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The Will to Proceed to the End of the Possible

Kneebone, Rachel (Lives and works in London. MA, Royal College of Art, London, 2004 BA (Hons) Ceramics, UWE Bristol, 1997)

Sculpture, soft-paste porcelain with clear glaze, comprises a heavily cracked monumental rectangular plinth surmounted by a writhing mass of modelled and collaged organic forms that are both identifiable (human limbs) and ambiguous fragments that resemble folded pieces of skin, flowers and tendrils, bones and sinews, and other natural forms; covered over much of the surface with a clear glaze, with unglazed surfaces also apparent.

Rachel Kneebone’s extraordinary sculptures combine the expressive power of porcelain and its fragile nature. The surface is alive with sensuously modelled body parts emerging from torn and twisted porcelain. The cracks left by the artist remind us of the risks involved in firing porcelain and, perhaps, of our own vulnerability as humans.

(We are not able to provide an image for this item at this time. This is either due to copyright restrictions, or because the item is awaiting digitisation. We apologise for any inconvenience.)

Collection Area

Art

Item Number

NMW A 39566

Creation/Production

Kneebone, Rachel
Date: 2014

Acquisition

Purchase - ass. Colwinston & others, 29/5/2015
Purchased with support from The Art Fund, The Colwinston Charitable Trust, The Henry Moore Foundation and The Zabludowicz Foundation

Measurements

Height (cm): 70
Width (cm): 57
Depth (cm): 51
Height (in): 27
Width (in): 20
Depth (cm): 22

Techniques

hand-built
forming
Applied Art
modelled
forming
Applied Art
assembled
forming
Applied Art
glazed
decoration
Applied Art

Material

soft-paste porcelain

Location

In store

Categories

Cerflun | Sculpture Celf Gain | Fine Art Cerameg | Ceramics Celf Gymhwysol | Applied Art Haniaethol | Abstract Y Corff | The Body Planhigyn | Plant CADP content Artistiaid y 21ain ganrif | Active in the 21st Century
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