wales by metal detectorist, Pete Anning. One is a silver penny of King Aethelraed II (978-1013, also known as ‘The Unready’), probably minted in Gloucester during the 990s. The other is a fragment of a 7^th or 8^th century decorated copper alloy penannular brooch. Both objects were found in the same area in the Vale of Glamorgan.

The objects are unfortunately broken, but that does not lessen their archaeological importance, and the coin has been designated a find of national Welsh importance by the Portable Antiquities Scheme (PAS).

Dr Mark Redknap, Head of Collections and Research in the museum’s History and Archaeology Department, said of the brooch fragment:

“Any discovery of Early Medieval metalwork has special significance as we know so little - compared with the later Medieval period – about fashions and styles circulating around Wales. The surviving terminal is decorated with a recessed panel, ridges imitating filigree, and a central setting for a glass or amber stud. It belongs to a style of brooch characteristic of Western Britain.”

As neither of the objects are classed as treasure under the 1996 Treasure Act, they are legally the property of the finder and landowner, but luckily for AC-NMW, Pete generously decided to donate them to the museum’s collection.

Deciding to donate

Pete has been detecting for two years, and this is not the first time he has given away his finds:

“I think the most exciting thing I ever found was a Bronze Age axe head that I found after my friend (who is also a farmer) gave me call to say they had been clearing out some ditches and I might want to have a go in the spoil. After recording the find with Mark Lodwick (PAS Co-ordinator for Wales) I gave it to the farm and it now has pride of place on their mantelpiece. The axe had been there for over 3000 years and it didn’t seem right to take it away.”

When Pete found out that his penny and brooch fragments, as Welsh examples of Anglo-Saxon and Early Medieval objects, were important and rare, he decided that, “it was only right that the finds should be donated to the museum. Whether it’s 3000 years old or 30 years old, it all once had a purpose or meaning. Everything has a story.”

Once an object enters a museum collection, those stories can be told by archaeologists and other researchers, and the object will be conserved and looked after for future generations.

The value of donations

Donations are valued by museums as they do not always have a fund to purchase objects for their collections and have to rely on Friends groups or applications to funding bodies such as the Art Fund. In Wales, the Saving Treasures; Telling Stories project has been using its National Lottery funding to acquire treasure and some PAS-recorded objects for national and local collections since 2015, but this source will soon be coming to an end.

So, in the words of Dr Redknap, “We’re extremely grateful to Pete for his generous donation to the national collection.”

But whether finders donate, sell or keep their objects, Pete encourages everybody to get their finds recorded with PAS: “I had no idea what the early medieval brooch fragment was until Mark Lodwick saw it. I knew it was old…but that was it. If you’re not sure check – otherwise you could be throwing away some invaluable ancient history!”

The National Museum Cardiff was happy to host a behind the scenes tour to Brecon Detectorists, a group of keen treasure hunters who jumped at the opportunity to delve into the Amgueddfa Cymru – National Museum Wales archives.

David Hingley set up Brecon Metal Detecting club in 2011 and is enthusiastic about promoting responsible metal detecting to its members. “Everyone who comes through that door has a condition of membership – everything over a certain age has got to be registered for the Portable Antiquities Scheme, I insist upon it,” David explains. “We’re a small club, we’ve basically capped ourselves at 10. At the moment we’re 9, we’ve had a new guy just started, the big fella, Tom.”

And newcomer, Tom Haines, is no stranger to historical finds. Even before joining the club, he shared David’s passion for responsible detecting. While out walking his dog one day last year, Tom discovered a Bronze Age knife; which he reported to the Portable Antiquities Scheme so it could be properly excavated.

“By reporting it, archaeologists might want to dig it, and that ended up being the case,” he recalls. “I could have taken it home, plonked it in my own collection and no one would have learnt anything from it and it would have just crumbled away. It’s being properly preserved and looked after and archaeologists can learn a lot from it.”

The knife was just the tip of the iceberg, however, and his discovery led archaeologists to unearth a Bronze Age burial site, complete with cremated human remains. “They found a bronze age pin in there so it was a good thing that I didn’t disturb that!” The knife and pin, as well as the urn in which they (and charred bone) were discovered is currently pending through the treasure process. The hoard will likely be acquired by Brecon Museum thanks to the Saving Treasures* project.

It’s this interest in preserving archaeological artefacts that brought the club to the museum – to discover just how important their finds can be to museum researchers, conservationists and of course, archaeologists and historians.

The club’s tour kick started in the stores with Portable Antiquities Scheme Wales Liaison Officer, Mark Lodwick, where they were able to view and handle some fascinating Bronze Age axe heads. Among them was a ribbed socketed axe head found in Llancarfan, Vale of Glamorgan back in 2013 that was curiously stuffed with another, bent axe head and (seemingly) ritualistically buried.

From the stores, the group moved onto the conservation labs. Conservationists Louise Mumford and Owen Lazzari were on hand to answer any queries they may have when it comes to storing their non-treasure finds and show the club some exciting pieces they are currently working on. One of the most impressive pieces was a Viking period sword from Hawarden, which had been wrapped in textile and showed traces of a horn grip – all of which had been preserved by the rust formed on the sword! When x-rayed, the amount of original metal sword that had been left was minimal, so if the rust had been removed, Louise would not have been able to find the horn and textile traces and the sword would have been indistinguishable. Luckily, with careful excavation the sword could be professionally conserved and the horn and textile discovered – these elements could easily have had all traces of removed if proper procedure was not followed.

Another fascinating find in the conservation labs was a late Iron Age or Romano-British tankard, found as part of a hoard at Langstone that was still mostly in-tact, the wood having been preserved – a very delicate piece indeed!

The club were then able to see artefacts come to life in the art department, with resident artist Tony Daley.

David Hingley believes the visit to the museum was very helpful for both himself and his members: “I can understand the need for detectorists to be instructed in how to handle and store artefacts, and that more literature should be made available.” He explained that he learnt a lot and this new information can be put into immediate practise within in the club. David already keeps his own extensive coin collection (all of which have been processed and recorded by Mark Lodwick at AC-NMW) in acid free paper envelopes – essential for preventing further metal corrosion!

 “All the clubs try to instigate in all their members that you’ve got to detect responsibly. You’ve got to have permission and you’ve got to have the right gear. If you dig a hole in someone’s field – you’ve got to look at it from your own perspective - What would you say to someone if they came into your back garden and dug a hole in your lawn and then left it without filling it? You’d go mad, wouldn’t you?”  But this isn’t the only aspect of responsible detecting and David is keen to promote the other obligations detecting requires, such as the preservation of the objects themselves, “I am continually preaching to our members!”

David feels that more metal detectorists could benefit from taking the time to learn about the role of museums and conservation in particular. “In the field you watch detectorists kick open clods to see what’s in it - they do not seem to understand that it could contain a very fragile artefact a couple of hundred years old; and they break it or they find equally fragile artefacts and put them in pockets and not containers.”

*Saving Treasures; Telling Stories is helping museums in Wales to acquire the important finds discovered by metal detectorists like David, Tom and their club members. For more information on the project, click here.

Hello, Michelle and Alisha here – we are third year journalism students from the University of South Wales.

We are at the National Museum of Wales, Cardiff, on a one-week work placement with Saving Treasures; Telling Stories. We thought it would be interesting to study a topic completely unknown to us for our work experience, to broaden our understanding of history and how it affects us.

To begin our week, we were introduced to several museum professionals in the Archaeology department and had the opportunity to learn about the day to day running of museums and see all the work that goes on behind the scenes!  

Before working at the museum, we thought that treasure was what we’d seen in the movies - glittering chests of gold coins and shiny jewels! But when we were shown the stores in the cellar, we realised that not all artefacts are pretty to look at and many items declared treasure are of higher historical value than financial reward.

We were able to see the Conservation department, where they work to restore and carefully conserve items for the museum collections. This includes archaeological artefacts, but also pieces from the department of natural history.

After our initial exploration of the museum, our task for the week was to produce an article investigating how museums are funded and how beneficial donating archaeological finds can be to museum collections. In order to create the article, we were set a number of tasks, this included carrying out several over the phone interviews with museum curators from various museums across Wales. With plenty of research, we finally got down to business and wrote the feature, which will hopefully be published very soon!

We have really enjoyed our week in the museum, learning new things. We will miss our new friends – Alice and Rhianydd, who have been really kind and attentive during our placement. We look forward to coming back to visit and seeing new items being declared treasure.

For more information about the Saving Treasures; Telling Stories Project, in association with the Heritage Lottery Fund and the Portable Antiquites Scheme in Wales, click here.

Hello everyone, my name’s Eirini and I am a student intern in the Archaeology and Numismatics department at NMW, Cardiff. This post is the second in my series of blogs on the numismatics collection at the Museum. Last time I took a look at the collection of Ancient Greek coins and this week I am back to examine the Roman coin collection.

While the Ancient Greeks never set foot in Wales, the Romans invaded in AD 48 so there have been a great deal of Roman coins found and reported to the Portable Antiquities Scheme. Here are a few of my favourites from the collections.

Hoard of silver denarii found in Wick, Vale of Glamorgan (c. AD 165)

The 2 oldest coins date back to the Republic and are both coins of Mark Anthony while the rest date to the Empire. The front side of all of the Empire coins have portraits of an emperor, ranging from Nero (AD 54-68) to Marcus Aurelius (AD 161-180).

The most interesting aspect of this coin hoard is the variety of reverse designs on them! There are many coins dating to the reigns of Vespasian (AD 69-79) and Trajan (AD 98-117). These coins predominately feature deities and personifications on their reverse sides. Some examples of the deities featured include Jupiter, Hercules and Mars. One design that sticks out to me is the personification of peace (Pax) holding an olive branch, sceptre and cornucopia (a horn that symbolises abundance). Other personifications include Pietas (duty) and Felicitas (good fortune).

There is an extensive variety of other reverse types on the coins including representations of the emperor and his family, types of military conquest and victories, legionary types, geographical imagery, architecture, animals and propaganda.

I like how varied the imagery is on these Roman coins as later coins found in Sully (c. AD 320), Bridgend (c. AD 310) and Llanbethery (c. AD 350) as well as our modern coins tend to have the same, repeated imagery on their reverse.

Sully Hoard of copper-alloy coins (c. AD 320)

This hoard is one of the largest hoards of Roman coins found in Wales. An incredible 5913 coins were discovered in two locations, 3 metres apart in the South Wales coastal village of Sully.

The latest coins from this collection all have the same reverse design regardless of where they were minted, from London to Rome –they represent an early single currency with a standardised design not found in the earlier hoards.

However, the designs on these coins are more crude and less detailed than the earlier Roman finds.

by Sam, Mark, Hannah and Caitlin Amguedfa Cymru-Museum Wales volunteers

We are four volunteers who answered the volunteering opportunity advert on the Amgueddfa Cymru – Museum Wales website, organised by Elizabeth Walker, Principal Curator at the Museum. The opportunity was to help sort through and catalogue a collection of prehistoric stone tools.

The tools are from the substantial collection made by Henry Stopes, a private collector, in the late 19th Century. There are estimated to be between 50,000 to 70,000 artefacts, with half a million years of history, mostly British, but the collection also contains some mysterious overseas objects.

Each Thursday, with Elizabeth, we spend three hours sorting through the boxes, numbering and categorising each item. It is exciting work and is often stopped when someone finds something so unusual, they want to share it with the group. Such as a Neolithic polished axe head, broken and then clearly recycled or even a Neolithic carved ball. Elizabeth will always help us identify and assist with interesting facts about the stone tools. As we work we also hold interesting discussions which have so far ranged from Beyonce to Boer War; Neanderthals to Korean horror films! Who knows what next weeks’ topics will be.

We, as volunteers, feel fortunate to have this opportunity to be involved in this hands-on museum work, to offer our time and to be part of the recording of the Henry Stopes collection which will help with future stone tool research. Not only is this opportunity an interesting way to see how the behind the scenes works at a museum, the knowledge gained is incredibly useful to our future careers in archaeology. The amount we have all learned from just 3 hours a week is much larger than we would have thought.

So far we have sorted, repackaged and documented 4,659 tools and entered 2,265 new entries into the collection database. 

Last year, 77 finds from across Wales, all over 300 years old, were reported as treasure. My favourite treasure cases are the ones that include jewellery, especially rings. Yes, they are beautiful little objects, but they are also very personal items each with a story to tell.

I often wonder how these prized possessions end up in buried in the ground. Perhaps lost on a countryside stroll, the owner only realising with a jolt of panic once they have returned home. An argument between lovers perhaps, resulting in a ring being thrown across fields in a fit of rage. Or the remembering of a loved one with the private placing of the ring at a shared special place.

Love, in one form or another, is the common theme here, so to celebrate Valentine’s Day let’s take a closer look at some of the rings recently declared treasure in Wales.

 

A gold posy-ring dating from the late 1600s to early 1700s (treasure case 21.26 from Esclusham Community, Wrexham). The inscription inside reads ‘Gods providence is our inheritance’.

Posy rings were used to communicate secret messages of love, faith and friendship between the giver and the recipient. The wearing of hidden words against the skin offering a poignant, intimate connection.

 

 

A medieval gold fede or betrothal ring, decorated with engraved leaves and flower heads (treasure case 21.14 from Bronington Community, Wrexham).

The inscription on the outer surface reads ‘de bon cuer’ which means ‘of good heart’. The ring forms part of a hoard of coins and finger-rings dating to the Wars of the Roses during the later 15th century.

 

 

A gold finger ring, dated 1712, (treasure case 19.41 from Llanbradach and Pwll y Pant Community, Caerphilly).

The initials A. D. and E. P. are inscribed either side of two joined hearts, representing the names of the couple betrothed or married.

 

 

Remember to keep an eye on our social channels for new treasure declarations and please do check out our website to find out more.

https://museum.wales/treasure/ 

 

 

I’ll finish with a few FAQs about Treasure - everyone has heard of it, but what does it mean?

 

How is Amgueddfa Cymru – Museum Wales involved in Treasure declarations? 
Curators based at Amgueddfa Cymru provide expert advice and make recommendations to Coroners on cases of reported treasure from Wales. They compare finds with the legal definition of treasure, as set out in the Treasure Act 1996 and the Treasure Act 1996: Code of Practice (3rd Revision) of 2023. We also have Portable Antiquities Scheme Finds Officers based at our museums, who work with finders, often metal-detectorists, who show their treasure and non-treasure archaeological finds, enabling them to be recorded and reported.

 

Why does a Coroner make the decision on Treasure cases? 
The role of Coroners in treasure cases arose from the Medieval duty of the Coroner as a protector of the property of the Crown belonging to the king or queen of the day. In Middle English, the word ‘coroner’ referred to an officer of the Crown, derived from the Latin corona, meaning ‘crown’.

 

What happens to ‘Treasure’? 
When treasure finds are declared treasure by Coroners, they legally become the property of the Crown. Finders and landowners are entitled to rewards, usually each receiving 50% of the independent commercial value placed on the treasure find. The Treasure Valuation Committee, an appointed group of experts representing the antiquities trade, museums and finder groups, commissions and agrees the values placed on treasure. Interested accredited museums may acquire treasure for their collections and for wider public benefit, by paying the agreed valuation sum placed on a find.  
 

There is often some competition from people interested in archaeology to participate in Amgueddfa Cymru – Museum Wales’ student work placements, and I was delighted to secure a placement to help the museum assess and catalogue human remains. 

Joining a small group of individuals on placement, some of whom are students from Cardiff’s Archaeological Science course, we worked alongside the Curator to assess skeletons from the early medieval cemetery at Llandough, near Cardiff.  The excavations in the early 1990s produced in excess of a thousand skeletons, which have remained in Amgueddfa Cymru’s archive awaiting full examination. 

We learnt how the skeletons must be stored and handled in accordance with ethical standards for dealing with human remains.  Each skeleton is individually assessed for completeness, and sometimes it is possible to identify the sex and observe evidence of age and disease.  This information is recorded for entry into the Amgueddfa Cymru catalogue and will be useful in future research of human remains and the Llandough site, and contribute to the study of medieval archaeology more generally. 

Examining human remains provokes reflection on the lives of medieval people and, whilst it may not be for everyone, it does bring us closer to the past in a special way.  The work placement was an excellent learning experience.  The Curator, Adelle was very patient with all the questions raised by the student placements and generous in sharing her knowledge and skills.  It is a great way for Amgueddfa Cymru to engage with the public, and I am grateful for the opportunity to see behind the scenes and contribute to the work of the museum.  I hope Amgueddfa Cymru will continue to offer such opportunities for those who would like to get involved.

 

For more information on work placements for students, visit the 'Get Involved' pages of the website. It is possible to sign up to a mailing list to hear about any placements when they are advertised.

Over the past year, we have all had to stay closer to home more often. We may have discovered new local places, and started to look in more detail at familiar places. The museum has launched a new set of web-based resources to help people continue this exploration. The new On Your Doorstep webpages help and encourage others to discover local archaeology and nature in Wales. We’ve included activities for investigating and learning more, in the countryside and urban areas. If you want to delve even deeper, you can explore our natural history and archaeology collections of over 4 million specimens, and find links to our specialist sites.

Visit: On Your Doorstep: Nature, geology and archaeology in Wales

Nature Bingo

Have a go at spotting everything on our nature bingo cards. Cards for spring and summer are available now, as well as cards with more abstract terms such as ‘hooked’, ‘shiny’ and ‘slow’ to challenge you to look more closely at nature when you are out and about. Get out there and start ticking them off! Who can get a full house first? You can improve your Welsh at the same time by using both English and Welsh versions together as well as the handy hints for learners.  

Spotter’s Sheets

The spotter’s sheets in Welsh and English are there to help you to recognise more of the natural world and the archaeology on your doorstep. Use our downloadable spotter’s sheets to identify animals, plants, fossils, rocks and artefacts. They can be used as an introduction to a particular theme, to remind you of helpful identification characteristics, or to learn interesting facts about ordinary things around us in Wales.

Guides…to animals and plants

Visit the nature spotters guides webpage. 

• Garden Pond Snails. Are there snails in your pond, if so what are they?
• Hitchhikers on Ocean Plastics. Some sea creatures use floating plastic, or other waste, to travel around the world. Get in touch with us if you find any in Wales.
• Brown Seaweeds. Brown seaweeds are often the most obvious living things on a rocky shore. Learn about a few selected seaweeds to get you started on the 120 you can find in Wales!
• Red & Green Seaweeds. When you’re next on a rocky shore, try looking for these red and green seaweeds which are common features of rock pools.

Guides…to geology

Visit the nature spotter's guide webpage.

• Have I Found a Fossil? Use this guide if you are unsure whether the object you have found is a fossil or not.
• The Main Fossil Groups. Working out which group your fossil belongs to will give you an idea of how old it is and tell you something about the habitat where it lived, millions of years ago.
• Penarth Fossils. Search the beach for loose fossils at Penarth and use this guide to work out what you have found.
• Building Stones of National Museum Cardiff. Look at geology in an urban environment, and learn more about the stones used to build National Museum Cardiff.

Guides…to archaeology

Visit the discovering archaeology webpage.

• Recognising Prehistoric stone tools. This guide helps to work out if a stone you’ve found is natural or if it has been shaped by a person in the past. 
• Housing in Wales before 1000 BCE. Today’s houses are a recent innovation. Find out what type of houses were common just a few thousand years ago.
• Making axes at the end of the Stone Age. People started making polished stone axes around 4000 BCE and used them to chop down trees, impress neighbours, or beat up enemies. But where do you go to find the right rocks to make an axe in Wales?

Get involved!

You can share archaeological finds with us on Twitter via @SF_Archaeology, and natural history finds via @CardiffCurator.

We currently have a project looking at new animals rafting across seas and oceans to Wales on plastics, so we really want to hear from you. Tell us if there are any other spotter’s sheets you’d like us to make. And if you complete any of our nature bingo cards, feel free to boast on social media by sharing your nature photos with us! To let us know about more sensitive things such as dinosaur footprints or rare plants, or for more help, please get in touch with our Museum Scientists.

Look out for more activities and features appearing on the ‘On Your Doorstep’ webpages through the year and keep an eye out for more archaeology which will launch fully for the 2021 Festival of Archaeology during July.

Shwmae! My name is Adelle, and I’m a PhD student at Cardiff University studying Iron Age mortuary practice in southwest Britain. I’m going to tell you about my amazing experience and some things I learned volunteering as part of the excavation team of the now-famous Iron Age chariot burial in Pembrokeshire. I’ll start from the beginning…

Left to right: Chariot burial volunteers Tiffany Treadway, Felicity Sage (Dyfed Archaeological Trust), Owen Lazzari, Adelle Bricking (me!), and Michael Legge enjoying the beautiful scenery and each other’s’ company after a long day of work.

 

 

The Story

I received an email in the spring of 2018 inviting me to help with an excavation of what was thought to be an Iron Age hoard discovered in a farmer’s field somewhere in Pembrokeshire. I had dreamt of the day I’d get to excavate anything Iron Age, as my passion for Welsh prehistory inspired me to move from my home in rural Kentucky (USA) to study at Cardiff. I had no idea that this opportunity would lead to the most rewarding, enriching, and educational experiences of my life.

The dig site was in a beautiful field near the entrance to a spectacular Iron Age promontory fort that was previously unknown. The thought that there is still so much left to discover about the prehistory of Wales left me buzzing with inspiration and wonder. I had never been to this farm in Pembrokeshire but it somehow felt warm and familiar, like an old friend; it felt like coming home after a very long journey.

The initial excavation was…hot, to put it mildly! The clay we were digging baked in the sun as temperatures climbed to 32 degrees. The archaeology didn’t quite make sense as we searched for the rest of the “hoard”. And then, Mark Lewis, the curator at the National Roman Legion Museum at Caerleon (and whom I am pretty sure is actually a Time Lord from Gallifrey), uncovered the top of a massive iron tyre. This was no hoard—it was a chariot burial. The first one found outside of Yorkshire and Edinburgh; here in Wales. The whole team stopped and gathered around the tyre. We stood there in silence in a mutual understanding that everything we thought we knew about the Iron Age in Wales was about to change. Some of us grabbed onto each other in fear of falling off the face of the earth as our worlds turned upside down!

A chariot burial was beyond our timescale, and we needed the help of skilled conservators to ensure the survival of the 2,000 year-old metalwork. It was a long year until we were able to go back to uncover the chariot. With a bigger team, more time, more rainfall and more volunteers, we successfully uncovered the first chariot burial in Wales this spring. I sometimes go down to the Archaeology Conservation Laboratory at National Museum Cardiff to say hello to the chariot pieces and wish them luck as they embark on their new journey towards restoration! Louise Mumford, our archaeological conservator, is like a wizard bringing ancient and long-forgotten objects back to their former glory.

What I Learned

I learned more about archaeology during that excavation than I ever could have imagined. The combined knowledge of these archaeologists that I have long admired was mind-boggling, and I tried my best to soak in every delicious morsel of free expertise. I had read some of their books; these men and women had been teaching me since before I left Kentucky. As we discussed practice during work and theory over dinner, I felt myself becoming much more confident as an archaeologist.

Some of the dig team from Dyfed Archaeological Trust and Amgueddfa Cymru – National Museum Wales and I carefully excavating the chariot under the shelter during the second excavation season.

Aside from growing as a researcher, I gained a much greater understanding for the public’s perception of archaeology. The archaeology of Wales is not a niche interest for academics—as heritage, it belongs to everyone, and people are very often as enthusiastic about it as I am. For example, one of my favourite aspects of the excavation was spending time with the farmer who owns the land and his family. It was heart-warming to see their interest in not just the things we were digging up, but how we were doing it. To have our field of work understood and appreciated for the (sometimes painfully slow) process that it is, was rewarding.

After the chariot was excavated and all the parts safely lifted. A circular ring ditch with an entrance surrounded the chariot burial.

This satisfying combination of archaeological practice and public engagement has inspired me to continue volunteering at the museum for the Portable Antiquities Scheme in Wales (PAS Cymru). Without PAS, this excavation wouldn’t have happened, and this significant part Wales’ story would have remained untold. PAS is giving an invaluable gift to the people of Wales by documenting their material heritage and making it easily accessible to everyone. I am honoured to be a part of it, and I feel better equipped to use my own research to give back to the public.

Get involved!

I encourage everyone to volunteer for archaeological excavations. It’s one thing to see beautiful ancient objects behind glass cases, or 2D images in a book, but to be there as the earth gives way and the object is reborn from it, is nothing short of magical. It’s dirty, often laborious, but the friendships made, the knowledge gained, and the magical sense of discovery is worth every drop of sweat as we rediscover lost memories from our ancient past.

Me (right) recording Mark Lewis (left) as he prepares to help lift the tyres during the second excavation season. If digging isn’t your thing, there’s lots of other jobs to do at an excavation, including photography and recording video footage.

I hope to see some new faces at future excavations. Iechyd da!

 

The project was supported by The National Lottery Heritage Fund