The family of Henry VIII: an allegory of the Tudor succession - Collections Online | Museum Wales
This site uses cookies to improve your experience. View our Cookie Policy
Preferences

Cookie Preferences

Essential

These cookies are absolutely essential for our website to function properly.

 

Cookies that measure website use

We use Google Analytics to measure how you use the website so we can improve it based on user needs.

 

Cookies that help with communications and marketing

These cookies may be set by third party websites and do things like measure how you view YouTube videos.

 
 
View our Cookie Policy
Locations +
Amgueddfa Cymru
Cymraeg
My account
Collections & Research
Departments Collections Online National Collections Centre

Amgueddfa
Cymru
Family

National Museum Cardiff

St Fagans National Museum of History

National Waterfront Museum

Big Pit National Coal Museum

National Slate Museum

National Wool Museum

National Roman Legion Museum

  • Collections & Research
  • Departments
  • Collections Online
  • National Collections Centre
  • Articles
  • Ancient Wales
  • Art
  • Celf ar y Cyd
  • History
  • Natural History
  • The Museum at Work
  • Health, Wellbeing and Amgueddfa Cymru

Collections Online

Amgueddfa Cymru – Museum Wales

Advanced Search

Advanced Search

Image filter options
Back to search results

The family of Henry VIII: an allegory of the Tudor succession

This picture celebrates the harmony established by Queen Elizabeth I. Elizabeth is on the right, holding the hand of Peace and followed by Plenty. Her father Henry VIII, the founder of the Church of England, sits on his throne, and passes the sword of justice to his Protestant son Edward VI. On the left are Elizabeth's Catholic half-sister and predecessor Mary I and her husband Philip II of Spain, with Mars, the God of War. The picture, a gift from Queen Elizabeth to Sir Francis Walsingham, exemplifies the 16th century's fascination with allegory, the Queen's vision of herself as the culmination of the Tudor dynasty and her concern with the legitimacy of her regime.

Lucas de Heere came to London from Ghent in the late 1560s, one of many Flemish Protestant artists and craftspeople to flee religious persecution. This painting was accepted under the 'in lieu in situ scheme'. It was purchased by J.C.Dent at the sale of the collection of Horace Walpole at Strawberry Hill, in 1842.

The family of Henry VIII: an allegory of the Tudor succession
Image: By permission of Amgueddfa Cymru — Museum Wales
 Zoom

Collection Area

Art

Item Number

NMW A 564

Measurements

Height (cm): 131.2
Width (cm): 184
Height (in): 51
Width (in): 72

Categories

Painting Fine Art To minimum standard only
Comments are currently unavailable. We apologise for the inconvenience.

Related Items

Art

An old country churchyard

NMW A 501
More information
Art

Italian scene with an arch

NMW A 5215
More information
Art

The blue vase

NMW A 742
More information
Art

The Brook

NMW A 3923
More information

Site Map

Amgueddfa Cymru

Amgueddfa Cymru

  • Visiting
  • Collections & Research
  • Learn
  • Blog
  • Support Us
  • Shop
  • Venue Hire

Our Museums

  • National Museum Cardiff
  • St Fagans National Museum of History
  • National Waterfront Museum
  • Big Pit National Coal Museum
  • National Slate Museum
  • National Wool Museum
  • National Roman Legion Museum

Connect With Us

  • Contact Us
  • Get Involved
  • Join the Mailing List
  • Facebook
  • Instagram

Corporate

  • About Us
  • Jobs
  • Press Office
  • Picture Library
  • National Collections Centre
  • Working with Others
  • Accessibility statement
  • Cookies
  • Copyright
Sponsored by Welsh Government
  • Facebook
  • Instagram
Charity No. 525774
× ❮ ❯