Collections Online

Bottle and stopper, glass; set on a flat rectangular base with rounded corners, straight sides with rounded edges and shoulder, indented above the base, narrow cylindrical neck with a narrower band at its base; clear spherical stopper; thick walled clear glass encasing a layer of scattered white blobs arranged in four vertical stripes, with an inner layer of opaque red with touches of black near the base.

Maurice Marinot was a pioneer in the development of glass as a studio art form. He began his career as a painter, one of the Fauves (‘Wild Beasts’) of French art, whose bold use of pure colour earned them the nickname. Marinot made unique pieces, created using hand-methods and without the use of moulds. Using the full range of glassmaking skills, he blew and worked the hot glass, acid-etched and wheel-cut it when cold. He encased coloured glass within clear glass like geological strata. He created the effect of cracked ice by plunging hot glass into cold water, or a suggestion of moving water through the careful control of air bubbles.