Blog: Archaeology: Portable Antiquities Scheme (PAS Cymru)

What happens at a treasure hearing

Alice Pattillo, 21 March 2018

You might have heard of various archaeological artefacts being declared treasure by coroners, but what exactly does this entail?

Treasure hearings are one of the most cheerful aspects of a coroner’s job. Amongst all the heartache and mourning that goes with knowing the ins and outs of people’s (sometimes tragic) passing, many coroners look forward to declaring pieces of the past treasure. Not only do these items bring the coroner pleasure, but they are landmark pieces of local history that have been hidden from us for hundreds of years.

Last Thursday, 15th March, Mark Layton, HM Coroner for Pembrokeshire, declared 6 local discoveries treasure at Milford Haven Coroners Court - and I was privy to the process. First and foremost, I learned that what goes on in the court is mostly a formality. The experts at NMW offer thoroughly researched reports and advice on whether each item is treasure and Coroner’s Clerk, Gareth Warlow, compiles all the evidence prior to the hearing.

This particular hearing was full of some really stunning pieces, including a beautiful 16th Century gilt ring and a fragment of a silver Viking arm ring. The arm ring is an important piece in the puzzle that is Pembrokeshire’s possibly Nordic-influenced past. Finder, Ken Lunn was there to witness the confirmation of his landmark discovery being officially declared treasure.

But it was a post-medieval silver scabbard chape that really drew in the crowds. With the landowner attending as well as the finder’s entire family! While it may sound surprising for this to be a family affair, it is certainly exciting to see a piece of metal you have discovered on an old patch of land be confirmed as an important enough part of local history to have it marked as treasure. If only more finders would attend and take part in celebrating their role in helping the experts to build up a bigger picture of Wales’ rich history – even if it was a quick stop before Birthday lunch!

After recording each artefact and offering any comments or objections to be voiced by both landowner and finder, Mr Layton declared all the objects treasure and they will now be sent on the intrepid journey to the British Museum for valuation. They will then be acquired by Welsh museums thanks to the Saving Treasures; Telling Stories Project, funded by the Heritage Lottery Fund.

It may be a long, arduous road for these little glimpses of history, but it’s important they are accurately recorded so we don’t miss on any little glimmer of light they may shine on the past.

Click here for more information on Saving Treasures; Telling Stories.

Discovering Ancient Greek coins with Eirini

Eirini Anagnostou, Alice Pattillo, 16 March 2018

Hi, Eirini here – I am a student intern in the Archaeology and Numismatics department at NMW, Cardiff. I’ve been taking a look at the museum’s extensive coin collection and will be creating a series of blogs on each of them.

Today I am looking at ancient coins from my home country of Greece. The collection of Greek coinage dates back to over 2000 years ago, but the designs are in great condition. They are all made of silver or gold and we can see the development of currency through them – beginning with rough coins that look like ingots to detailed chunky coins featuring Emperors faces, some from Macedonia and Byzantium as well as famous leaders like Alexander the Great.

I’ve picked my two favourite coins from the collection:

Alexander the Great, Macedonian Drachma

4 Drachum from Pella, Macedonia (dating to 315BC) features Alexander wearing a lion skin, the symbol of Greek hero Hercules, on the front with Alexander’s name inscribed on the back next to an image of Zeus. This design was mimicked by Emperors following Alexander’s death.

I like that this coin is in such good condition. We can see the details of Alexander’s face – it’s impressive considering the tools they had! You can read the inscription clearly despite how old it is.

Byzantine Empress Theodora, Constantinople Nomisma

 A gold tetarteron dating from the reign of Theodora (AD 1055-1056) featuring a portrait of Theodora holding a sceptre and orb, on the other side is a depiction of Jesus Christ. The same iconography of Jesus was used on other Byzantine emperors’ coins, but with their own portraits in place of Theodora’s.

I like how this coin is also in great condition, however, the artwork is much simpler on Byzantine coins with less intricate detailing.

Next week, I will be looking at some Roman coins - a common metal detectorist find in Wales. Greek coins, unfortunately, aren't found in Wales as Greece never invaded the British Isles! Remember to always report any findings to the Portable Antiquities Scheme to allow us to keep learning from the past.

Medieval goings on at Wrexham Museum!

Alice Pattillo, Tom Price, Leon Thomas, 7 March 2018

Wrexham Museum is currently hosting their Buried in the Borderlands community archaeology project, a project based around a hoard of Medieval silver and gold coins and a stunning sapphire and gold ring discovered by metal detectorists in Bronington.

Thomas and Leon are students working hard on the Bronington Hoard project at Wrexham Museum, learning about the value of the coins and archaeology. Read more about them here.

The duo have been keeping us updated of their work experience progress. Leon has been working on an information booklet about the hoard while Tom has been focused on making a craft session for the children who come to the museum.

“I’ve been looking into some ways to make coins out of clay or foam board and some paint. I’ve also been looking at ways to be able to print the patterns on the coins onto the craft coins,” explains Tom. All their effort has been paying off, as the boys are getting involved with events this Easter holiday time.

“We’ve recently decided what we’ll be doing in our craft session during the Easter holidays. We’ll be making coins! We’ll be introducing families to the hoard and get them to make their favourite coin out of clay. The clay and metallic paint we’ve ordered arrived this week! We look forward to seeing some of you at our ‘Make & Take’ craft session at the museum on Tuesday, April 3rd, 10.30am – 12.30pm.”

Leon explains that they are also excited to hosting a visit from History Matters, a 15th century re-enactment group who are visiting Wrexham Musuem on May 30th. “They’ll be showing us and our visitors all about everyday life when the hoard was buried,” explains Leon. “We’re looking forward to learning about what people and ate. It’d be great to see you there! You might even spot us in period dress.”

Meanwhile, Leon has been working on an information booklet for visitors for when the hoard actually goes on display at the museum in March. “It’s more difficult than I first thought!” he admits, “trying to write enough information and make it interesting without being too dull or boring. I’m getting great help from the museum staff though. My booklet will be translated, designed and printed so I’m looking forward to getting all the information written to share with you.”

Click here for a full list of events being held at Wrexham Museum

The Buried in the Borderlands Project is funded by the Heritage Lottery Fund via the Saving Treasures; Telling Stories Project.

Meet our student intern: Eirini!

Alice Pattillo, 23 February 2018

As we are sure you are aware, there's a lot that goes on behind the scenes at the National Museum of Wales, including research, conservation and work experience. This week is Student Volunteering Week and in honor of this, we have taken the time to find out a little bit more about one of our interns, Eirini...


Profile

Name: Eirini Anagnostou

Job title/ Role: Intern

Department: History and Archaeology, National Museum Cardiff


Where you are you from?

Greece

What are you studying?

I am a student of Aristotle University of Thessaloniki, studying Archaeology and History of Art

Why did you choose to study Archaeology and History of Art?

I've been interested in Art since high school, particularly Contemporary but also Renaissance and Byzantine art and I am also interested in cultural history and civilisations.

What are you doing here?

Erasmus+ placement programme, working as an intern updating the Portable Antiquities Scheme Cymru database – I’ve worked here for 2 months so far!

What are your main duties?

Using the Photoshop programme and processing images of artefacts found by mainly metal detectorists to go on the PAS database.

Next week I will be doing some photography, and working on developing stories on a collection of Ancient Greek coins. I am also hoping to have input into the development of an exhibition concept.

Why did you come to Cardiff?

I visited Cardiff three years ago and I liked the city. I chose the National Museum because it is one of the biggest museums in the UK. I think it’s a good experience for my personal development and future aspirations.

Are you enjoying your time in Cardiff?

Yes, Cardiff is a lovely city with friendly people. There are many things to do and a beautiful castle!

What have you enjoyed the most about working at NMW?

The working environment here is very friendly and helpful. I’ve learnt a lot and I’ve had the opportunity to see the galleries – I was amazed at the extensive collection of Impressionist paintings!

Have you seen anything that’s not currently on display that particularly interested you?

I’ve never seen so many artefacts before – I’ve never seen bones and prehistoric artefacts like those collected in the museum’s stores, and I enjoyed having the opportunity to see them.

What do you hope to learn from this experience?

I hope to learn how a museum works because I’d like to do a Masters in Museum Studies and possibly become a curator. I am still deciding where to study for my Masters degree. I also am enjoying experiencing living abroad and I hope to continue travelling for a couple more years.

To see more content related to the Portable Antiquites Scheme and the Saving Treasures; Telling Stories Project, a project currently working with PAS and local metal detectorists and communities to record all archaeological findings, click here.

Bronze Age discovery dishes the dirt on Swansea's heritage

Alice Pattillo, 2 February 2018

Swansea has a whole host of treasures just lying within its midst, from the Red Lady of Paviland to the 4200 year old flint dagger that formed the basis for Saving Treasures; Telling Stories first Community Archaeology project, ‘The Lost Treasures of Swansea Bay’. With the rip roaring tides, miles of beaches and hidden caves waiting to be discovered, you’d expect the sea (for which the city is named) to occasionally stir up something significant; but what about an unassuming Welsh livestock farm? Doesn’t sound like the setting for a major archaeological discovery, does it? Suprisingly, that’s exactly where local man, Geoff Archer, picked up one half of a Middle Bronze Age copper-alloy palstave axe mould dating somewhere between 1400-1200 BC.

It was over two decades ago when Geoff first picked up a metal detector, having first taken it up as a hobby after he got married. But it wasn’t until he retired last year that he was able to really get out into the field, and armed with a pair of wellies and a brand spanking new detector, he decided to venture to one of his old jaunts – a farm not far from his home.

“Over the last few nights I’d been thinking about going to the farm and something was telling me to go to the right hand side of it, just to walk the fields,” he explains, “so that’s what I did.” After traipsing around in the mud for a few hours, Geoff stumbled upon a patch of uneven terrace he couldn’t help but investigate.

Unearthing History

“I got to the lumpy, bumpy parts, had a couple of signals – nothing much.” But then Geoff had another signal, “a cracking signal” and realised it was time to dig around in the dirt to find out what it was. Figuring it would just be another case of random odds and sods, or a coke bottle lid (they find an abundance of litter!) he was surprised to hear a clunk.

“I hit this bloomin’ great big stone, so I dug around it, lifted up a clod of earth” and underneath yet another stone he noticed something interesting inside the muddy cave, something not made of rock. “What the heck’s that?” he thought, picking up the oddity with care. 

“I pulled it out and on the back end of the mould there’s, like, ribs.” This prompted Geoff to recall a discovery he made about 15 years ago, when he wasn’t so rehearsed in Bronze Age metalwork.

“Going back, must be about 15 years ago, I found an item - I didn’t know what it was. I wasn’t experienced enough then. So this item, I took it home and I put it in the garage, as most detectorists do!” He had a feeling it was important but wasn’t sure why.

After a few years of picking the item up off his work bench and trying to decipher its meaning, Geoff decided to take it up to the kitchen and do some research. “So I started buying books to research Roman, believe it or not, alright? So, I bought this book and I was looking through it. I got to the part for the Stone Age, read that. Then I got to the Bronze Age, and I turned a couple of pages and there was the item I’d found! Bronze Age Axe Head. My jaw just dropped, right? And the Bronze Age Axe Head had ribs on the outside.”

Devastatingly, Geoff has misplaced the axe head, which he is now, more than ever, desperate to locate – and even more upsetting still, it’s the same type of axe as the mould he discovered 15 years later would have been built to make. “It’s what they call a loop, I think it’s got two loops on this one, each side, where they used to put, if you can imagine, the Bronze Age axe head. It’s flat, but this part at the back, its round and they put it over the wood and then they loop it, they tie it onto the wood to secure it.”

Monumental findings

When Geoff uncovered the mould, he immediately realised its importance thanks to his previous finding – but he still wasn’t entirely certain of what it was he’d discovered. “On the inside of the mould, there’s like a round piece, like in the middle part. I honestly thought at that time that it was a bit off a tractor, because it was so… the engineering of it, the precision engineering of it! But in the back of my mind I was thinking it can’t be off a tractor because it’s got these ribs at the back from this Bronze Age axe that I found.”

After digging out some modelling clay and experimenting, he came to the realisation that what he’d found was an axe head mould. Geoff phoned up one of his buddies at Swansea Metal Detectorist Club for a second opinion and after a positive diagnosis by them both, he took it along to a club meeting.

“As it so happened, it was our ‘Find of the Month’ meeting!” Geoff explains. “So I won find of the month for the artefact and Steve, our Finds Liaison Officer, said ‘you’d better show this to someone in Cardiff because they are going to be interested.’ So, photographs were sent to Cardiff [National Museum of Wales] and they wanted to see it. I went with Steve to Cardiff and the mould’s been there ever since!”

Mark Lodwick, the Portable Antiquities Scheme (PAS) Cymru Co-Ordinator at The National Museum of Wales in Cardiff confirmed Geoff’s identification and has recorded the item so it can be used in further research and study.

Under the Treasure Act, the mould isn’t classed as ‘treasure’, so why is it so special? “It’s the only one that’s been found in South West Wales,” Geoff enthuses, “and it’s the second one that’s been found in Wales. The other one was found in a hoard of axes in Bangor in the 1950’s, so this is the first one that’s been found since then!”

Preserving the past

Geoff is in utter disbelief that he was the one to stumble across the important artefact, which has been conserved at the National Museum of Wales, Cardiff, but, eventually he’d like it to end up back home at Swansea Museum.

Having reported the axe mould to the museum, Geoff sees this as an important part of his role as a treasure hunter. Letting other people view the item, he says, “gives other people a chance to understand about their locality, of what’s been going on.”

“I think it opens up a new chapter in [Swansea’s history]. There’s a bit of history regarding the Bronze Age but to find something like an axe making product in Swansea, which has never been found before - it opens up a new chapter of where these people were living and how far were they living on the fields of that farm,” explains Geoff. “That’s my quest now I suppose, is to try and find out – keep walking the fields and I might find the other half, I don’t know.”

With hopes of the axe mould ending up in Swansea Museum, Geoff is keen that people will be interested in viewing his remarkable find. “The more publicity it gets the better!” he says. “The more people who know about this the better as far as I am concerned, because it’s the first one to be found in South West Wales and the second one to ever be found in Wales – so don’t tell me that’s not important.”

To discover more about Swansea’s Bronze Age history and see some fascinating Neolithic archaeological artefacts visit Swansea Museum, entry is free!

Words: Alice Pattillo

Donations of Archaeological Objects to Museums

Rhianydd Biebrach, 4 July 2019

A penny and a brooch

Two rare objects have recently been kindly donated to Amgueddfa Cymru-National Museum Wales by metal detectorist, Pete Anning. One is a silver penny of King Aethelraed II (978-1013, also known as ‘The Unready’), probably minted in Gloucester during the 990s. The other is a fragment of a 7th or 8th century decorated copper alloy penannular brooch. Both objects were found in the same area in the Vale of Glamorgan.

The objects are unfortunately broken, but that does not lessen their archaeological importance, and the coin has been designated a find of national Welsh importance by the Portable Antiquities Scheme (PAS).

Dr Mark Redknap, Head of Collections and Research in the museum’s History and Archaeology Department, said of the brooch fragment:

“Any discovery of Early Medieval metalwork has special significance as we know so little - compared with the later Medieval period – about fashions and styles circulating around Wales. The surviving terminal is decorated with a recessed panel, ridges imitating filigree, and a central setting for a glass or amber stud. It belongs to a style of brooch characteristic of Western Britain.”

As neither of the objects are classed as treasure under the 1996 Treasure Act, they are legally the property of the finder and landowner, but luckily for AC-NMW, Pete generously decided to donate them to the museum’s collection.

Deciding to donate

Pete has been detecting for two years, and this is not the first time he has given away his finds:

“I think the most exciting thing I ever found was a Bronze Age axe head that I found after my friend (who is also a farmer) gave me call to say they had been clearing out some ditches and I might want to have a go in the spoil. After recording the find with Mark Lodwick (PAS Co-ordinator for Wales) I gave it to the farm and it now has pride of place on their mantelpiece. The axe had been there for over 3000 years and it didn’t seem right to take it away.”

When Pete found out that his penny and brooch fragments, as Welsh examples of Anglo-Saxon and Early Medieval objects, were important and rare, he decided that, “it was only right that the finds should be donated to the museum. Whether it’s 3000 years old or 30 years old, it all once had a purpose or meaning. Everything has a story.”

Once an object enters a museum collection, those stories can be told by archaeologists and other researchers, and the object will be conserved and looked after for future generations.

The value of donations

Donations are valued by museums as they do not always have a fund to purchase objects for their collections and have to rely on Friends groups or applications to funding bodies such as the Art Fund. In Wales, the Saving Treasures; Telling Stories project has been using its National Lottery funding to acquire treasure and some PAS-recorded objects for national and local collections since 2015, but this source will soon be coming to an end.

So, in the words of Dr Redknap, “We’re extremely grateful to Pete for his generous donation to the national collection.”

But whether finders donate, sell or keep their objects, Pete encourages everybody to get their finds recorded with PAS: “I had no idea what the early medieval brooch fragment was until Mark Lodwick saw it. I knew it was old…but that was it. If you’re not sure check – otherwise you could be throwing away some invaluable ancient history!”

United Nations international year of the periodic table of chemical elements: June - silicon

Tom Cotterell, Lucy McCobb, Elizabeth Walker and Ingrid Jüttner, 30 June 2019

Into June and we have selected silicon as our element of the month. This element might not be instantly recognisable as of significance to Wales, but it does have an interesting history.

Silicon (chemical symbol – Si), atomic number 14, is a hard but brittle crystalline solid, with a blue-grey metallic lustre. Silicon is the second most abundant element (about 28% by mass) in the Earth’s crust after oxygen with which it has a strong affinity. Consequently, it took until 1823 for a scientist - Jöns Jakob Berzelius – to prepare it in pure form.

In Wales, silicon is present virtually everywhere in one form or another: from quartz (silicon dioxide, SiO2) in sedimentary siltstones, sandstones and conglomerates; complex silicates in igneous and metamorphic rocks; to sediments in soils.

Silica (silicon dioxide, or quartz) was mined extensively in the Pontneddfechan area, in South Wales, from the late 18th century until 1964 for the manufacturing of firebricks for kilns and furnaces. It occurs as a very pure material highly concentrated in quartzite within a geological unit known as the Basal Grit. Weathering and erosion of the quartzite has produced deposits of silica sand and this was extensively quarried for the production of refractory fire bricks for the smelting industries.

In North Wales, a little-known trade in rock crystal – a colourless, glassy variety of quartz crystal – took place in Snowdonia during the 18th and 19th centuries centred upon the village of Beddgelert. T. H. Parry-Williams refers to this in one of his writings. Miners and mountain guides searched for veins of quartz in the mountains and collected crystals to sell to tourists as curios and some were possibly used to make crystal chandeliers. Later, crystals were occasionally discovered in the vast slate quarries, or during the large-scale construction of forestry tracks during the 1960s.

Silicon, as silica (another name for silicon dioxide) is also important to certain organisms. In particular diatoms and sponges.

Diatoms are single-celled microscopic algae with a complex cell wall made of silica. They are abundant in all waters, produce oxygen and are food for other aquatic organisms. Diatoms are also frequently used to monitor water quality.

Sponges build their skeletons from a framework of tiny elements called spicules, which are made of silica in most sponge groups.  One of the most beautiful examples is the Venus’ Flower Basket glass sponge, which lives anchored to the deep ocean floor near the Philippines.  A pair of shrimps lives inside this sponge, breeding inside it and spending their whole lives protected within its delicate glass walls.  Thanks to this unusual symbiotic relationship, the dead skeletons of Venus’ Flower Baskets are a popular wedding gift in Japan.

Sponges are the most primitive kind of animal on Earth, and their resistant spicules are found as fossils from as far back as 580 million years ago. Silica is also important in the preservation of other types of fossil.  When dead animals or plants are buried, silica from groundwater can fill in the pores and other empty spaces in wood, bone or shells, and/or it can replace the original remains as they decay or dissolve.  This is most common in areas where the groundwater has high silica levels, due to volcanic activity or erosion of silica-rich rocks.  The organic remains act as a focal point for silica formation, and often the rock surrounding the fossils is made of different minerals.  For example, shells that were originally made of calcium carbonate can dissolve and be replaced by silica, whilst being fossilised within limestone (calcium carbonate).  Extracting the fossils is a simple process of putting the rock in some acid and waiting for it to dissolve, leaving behind the silicified fossils.  The Museum’s fossil collections include many silicified shells of brachiopods, ammonites, bryozoans and other sea creatures.

One of the most spectacular types of fossil preserved in silica is ‘petrified wood’.  Silica replaced the original cells of the wood as it decayed and also filled in any gaps, literally ‘turning it to stone’.  In some places, including Patagonia and the USA, whole tree trunks replaced by silica are found in so called ‘petrified forests’.  Other plant fossils, such as cones, can also be fossilised in this way.

Chert is a rock made of very small crystals of silica.  Many major chert deposits formed at the bottom of ancient oceans from ‘siliceous ooze’, which is made of the skeletal remains of millions of tiny organisms including diatoms and radiolarians (single-celled plankton).  Chert nodules can also form within other rocks through chemical processes. 

Chert found within chalk is known as flint, and was a very important material for making tools throughout Prehistory. Tools are made by knapping, that is striking a prepared flint edge, or striking platform, with a harder stone to detach pieces called flakes or blades. These flakes, blades, and indeed the core from which they are struck can then be modified with secondary working into fine tool forms. Amongst the most skilful are fine arrowheads, including these from a Bronze Age grave at Breach Farm, Vale of Glamorgan, Wales. Flint was generally the material of choice for making sharp cutting tools as it is so fine-grained and fractures conchoidally and cleanly it gives a really sharp cutting edge. Indeed, so much so, that anecdotally eye-surgeons are reported to occasionally use a freshly struck flint blade in the operating theatre!

Because it is very fine-grained and hard, chert can preserve fossils of very small things from far back in our planet’s history.  The oldest potential fossils on Earth are found in cherts, and include the possible remains of bacteria from over 3 billion years ago.  Younger fossils, from the Rhynie Chert of northern Scotland, provide a glimpse of one of the earliest land communities, 400 million years ago.  Simple plants, and animals including primitive spider-like creatures and scorpions, were preserved in fine detail thanks to silica-rich water from volcanic hot springs.

Opal is a hydrated form of silica, meaning that it contains between 3 and 21% water.  Unlike standard silica, it does not have a set crystal form, but some of its forms diffract light, creating a beautiful iridescent effect in a variety of different colours.  For this reason, opal has been prized for centuries as a gemstone for making pendants, rings and other jewellery.  Australia produces a lot of the world’s opal, and is also a source of rare and spectacular opalised fossils.  The shells of invertebrates such as belemnites (prehistoric squid-like creatures), and even dinosaur bones, have been replaced by opal, creating very colourful specimens in a world where fossils are usually grey or brown.

United Nations international year of the periodic table of chemical elements: May - lead

Sally Carter, Mark Lewis and Tom Cotterell, 30 May 2019

Continuing the international year of the periodic table of chemical elements, for May we have selected lead. Everyone knows that lead is heavy, or more correctly dense, but did you know how important it was to the Roman Empire?

Mad, bad and dangerous to use – lead in Roman times

In Roman times lead was used extensively throughout the Empire. The chemical symbol for lead is Pb which comes from the Latin word for lead, plumbum, and is also the derivation of the word ‘plumbing’.

The extraction of lead ore is reasonably straightforward, and there was an abundant supply within the ever expanding empire. As well as being easy to find and one of the easiest metals to extract, lead is soft and malleable, has a relatively low melting point of 327.5°c (“low enough to melt in a camp fire”) and it is much denser and heavier than other common metals. It is also possible to cast it. This meant that it was widely produced and used for an enormous range of purposes from industrial to domestic.

The Romans were famous for their plumbing systems, and as lead pipes replaced older constructions made of stone and wood, ever more elaborate plumbing systems could be created. In 2011 during the excavation undertaken by Cardiff University of the Southern Canabae at Caerleon an example of a lead water pipe was excavated close to the amphitheatre. It has a diameter of 0.12m, is bulged in the middle where two lengths of pipe have been joined using a wiped joint, and there are remains of a round collar pierced by iron nails at one end (to the left in the image) where it was probably attached to a wooden tank or pipe. As can be seen, the main pipe has been tapped by a narrower pipe and they were presumably used to feed a fountain or water feature within the large courtyard building found alongside.

The malleable nature of lead, and its relatively low melting point also made it very useful for soldering and repair work, for architectural fittings and for lining containers. It was even used as a type of Rawlplug.  Its density made it ideal for weights and its abundance made it cheap enough to be used in a whole range of everyday objects, from a variety of containers, to lamps used to light Roman homes, luggage labels and stamps of all varieties. It was used in paint and in medicines and cosmetics and it was even used to sweeten and colour wine. Perhaps most important of all most ores of lead also contain a small quantity of silver and, in some instances the value of silver outweighed the value of lead. For an economy so dependent on silver this precious by-product was of great importance.

A perfect example of the everyday use of lead is the Roman lead bread stamp from Prysg Field in Caerleon (see the image on the right). Within the Fortress bread was baked in a communal oven and the bread stamps were used by each Company to clearly identify their bread ration for the day. The one in the photograph below was for the ‘Century of Quintinus’.

The simple lead lamp from Gelligaer near Caerphilly (shown on the right) illustrates a common form found on Roman sites – cheap and utilitarian. The main tray would have been filled with tallow (animal fat) and a wick would have extended to the raised area.

The wonderful curse tablet (shown on the right) found at Caerleon is the only such object so far recovered from Wales. It clearly illustrates the malleable and soft nature of the metal but also links to its cultural status as a ‘base’ metal. Scratched into the surface of the lead is a curse invoking the aid of the goddess Nemesis against a thief of a cloak and boots.

Research has shown that the letters of the inscriptions at Caerleon were painted exclusively using a red pigment called litharge (PbO), also known as red lead. Traces of red can still be seen on a stone inscription found at the Amphitheatre in Caerleon (shown on the right).

The heavy quality of lead meant that the Romans used it to make weights or to weigh things down. A Mediterranean style anchor stock from a small cargo ship was found just off the coast of the Llyn Peninsula at Porth Felen, Aberdaron.

The Romans cast the lead they mined into ingots known as ‘pigs’. Originally the lead mines in Britain were under the direct control of the Roman Authorities but this responsibility was later handed over to trusted local agents who leased the lead mines out to local companies on payment of a levy. A Roman lead pig found at Carmel in Whitford shows the insignia of one such agent, Gaius Nipius Ascanius. Other examples found in Britain have marks such as “EX ARG” (Ex argentariis), indicating that it was from a lead-silver works, or Deceangl[icum] indicating it was lead from the Deceanglic (Flintshire) region.

Lead in Roman Wales

According to Pliny, lead “is extracted with great labour in Spain and throughout the Gallic provinces; but in Britannia it is found in the upper stratum of the earth, in such abundance, that a law has been spontaneously made, prohibiting any one from working more than a certain quantity of it.” (Natural History, Book 34, Chapter 49)

Lead was so important to the Romans that they started extracting the ore almost as soon as they arrived in Britain. The Mendip area around Charterhouse in modern day Somerset was an important area for lead mining and evidence shows that mining began here as early as AD49. Originally mining was under the control of the Army, and in the Mendip Hills at this time that was the Second Augustan Legion. Their experience in overseeing the extraction of lead mines may well have proved useful when the Legion transferred to their new headquarters in Caerleon in AD74/5.

The area around Draethen woods near Lower Machen, contained lead ore reasonably high in silver content, certainly comparable to the Mendips and higher than any other lead ores to be found in South Wales. Draethen is just 10 miles away from Caerleon, about the same distance from the Roman fort at Gelligaer and even closer to the fort at Caerphilly. In 1937 work on the construction of a new bypass in Lower Machen uncovered evidence of Roman occupation, including evidence of a working floor with layers of charcoal and numerous pieces of lead and lumps of lead ore.  Nash-Williams (Archaeologia Cambrensis, 1939) states that the early date of the pottery and coin finds suggest that Lower Machen “was certainly in Roman hands by the time of the completion of the Roman military conquest of South Wales in AD75, possibly before”. More recent discoveries of pottery also suggest an occupation period of c AD 70-100.

The 1965 exploration of ‘Roman Mine’ in Draethen throws more light on Roman lead mining in this area. In Roman times lead ore was extracted by laying wooden fires against the rock, heating the rock to a high temperature and then throwing cold water or vinegar onto it. This caused the rock to split into smaller pieces which could then be sorted by hand within the mine. The waste, known as ‘deads’, was packed into side chambers and empty crevices and the ore was brought to the surface on wooden trays or in leather sacks and wooden buckets. The evidence found within Roman Mine exactly matches this technique. Charcoal was found throughout the mine, even in the smaller tunnels, and the side chambers were filled with waste. The walls and roof of the tunnels were covered in a thick black patina caused by the production of an enormous amount of smoke. The creation of so much smoke also meant that the Romans had to sink shafts at regular intervals in order to create a through draft and the main passage of Roman Mine has many such outlets. No tools were found in Roman Mine but pick marks are frequent throughout the tunnels.

Who worked these mines? Nash-Williams (Archaeologia Cambrensis, 1939) presumes that the labourers who worked in Draethen were “slaves and convicts working under the supervision of a military guard, and the settlement would be under the control of an officer or government official.” It is likely that the lives of these miners were short and judging by the very small spaces of some of the worked areas within Roman mine it is possible that some of the labourers were children.

A detailed report on the lead mines in Draethen can be found here and more information about the objects found during the exploration of the mine can be found here.

Control of Substances Hazardous to Health (COSHH) - Lead poisoning in Roman times

Lead, despite all its many useful qualities, is also toxic. When ingested or inhaled, lead enters the bloodstream and inhibits the production of haemoglobin which is needed by red cells to carry oxygen. When lead levels in the blood increase it has a devastating effects on the body, including irreversible neurological damage. Children are particularly vulnerable because their tissue is softer and their brains are still developing.

Contemporary writing makes it clear that Romans were aware of the dangerous effects of lead and knew it could lead to insanity and death.

Pliny, in his Natural Histories, wrote about the noxious fumes that emanated from lead furnaces. Vitruvius in De Architectura suggests the use of earthen pipes to convey water because “that conveyed in lead must be injurious to the human system.” He goes on to note that “This may be verified by observing the workers in lead, who are of a pallid colour; for in casting lead, the fumes from it fixing on the different members, and daily burning them, destroy the vigour of the blood; water should therefore on no account be conducted in leaden pipes if we are desirous that it should be wholesome.” Celsus in De Medicina urges the use of rain water, conveyed through earthen pipes into a covered cistern.

However, although some advised against its use it was such a commonly used and important metal that it was almost impossible to manage without it. The vast majority of Romans probably remained unaware of the dangers and continued to use it in their everyday lives.

The study of lead levels in individuals from the Romano-British period is enabling researchers to gain a greater understanding of normal levels for different regions, and allows a growing degree of confidence in the identification of immigrants into an area.  In complementary isotope studies the remains of the man found in the coffin at Caerleon showed lead concentrations of 4 parts per million (ppm), preserved in his teeth, which is typical of someone from the local area at this period.

Lead pollution in Ancient times.

The Romans’ extensive use of lead gives us a fascinating insight into the ups and downs of Roman history. In 2018 analysis of cores taken from Greenland’s ice sheet by the Norwegian Institute of Air Research showed that environmental pollution is not just a modern phenomenon. Pollution from lead mines can be traced in the layers of ice and clearly show the pollution left behind in ancient times. The researchers were able to use their measurements of lead pollution to track major historical events and trends. A clear pattern emerges where lead pollution drops during times of war, as fighting disrupts lead production. It then increases during periods of stability and prosperity.  Lead pollution rose dramatically from the end of the Roman Republic and through the first 200 years of the Roman Empire, the Pax Romana. The measurements also starkly show the fall of this great Empire. The Antonine Plague struck in AD 165, a devastating pandemic that historians think was either smallpox or measles. Almost five million people died over the 15 years that the plague raged in the Empire, and whilst the Empire continued after the plague came to an end its economy never recovered. This is clearly shown in the low levels of lead in the ice layers during the years of the Plague and the centuries following it. The high lead emissions of the Pax Romana end at exactly the same time as the plague struck and do not reach those same levels again for more than 500 years.

More information about this fascinating research can be found here.

The museum’s geology collections contain many examples of lead ores from Wales and around the world including lead sulphide, or galena, the main ore of lead. Post-1845 (when official records started being kept) in excess of 1.2 Million tons of lead concentrate was produced from Welsh mines, but with a history of mining dating back to at least Roman times that figure should be considerably greater.

Natural weathering and oxidation of lead ores results in the formation of some beautifully coloured minerals. A few examples are illustrated here. It should also be noted that not all lead-bearing minerals are toxic – certain compounds containing lead are very stable. Experiments have shown that polluted mine dumps containing lead can be stabilised by oxidising some of the lead into phosphates such as pyromorphite or plumbogummite.

2019 - United Nations international year of the periodic table of chemical elements

Tom Cotterell and Jennifer Protheroe-Jones, 14 January 2019

In recognition of this Amgueddfa Cymru – National Museum Wales will be running a series of monthly blogs, each one covering a different chemical element and its significance to Wales. Look out for these throughout the year on our website.

To start off our series of blogs, for January we have silver.

Silver (chemical symbol – Ag), atomic number 47, is one of the original seven metals of alchemy and was represented by the symbol of a crescent moon. Silver is a precious metal, but it has never been as valuable as gold.

In Wales, silver has played an important role in the history of Wales, but this is often forgotten. In the northernmost part of Ceredigion (the old county of Cardiganshire) near to the village of Goginan lie a number of disused mines which were some of the richest silver producers in the history of the British Isles. The Romans almost certainly had a part to play in the discovery of the metal-rich mineral veins, but it was Queen Elizabeth I who oversaw their development as silver mines.

It is reported that the first rich discovery of silver was made at Cwmsymlog (sometimes written as Cum sum luck in historical records) mine in 1583 by Thomas Smythe, Chief Customs Officer for the Port of London. It is much more likely that it was discovered by Ulrich Frosse, a German mining engineer experienced in silver mining who visited the mine at about the same time and advised Smythe. During the reign of Elizabeth I it is estimated that 4 tons of silver was produced from the Cardiganshire mines.

King James I and King Charles I both made handsome profits from the mines (producing 7 and 100 tons of silver respectively), so much so that in 1638 Charles I decided to establish a mint nearby at Aberystwyth Castle. Its success ultimately led to its destruction by Oliver Cromwell and the Parliamentarians during the English Civil War in 1646.

Amgueddfa Cymru holds examples of the many silver coins minted at Aberystwyth. Their characteristic feature is the three feathers on both sides of the coin. The addition of a small open book at the top signifies that the silver was produced by Thomas Bushell from the Cardiganshire mines on behalf of the Company of Mines Royal.

Maps and mine plans produced to market the silver mines to investors are some of the earliest to have been made in Britain. The Library at AC-NMW holds several versions of William Waller’s maps produced for the Company of Mine Adventurers in 1693 and 1704 as well as Sir John Pettus’ Fodinae Regales published in 1670.

One of the mines, Bwlch-yr-eskir-hir [Esgair Hir], was much hyped as the Welsh Potosi and from the silver was produced a silver ewer inscribed ‘The Mines of Bwlch-yr-Eskir-hir’, c.1692. The mine was, however, a failure. The quantity of silver produced never lived up to expectations, but this was more to do with the geology than mining methods. It is perhaps better known as the site involved in a legal case against the Crown’s control over precious metals. The case, brought by the landowner Sir Carbery Pryse in 1693, ended the tyranny of the Mines Royal.

Productive silver mining continued in north Cardiganshire, firstly, under the Company of Mine Adventurers and then through the Industrial Revolution by a number of private companies. Total silver production within this part of Wales exceeded 150 tons of silver metal.

Remarkably, it took until the 1980s for geologists to identify the mineral responsible for the high concentrations of silver in the small area of Wales. It is tetrahedrite – a copper, zinc, iron, antimony sulphide mineral - within which silver can replace some of the copper, zinc and iron. At Esgair Hir mine tetrahedrite has been recorded as containing up to 18 wt. % silver. Important ore specimens used during the identification of this mineral are preserved in our geological collections at the Museum.

Naturally occurring silver metal – known as native silver – does not occur in visible concentrations in any of the Welsh mines, but the Museum holds some of the world’s finest examples in its mineral collection. The specimens, from the Kongsberg mine in Norway, are exceptional in their quality and were acquired during the 1980s as part of the R. J. King collection.

Behind the scenes with Brecon’s metal detectorists

Alice Pattillo, 23 May 2018

The National Museum Cardiff was happy to host a behind the scenes tour to Brecon Detectorists, a group of keen treasure hunters who jumped at the opportunity to delve into the Amgueddfa Cymru – National Museum Wales archives.

David Hingley set up Brecon Metal Detecting club in 2011 and is enthusiastic about promoting responsible metal detecting to its members. “Everyone who comes through that door has a condition of membership – everything over a certain age has got to be registered for the Portable Antiquities Scheme, I insist upon it,” David explains. “We’re a small club, we’ve basically capped ourselves at 10. At the moment we’re 9, we’ve had a new guy just started, the big fella, Tom.”

And newcomer, Tom Haines, is no stranger to historical finds. Even before joining the club, he shared David’s passion for responsible detecting. While out walking his dog one day last year, Tom discovered a Bronze Age knife; which he reported to the Portable Antiquities Scheme so it could be properly excavated.

“By reporting it, archaeologists might want to dig it, and that ended up being the case,” he recalls. “I could have taken it home, plonked it in my own collection and no one would have learnt anything from it and it would have just crumbled away. It’s being properly preserved and looked after and archaeologists can learn a lot from it.”

The knife was just the tip of the iceberg, however, and his discovery led archaeologists to unearth a Bronze Age burial site, complete with cremated human remains. “They found a bronze age pin in there so it was a good thing that I didn’t disturb that!” The knife and pin, as well as the urn in which they (and charred bone) were discovered is currently pending through the treasure process. The hoard will likely be acquired by Brecon Museum thanks to the Saving Treasures* project.

It’s this interest in preserving archaeological artefacts that brought the club to the museum – to discover just how important their finds can be to museum researchers, conservationists and of course, archaeologists and historians.

The club’s tour kick started in the stores with Portable Antiquities Scheme Wales Liaison Officer, Mark Lodwick, where they were able to view and handle some fascinating Bronze Age axe heads. Among them was a ribbed socketed axe head found in Llancarfan, Vale of Glamorgan back in 2013 that was curiously stuffed with another, bent axe head and (seemingly) ritualistically buried.

From the stores, the group moved onto the conservation labs. Conservationists Louise Mumford and Owen Lazzari were on hand to answer any queries they may have when it comes to storing their non-treasure finds and show the club some exciting pieces they are currently working on. One of the most impressive pieces was a Viking period sword from Hawarden, which had been wrapped in textile and showed traces of a horn grip – all of which had been preserved by the rust formed on the sword! When x-rayed, the amount of original metal sword that had been left was minimal, so if the rust had been removed, Louise would not have been able to find the horn and textile traces and the sword would have been indistinguishable. Luckily, with careful excavation the sword could be professionally conserved and the horn and textile discovered – these elements could easily have had all traces of removed if proper procedure was not followed.

Another fascinating find in the conservation labs was a late Iron Age or Romano-British tankard, found as part of a hoard at Langstone that was still mostly in-tact, the wood having been preserved – a very delicate piece indeed!

The club were then able to see artefacts come to life in the art department, with resident artist Tony Daley.

David Hingley believes the visit to the museum was very helpful for both himself and his members: “I can understand the need for detectorists to be instructed in how to handle and store artefacts, and that more literature should be made available.” He explained that he learnt a lot and this new information can be put into immediate practise within in the club. David already keeps his own extensive coin collection (all of which have been processed and recorded by Mark Lodwick at AC-NMW) in acid free paper envelopes – essential for preventing further metal corrosion!

 “All the clubs try to instigate in all their members that you’ve got to detect responsibly. You’ve got to have permission and you’ve got to have the right gear. If you dig a hole in someone’s field – you’ve got to look at it from your own perspective - What would you say to someone if they came into your back garden and dug a hole in your lawn and then left it without filling it? You’d go mad, wouldn’t you?”  But this isn’t the only aspect of responsible detecting and David is keen to promote the other obligations detecting requires, such as the preservation of the objects themselves, “I am continually preaching to our members!”

David feels that more metal detectorists could benefit from taking the time to learn about the role of museums and conservation in particular. “In the field you watch detectorists kick open clods to see what’s in it - they do not seem to understand that it could contain a very fragile artefact a couple of hundred years old; and they break it or they find equally fragile artefacts and put them in pockets and not containers.”

*Saving Treasures; Telling Stories is helping museums in Wales to acquire the important finds discovered by metal detectorists like David, Tom and their club members. For more information on the project, click here.