Blog: Portable Antiquities Scheme (PAS Cymru)

Secret Messages of Love: Archaeological Finds of an Amorous Kind

Elena Johnston, 14 February 2024

Last year, 77 finds from across Wales, all over 300 years old, were reported as treasure. My favourite treasure cases are the ones that include jewellery, especially rings. Yes, they are beautiful little objects, but they are also very personal items each with a story to tell.

I often wonder how these prized possessions end up in buried in the ground. Perhaps lost on a countryside stroll, the owner only realising with a jolt of panic once they have returned home. An argument between lovers perhaps, resulting in a ring being thrown across fields in a fit of rage. Or the remembering of a loved one with the private placing of the ring at a shared special place.

Love, in one form or another, is the common theme here, so to celebrate Valentine’s Day let’s take a closer look at some of the rings recently declared treasure in Wales.

 

A gold posy-ring dating from the late 1600s to early 1700s (treasure case 21.26 from Esclusham Community, Wrexham). The inscription inside reads ‘Gods providence is our inheritance’.

Gold Posy-ring.

Posy rings were used to communicate secret messages of love, faith and friendship between the giver and the recipient. The wearing of hidden words against the skin offering a poignant, intimate connection.

 

 

A medieval gold fede or betrothal ring, decorated with engraved leaves and flower heads (treasure case 21.14 from Bronington Community, Wrexham).

Gold Fede or Betrothal Ring. 

The inscription on the outer surface reads ‘de bon cuer’ which means ‘of good heart’. The ring forms part of a hoard of coins and finger-rings dating to the Wars of the Roses during the later 15th century.

 

 

A gold finger ring, dated 1712, (treasure case 19.41 from Llanbradach and Pwll y Pant Community, Caerphilly).

gold finger ring.

The initials A. D. and E. P. are inscribed either side of two joined hearts, representing the names of the couple betrothed or married.

 

 

Remember to keep an eye on our social channels for new treasure declarations and please do check out our website to find out more.

https://museum.wales/treasure/ 

 

 

I’ll finish with a few FAQs about Treasure - everyone has heard of it, but what does it mean?

 

How is Amgueddfa Cymru – Museum Wales involved in Treasure declarations? 
Curators based at Amgueddfa Cymru provide expert advice and make recommendations to Coroners on cases of reported treasure from Wales. They compare finds with the legal definition of treasure, as set out in the Treasure Act 1996 and the Treasure Act 1996: Code of Practice (3rd Revision) of 2023. We also have Portable Antiquities Scheme Finds Officers based at our museums, who work with finders, often metal-detectorists, who show their treasure and non-treasure archaeological finds, enabling them to be recorded and reported.

 

Why does a Coroner make the decision on Treasure cases? 
The role of Coroners in treasure cases arose from the Medieval duty of the Coroner as a protector of the property of the Crown belonging to the king or queen of the day. In Middle English, the word ‘coroner’ referred to an officer of the Crown, derived from the Latin corona, meaning ‘crown’.

 

What happens to ‘Treasure’? 
When treasure finds are declared treasure by Coroners, they legally become the property of the Crown. Finders and landowners are entitled to rewards, usually each receiving 50% of the independent commercial value placed on the treasure find. The Treasure Valuation Committee, an appointed group of experts representing the antiquities trade, museums and finder groups, commissions and agrees the values placed on treasure. Interested accredited museums may acquire treasure for their collections and for wider public benefit, by paying the agreed valuation sum placed on a find.  
 

Festival of Archaeology 2023

David Howell, 1 September 2023

Portable Antiquities Scheme Cymru – Engaging Audiences 

A group of people looking at filled tables within a marquee, the tables include books and leaflets  and in the background there are organisational pop ups
Three people smiling at the camera, they're stood infront of pop up banners with the words 'PAS Cymru' ond them and infront of a table with leaflets and and objects
A man in a red tshirt with the words 'Pas Cymru' is stood talking to another man in a blue jacket and green tshirt. They're stood in a marquee and in font of a table with maps on it.

In late 2022, the Portable Antiquities Scheme in Wales (PAS Cymru) established a pioneering engagement role, designed to raise the profile of the scheme and enhance relationships with finders across the country. While PAS has consistently focused on community engagement, the scope of this new role was without precedent and has presented the scheme in Wales with significant opportunities.

Currently Wales has four part-time Finds Liaison Officers (FLOs). FLOs can be reached in Cardiff, Swansea and Wrexham, with important recording support provided by Dyfed and Gwynedd Archaeological Trusts in the southwest and northwest of the country. This network gives us a good, but imperfect, reach across Wales; the creation of the PAS Engagement role has allowed for targeted efforts in parts of Wales where access to PAS staff is more challenging. 

Starting in November of 2022, PAS Cymru began contributing to and hosting a series of public-facing engagement activities, focused on strengthening connections with members of the wider community invested in archaeology and heritage. Where possible, these engagements were developed in association with key partners, namely finder communities and local museums. 

As PAS remains a voluntary scheme, we are dependent on the goodwill of our partners, but that goodwill can only begin with an awareness of our existence. PAS Cymru pop-up events have allowed us to significantly enhance visibility, promoting the work it generates, within geographies which have historically been difficult to access. Thanks to Bangor, Carmarthen and Narberth museums, over the last year PAS Cymru has been seen and accessed by finders who would otherwise have to travel significant distances to be able to have face-to-face interactions with FLOs. 

A strong working relationship with museums throughout Wales is critical for the successful recording of archaeological material found outside of a research context. Where cultural heritage institutions have confidence about who to direct finders towards, pathways can be established ensuring everyone invested in their local heritage, knows how and where finds can be reported. During early autumn 2023 and winter 2024, museums in Carmarthenshire and Pembrokeshire will host exhibitions exploring the work of PAS Cymru, creating additional opportunities to embed an awareness of the scheme within local museums and their audiences. 

In additional to the established practice of FLOs attending detecting club meetings, PAS Cymru is also working closely with metal detecting clubs and individuals, inviting finders to attend pop-up events in local museums, and also to contribute towards them. As a consequence, PAS Cymru and detectorists have shown a unified front to wider audiences, strengthening a shared message of best practice in relation to detecting. In the Spring of 2023, PAS Cymru was invited by members of the detecting community to participate in one of their public-facing events in mid-Wales. This was a significant moment for us to share in their collective enthusiasm for the historic environment, while offering reflections on best practice and recording, with an audience who might otherwise never have known about the scheme. 

The engagement role has proven to be very rewarding and has been received with high levels of positivity. Local museums have been enthused by the potential of widening audiences through the presence of PAS Cymru in their own events calendars, while detectorists have been proactive in supporting the engagement scheme in Wales, attending and promoting events, and pushing the narrative of responsible detecting. The potential of these partnerships has only been scratched, and we are looking forward to seeing how these dynamics can grow, to the benefit of our shared archaeological assets, as we move further through the year.  


Seal Matrices

Rhianydd Biebrach, 1 May 2020

What does your signature look like? Is it an illegible squiggle, an elegant flourish, or simply a hurried scrawl of your name?

Whatever it looks like, it’s something that’s unique and personal to you – identifying you and no one else. Putting your signature to something shows that you have approved and endorsed it, and things like contracts, deeds, cheques and certificates would be invalid without one.

But what if you can’t write, because you live in an age where literacy is a skill only needed by a small proportion of society? What if you hold an important position – such as bishop or abbot – where power is invested in your office, rather than in your person?

What is a seal?

For hundreds of years, instead of using signatures, people in past societies resorted to the use of seals – personal devices usually containing an image and often some sort of inscription, legend or motto to identify the owner – to show that they have witnessed and agreed to documents of various kinds.

In the Roman world, seals usually took the form of signet rings, which contained an intaglio - a gem engraved with an image. Later, in the medieval period, they generally took the form of either flat metal discs or ovals, with lugs or cone-shaped projections for holding.

An example of a seal in the form of a flat disc. The 13th century seal of Llewelyn son of Gruffudd, found Abenbury, Wrexham (WREX-D0D606).

An example of a seal in the form of a flat disc. The 13th century seal of Llewelyn son of Gruffudd, found Abenbury, Wrexham (WREX-D0D606).

The cone-shaped silver seal of an unknown late 14th century lady, found in Hyssington, Montgomeryshire. (T2012.12). Now in the collections of Amgueddfa Cymru – National Museum Wales.

The cone-shaped silver seal of an unknown late 14th century lady, found in Hyssington, Montgomeryshire. (T2012.12). Now in the collections of Amgueddfa Cymru – National Museum Wales.

Both forms were engraved with a distinguishing design and legend on the flat face to form a die, or matrix. This would have been pressed into coloured wax and the resulting seal was often affixed to a document with a cord or strip of parchment.

Suspension loops on the backs of medieval seal matrices suggest they were kept secure or carried on cords or chains.

Amgueddfa Cymru-National Museum Wales and local museums throughout the country hold many examples of seal matrices in their collections. This article, however, considers some of the hundreds which have been found by members of the public and recorded on the Portable Antiquities Scheme (PAS) database. The majority of them were found by metal detectorists and are now in private collections, apart from a small number acquired by museums through the treasure process.

Seals were most commonly used in Wales in the medieval period, particularly between the twelfth and the fourteenth centuries. There are far fewer examples known of from the Tudor period and later, although they have continued in use up to the present for certain functions.

What do they look like?

Many seal matrices were made from base metals such as lead or lead alloy and copper alloy such as bronze. Silver examples are less frequently found by members of the public, but when they are they often end up in museum collections after being declared treasure by coroners.

Generally they are circular in shape, though other shapes do occur. Pointed ovals were often used for the seals of women and the clergy, while shield-shaped, lozenge and hexagonal examples are also known.

Medieval seals usually contain some sort of engraved central image or design, surrounded by an inscription identifying the owner of the seal - an individual or an institution - around the outside edge. Later seals often had an image only.

Where are they found?

Seal matrices have been found all over Wales, but some hotspots do occur. The Vale of Glamorgan is where the highest numbers have been recorded, followed by Pembrokeshire, Monmouthshire, Wrexham and Flintshire. Apart from a single example each from Pontyclun and Caerphilly, none have been recorded from the South Wales Valleys, or from Neath and Port Talbot, Ceredigion or Gwynedd.

If you take a look at the Saving Treasures map of objects, you will notice that this pattern matches pretty closely with the areas where other archaeological objects of many different kinds, from the early Bronze Age to the eighteenth century, have been found.

Who used them?

A wide range of people would have needed a seal, from the monarch to small landowners and tradespeople – anyone, in fact, who might have needed business or legal documents of many different kinds. Individuals had personal seals, but seals were also used by bodies such as town corporations, trade and religious guilds, cathedrals, abbeys and monasteries.

The higher your status, the better quality your seal was likely to be. It might be made of silver instead of base metal, with a carefully-chosen device engraved by an expert craftsman. The less wealthy might have resorted to a basic ‘off the peg’ example, made of lead or bronze, with a standard design which may also have been quite crudely cut. There were seals out there to suit all pockets!

Legends

13th century seal of Brother Baldwin (NMGW-E91B83). © Portable Antiquities Scheme.

13th century seal of Brother Baldwin (NMGW-E91B83). © Portable Antiquities Scheme.

The legend (also known as the motto or inscription) is carried around the outer edge of the matrix. It generally follows a standard formula containing the owner’s name, such as ‘S. FRATRIS BALDVINI’ (The seal of Brother Baldwin), on an example found in Porthcawl in 2008. Here, the Latin word ‘Sigillum’ (seal) has been abbreviated to a single letter ‘S’. This was common practice in order to save space for the more important element – the name itself. Both Margam and Neath Abbeys held land in the Porthcawl area, so Baldwin is likely to have been a monk of one of these houses.

Names are often abbreviated, which can make them difficult to decipher, especially if the matrix is corroded or damaged. Out of the 150 or so matrices looked at for this article, 59 of them had illegible or partially legible inscriptions.

More rarely, the legend takes the form of a religious or secular motto, instead of a name. A seal containing the Latin religious motto ‘CREDE MICHI’ (Believe in Me) was found in Penmark in the Vale of Glamorgan in 2011, while ‘I CRACKE NUTS’ was recorded on a seal found in Penhow, near Newport, in 2014. This legend is sometimes thought to be a sexual reference, so although seals had a serious purpose, they could sometimes be playful!

13th or 14th century seal showing the legend CREDE MICHI (Believe in Me).

13th or 14th century seal showing the legend CREDE MICHI (Believe in Me).

13th or 14th century seal showing the legend I CRACKE NUTS.

13th or 14th century seal showing the legend I CRACKE NUTS.

Inscriptions on seals found in England are in one of the three main languages used there in the Middle Ages – English, Anglo-Norman French and Latin. In Wales however, Welsh can be added to that list, and is far more common than either English or French. It appears either in the form of personal names, such as Ieuan or Gwenllian, or as the Welsh word ‘ap’ meaning ‘son of’. Much rarer is the female version ‘ferch/verch’, or ‘daughter of’.

13th-14th century seal of Madog son of Madog (CPAT-0791F5). ©Clwyd Powys Archaeological Trust.

13th-14th century seal of Madog son of Madog (CPAT-0791F5). ©Clwyd Powys Archaeological Trust.

13th or 14th century seal of Wenllian Kaperot.

13th or 14th century seal of Wenllian Kaperot.

13th-century seal of David de Carew

13th-century seal of David de Carew

Some people with clearly Welsh names also used the Latin ‘filius’ instead of ‘ap’. This was usually abbreviated to ‘fil’ or ‘f’, such as in the seal of MADOCI F MADOCI (Madog son of Madog), found near Wrexham.

In the Middle Ages, language and names were among the ways in which people signalled their personal identity, so information like this is valuable evidence for historians studying the society of medieval Wales.

Parts of Wales were extensively settled by Anglo-Normans after the conquests of the late eleventh to the late thirteenth centuries, and seals sometimes provide us with evidence of cultural exchange between the native Welsh and the incomers. Wenpelian (Wenllian) Kaperot, whose seal was found at St Mary Hill (Vale of Glamorgan) in 2005, combines a Welsh first name with an English surname. Was she a Welsh woman married to an Englishman, or was she from a settler family who had adopted native names and begun to think of themselves as Welsh?

History books often tell us that the native Welsh were treated as second class citizens after the Anglo-Norman conquests, but the evidence of these seals shows us that a significant number must have been wealthy enough to have been buying and selling land and conducting legal business of various kinds.

Although we can often decipher the names of the owners of the seals, it can still be difficult to link them with an individual who appears elsewhere in the historic record. Occasionally however, seals are found which can be linked to known families. The Carew family were important Pembrokeshire landowners throughout the medieval period, and the seal of one of them – DAVID DE CARREV (David de Carew) – was found in Carew Cheriton in 2009. The pointed oval shape of this seal and the religious imagery on it suggest that David was possibly a younger, non-inheriting, son of the family who had gone into the church.

Like the Carews, the Turberville family were powerful Anglo-Norman lords, settled at Coity Castle, near what is now Bridgend. Reginald de Turberville’s (REGINALDI DE TURBERVILL) seal was found at nearby St Bride’s Major in 2010. Close neighbours of the de Turbervilles were the de Reigny family and the seal of RICAR’ DE REIGNI (Richard de Reigny) was found near Laleston, Bridgend, in 2018.

13th or 14th-century seal of Reginald de Turberville (PUBLIC – 6C42D0). ©Portable Antiquities Scheme

13th or 14th-century seal of Reginald de Turberville (PUBLIC – 6C42D0). ©Portable Antiquities Scheme

13th or 14th century seal of Richard de Reigny.

13th or 14th century seal of Richard de Reigny.

Designs

The seal’s central motif is its most obvious feature, and can range from simple and crude to complex and sophisticated.

The most common motif on Welsh seals recorded with PAS is a variation on a many-pointed star, sometimes also described as a flower. Typical examples of this form are the thirteenth- or fourteenth-century lead seal of IEWANI APIERWE (probably Ieuan ap Iorwerth), found at Marshfield, Newport, in 2017, and the contemporary seal of WILLIEI FIL ROBERTII (William son of Robert), found at Merthyr Dyfan, near Barry, in 2013.

Seal of Ieuan ap Iorwerth (13th or 14th century)

Seal of Ieuan ap Iorwerth (13th or 14th century)

13th or 14th-century seal of William son of Robert (NMGW-8C9517)

13th or 14th-century seal of William son of Robert (NMGW-8C9517)

Sometimes, seals display such similar central designs, that it is highly likely that they came from the same source, or that the pattern was a very common one, produced in large numbers.

Compare, for example, the twelfth- or thirteenth-century seal of RICARDI MADENVEI (Richard Madenvey), found in 2015, with a broken example found the following year. They contain near identical images of a flower, of six broad petals and a central circle, which looks very like a daffodil. Interestingly, they were found less than seven miles apart, on the Gower Peninsula.

Seal of Richard Madenvei (13th or 14th century)

Seal of Richard Madenvei (13th or 14th century)

Seal of unknown individual, showing same design as seal of Richard Madenvei (13th or 14th century).

Seal of unknown individual, showing same design as seal of Richard Madenvei (13th or 14th century).

Only slightly less common than the star/flower, are a range of cross-shaped designs, and in fact these two groups are closely related, since many of the cross designs have more than four arms and can be interpreted as stars or floral patterns.

A well-preserved example is the seal of Ieuan ap Gronw, found in Pontyclun, Rhondda Cynon Taff, in 2013. The seal of Wenllian Kaperot, already mentioned, contains a slightly more elaborate variation on this theme, while a more basic style can be seen on the seal of Leuel (Llewelyn?) son of Ithael, found in St David’s, Pembrokeshire, in 2011.

12th-13th-century seal of Ieuan ap Gronw (NMGW-05F969)

12th-13th-century seal of Ieuan ap Gronw (NMGW-05F969)

Seal of Leuel son of Ithael (13th-14th century)

Seal of Leuel son of Ithael (13th-14th century)

Seal from St Nicholas, showing Virgin and Child and praying cleric under a canopy at her feet (13th century).

Seal from St Nicholas, showing Virgin and Child and praying cleric under a canopy at her feet (13th century).

Devotional images, including saints, donor figures and other religious imagery, were also popular. A typical example was found in St Nicholas, Vale of Glamorgan, in 2006, dating from the thirteenth century. It shows the Virgin and Child, with a small figure of a praying cleric under a canopy at her feet. Many of these examples are also pointed oval-shaped, suggesting it was a popular theme for the clergy.

Seal showing St Catherine and her wheel (top right).

Seal showing St Catherine and her wheel (top right).

The round seal of Brother Baldwin, mentioned above, contains a Lamb and Flag, the symbol of St John the Baptist. An individual, possibly named Winton or Wilton, had a seal containing an image of another popular medieval saint, Catherine, which was found at St Donat’s, Vale of Glamorgan, in 2012. St Catherine is easily identified by the inclusion of the wheel on which she was martyred.

14th-15th-century seal, possibly belonging to an abbess of Llanllyr, alongside its impression in wax.

14th-15th-century seal, possibly belonging to an abbess of Llanllyr, alongside its impression in wax.

Connected to these examples of devotional imagery, and a rare and important find in its own right, is a seal from Ceredigion which depicts a standing, veiled female figure holding a book and staff. Only part of legend is discernible, reading ‘[ - - - - -] n l l e i r’, making it possible that the seal belonged to an abbess of Llanllyr, Wales’s only Cistercian nunnery.

The fleur-de-lys – a stylised lily – was another popular design and was a common decorative device in the Middle Ages. A particularly nice example appears on the late thirteenth century lead seal of Tuder ab Ithel, which was found in Llanhennock, Monmouthshire, in 2010. However, the craftsman who cut the fleur-de-lys design on the seal of Henry David, found at Nevern, Pembrokeshire, in 2009, was considerably less skilful!

Late 13th-century seal of Tuder ab Ithel (PUBLIC-929A66) © Portable Antiquities Scheme

Late 13th-century seal of Tuder ab Ithel (PUBLIC-929A66) © Portable Antiquities Scheme

13th-14th-century seal of Henry David (PUBLIC-9EF6F3) © Portable Antiquities Scheme

13th-14th-century seal of Henry David (PUBLIC-9EF6F3) © Portable Antiquities Scheme

If your family was important enough to possess a coat of arms, you may decide to include it on your seal. Heraldry was an important signifier of status in the Middle Ages, and appeared everywhere, from wall paintings, to tombs, stained glass, horse trappings and even clothing, as well as on seals.

The arms of the Turbevilles of Coity Castle, Bridgend, appear on a seal found at St Bride’s Major in 2010, referred to above. It is more difficult, however, to identify the families associated with some other heraldic seals, such as that found at Reynoldston, Gower, in the same year, or the crudely-incised three chevrons on a seal found at Llanasa, Flintshire, in 2012.

13th-14th-century seal bearing the arms of an unidentified family, found on the Gower (PUBLIC-6C62F1) © Portable Antiquities Scheme

13th-14th-century seal bearing the arms of an unidentified family, found on the Gower (PUBLIC-6C62F1) © Portable Antiquities Scheme

13th-14th-century seal from Llanasa, Flintshire, showing heraldic device with chevrons.

13th-14th-century seal from Llanasa, Flintshire, showing heraldic device with chevrons.

As well as crosses, stars, saints and heraldry, a number of other designs are found, including animals, non-religious human figures, letters and inanimate objects. Some, like the stag’s head that appears on a seal found in Pembroke in 2017, or the rampant lion on a seal from Holt, Wrexham, may also be heraldic in origin, alluding to an animal on the owner’s coat of arms.

Seal from Pembroke showing stag’s head (13th-14th century)

Seal from Pembroke showing stag’s head (13th-14th century)

13th-14th-century seal from Holt, Wrexham, showing rampant lion (HESH-D966A6). © Birmingham Museums Trust

13th-14th-century seal from Holt, Wrexham, showing rampant lion (HESH-D966A6). © Birmingham Museums Trust

The occasional appearance of bows and arrows, such as on a seal found near Kenfig, Bridgend, in 2012, may indicate an association with archery, either through military service or through hunting. Allusions to occupations are rare however. The only clear reference in a Welsh context recorded with PAS comes from a late thirteenth century lead seal found in Llawhaden, Pembrokeshire, in 2006. This vesica-shaped seal belonged to ‘I’his Carpentarii’ (John the Carpenter), and shows one of the tools of his trade in the shape of a pair of dividers.

Seal showing bow and arrow device (12th-13th century).

Seal showing bow and arrow device (12th-13th century).

Seal of John the Carpenter, showing dividers (c.1250-1300). ©Portable Antiquities Scheme.

Seal of John the Carpenter, showing dividers (c.1250-1300). ©Portable Antiquities Scheme.

Conclusion

Of all the object types commonly recorded with the Portable Antiquities Scheme, seal matrices are unique in that they can provide us with a precious link to specific named individuals. Often, this is the only evidence we have of this person’s existence, as they may have left no other trace in the historical and archaeological record. More than this, they give a tantalising insight into the lives of their owners: their activities, status and even ethnic identity, occupations and spiritual beliefs.

Further Reading

David H. Williams, Catalogue of Seals in the National Museum of Wales, 2 vols, (National Museum of Wales, 1993 and 1998, Cardiff).
David H. Williams, Welsh History through Seals (National Museum of Wales, Cardiff, 1982).
Seals in Context: Medieval Wales and the Welsh Marches, John McEwan and Elizabeth New, eds., (Aberystwyth University, 2012).

Website of the Imprint Project: https://www.imprintseals.org

All images are ©Amgueddfa Cymru-National Museum Wales, unless otherwise stated.

Donations of Archaeological Objects to Museums

Rhianydd Biebrach, 4 July 2019

A penny and a brooch

Two rare objects have recently been kindly donated to Amgueddfa Cymru-National Museum Wales by metal detectorist, Pete Anning. One is a silver penny of King Aethelraed II (978-1013, also known as ‘The Unready’), probably minted in Gloucester during the 990s. The other is a fragment of a 7th or 8th century decorated copper alloy penannular brooch. Both objects were found in the same area in the Vale of Glamorgan.

The objects are unfortunately broken, but that does not lessen their archaeological importance, and the coin has been designated a find of national Welsh importance by the Portable Antiquities Scheme (PAS).

Dr Mark Redknap, Head of Collections and Research in the museum’s History and Archaeology Department, said of the brooch fragment:

“Any discovery of Early Medieval metalwork has special significance as we know so little - compared with the later Medieval period – about fashions and styles circulating around Wales. The surviving terminal is decorated with a recessed panel, ridges imitating filigree, and a central setting for a glass or amber stud. It belongs to a style of brooch characteristic of Western Britain.”

As neither of the objects are classed as treasure under the 1996 Treasure Act, they are legally the property of the finder and landowner, but luckily for AC-NMW, Pete generously decided to donate them to the museum’s collection.

Deciding to donate

Pete has been detecting for two years, and this is not the first time he has given away his finds:

“I think the most exciting thing I ever found was a Bronze Age axe head that I found after my friend (who is also a farmer) gave me call to say they had been clearing out some ditches and I might want to have a go in the spoil. After recording the find with Mark Lodwick (PAS Co-ordinator for Wales) I gave it to the farm and it now has pride of place on their mantelpiece. The axe had been there for over 3000 years and it didn’t seem right to take it away.”

When Pete found out that his penny and brooch fragments, as Welsh examples of Anglo-Saxon and Early Medieval objects, were important and rare, he decided that, “it was only right that the finds should be donated to the museum. Whether it’s 3000 years old or 30 years old, it all once had a purpose or meaning. Everything has a story.”

Once an object enters a museum collection, those stories can be told by archaeologists and other researchers, and the object will be conserved and looked after for future generations.

The value of donations

Donations are valued by museums as they do not always have a fund to purchase objects for their collections and have to rely on Friends groups or applications to funding bodies such as the Art Fund. In Wales, the Saving Treasures; Telling Stories project has been using its National Lottery funding to acquire treasure and some PAS-recorded objects for national and local collections since 2015, but this source will soon be coming to an end.

So, in the words of Dr Redknap, “We’re extremely grateful to Pete for his generous donation to the national collection.”

But whether finders donate, sell or keep their objects, Pete encourages everybody to get their finds recorded with PAS: “I had no idea what the early medieval brooch fragment was until Mark Lodwick saw it. I knew it was old…but that was it. If you’re not sure check – otherwise you could be throwing away some invaluable ancient history!”

Norman Cardiff and minting coins

Edward Besly and Peter Webster, 5 October 2018

Coin of William Rufus - front

Coin of William Rufus - front

Coin of William Rufus - reverse

Coin of William Rufus - reverse

Amgueddfa Cymru-National Museum Wales has just acquired a rare piece of Cardiff’s early history: a silver penny of the Norman king William II (1087-1100) made in the castle mint in the early 1090s.

The newly acquired coin of William Rufus.

William II, known as ‘Rufus’ (‘the Red’, perhaps from his hair colour), was the son of William the Conqueror (also known as ‘the Bastard’). During his reign the Normans made their first incursions into this part of Wales under Robert FitzHamon, a Norman baron who conquered the area and became the first lord of Glamorgan. The Normans brought with them the habit of using coinage and it seems that a mint was set up at the castle soon after its foundation in 1081. However, no coin certainly identified to be of William Rufus from the Cardiff mint had been recorded before this one showed up in 2017, within a private collection which was offered up for auction.

Prior to the Norman invasion, coinage was in regular use in Anglo-Saxon England, with a network of mints and a centralised supply for the dies used to make it, but there was no tradition of minting in Wales. Early Norman Cardiff was a frontier town, and so its mint had to fend for itself: the obverse (‘heads’) die seems to have been borrowed from elsewhere and the king’s effigy was re-engraved, giving him a slightly comical appearance. The reverse (‘tails’) was made locally from scratch – it bears a clear, if crudely engraved mint signature ‘CAIRDI’ [CIVRDI or CIIIRDI], but we cannot fully read the moneyer’s name, ‘IÐHINI’ (Ð = ‘TH’) – he may have been called Æthelwine (interestingly, a Saxon rather than a Norman name).

The designs of current coins were changed every few years – and the king took a cut every time a new coinage was issued. We now know of coins from four different issues in the name of ‘William’ (which could be either William the Conqueror, or his son William Rufus) and four more for Henry I (1100-35) from the Cardiff mint, but they are all incredibly rare. In the civil war of King Stephen’s reign (1135-54), Cardiff fell into the hands of the Angevin party of his enemy, the Empress Maud. In 1980, a hoard of over 100 coins, mostly previously-unknown Cardiff issues of Maud, was found at Coed-y-Wenallt, above Cardiff, and transformed our knowledge of that period. It included baronial issues from Cardiff and Swansea – which, for the latter, was the earliest evidence of that place-name. After that, however, the Cardiff mint disappears from history.

Our new coin of Rufus provides another piece of the jigsaw that is the early history of Cardiff and its region. Many pieces are no doubt still missing, and who knows what may still await discovery? As for the man himself, he died on 2 August 1100, whilst hunting in the New Forest, when struck by an arrow: an unfortunate accident or was he murdered?

Edward Besly, Numismatist (Coins and Medals Curator), Amgueddfa Cymru-National Museum Wales.

The Norman castle as envisaged by RCAHM. The stone keep is probably later than the reign of William Rufus and would originally have been of wood.

The Norman castle as envisaged by RCAHM. The stone keep is probably later than the reign of William Rufus and would originally have been of wood.

  1. Motte surrounded by a ditch
  2. Assumed Ward wall
  3. Re-used Roman wall probably without projecting towers
  4. Earth bank with ditch outside
A schematic section through the castle’s earthen defences before the 19th and 20th century removal of the outer portion of the medieval bank and the reconstruction of the Roman Fort wall.

A schematic section through the castle’s earthen defences before the 19th and 20th century removal of the outer portion of the medieval bank and the reconstruction of the Roman Fort wall.

  1. Remains of Roman fort wall
  2. Roman bank
  3. Norman bank
  4. Later Medieval castle wall
Reconstructed Norman castle wall between the South Gate and the Clock Tower

Reconstructed Norman castle wall between the South Gate and the Clock Tower

The west castle wall. The stretch between the towers is essentially the wall of the Norman castle.

The west castle wall. The stretch between the towers is essentially the wall of the Norman castle.

The massive Norman motte, with later medieval stone shell keep.

The massive Norman motte, with later medieval stone shell keep.

The Medieval bank surviving on the inside of the East walls. The crop mark visible in the foreground is a late medieval building.

The Medieval bank surviving on the inside of the East walls. The crop mark visible in the foreground is a late medieval building.

The stone wall and gateway from the outer to the inner ward, seen here looking from the Keep to the South Gate. This wall probably has its origin in the defences of the Norman castle.

The stone wall and gateway from the outer to the inner ward, seen here looking from the Keep to the South Gate. This wall probably has its origin in the defences of the Norman castle.

Speed’s 1610 map of Cardiff.

Speed’s 1610 map of Cardiff.

The coming of the Normans

Cardiff today is largely a product of Victorian development, but at the very centre of the city is a historic core originating with the Roman military and later re-occupied by the Normans.

There is little or no trace of a settlement at Cardiff between the end of the Roman period and the coming of the Normans into Wales in the 1080s, although there may have been some occupation at the point where the Roman road from Caerleon to Carmarthen crossed the River Taff.

When the Normans arrived, this was the point where they chose to site the military and administrative centre for their new lordship of Glamorgan, re-using the remains of the late Roman fort for a castle enclosure and establishing a small town at its southern gate.

Reconstructing the Norman castle

Norman Cardiff had its focus in the castle, but the castle building we see today is very different to the original one. To get at the Norman castle we have to strip away the 19th and 20th century alterations made by the marquesses of Bute, which had in part involved the restoration of the walls of the late Roman fort.

The Normans threw up a massive earth bank over the remains of the Roman fort walls, from a point near the north-west corner of the castle, round onto the sides now fronting Kingsway and Duke Street. The remaining Roman fort walling (from near the present south gate round onto the side now facing into Bute Park) was repaired, although, strangely, the projecting towers which will have formed part of the Roman defences appear to have been removed – perhaps to provide material for the repairs.

This Norman wall can still be seen, albeit with a good deal of 19th century restoration, between the south gate and the Clock Tower and north of the western castle apartments.

The material for the banks on the north, east and part of the south sides was taken from a massive ditch dug around the entire enclosure. This is now filled in on Kingsway and Castle/Duke Street and underlies the present western moat and northern dock feeder.

This ditch can still be glimpsed occasionally when service trenches are opened around the castle, but a clearer idea of its scale can be gained from the evidence of John Ward, curator of the Cardiff Museum and Art Gallery from 1893 to 1912. Ward observed the underground toilets being dug in Kingsway and reported that, although completely below ground, they did not reach the bottom of the ditch.

Ward’s schematic diagram of the castle’s earthen bank shows the result of this ditch digging – the sizeable bank still present on the inner side of the castle walls (to the left of the diagram) repeated on the outside.

Inside these outer defences, the Normans constructed a massive motte – a mound rather like an inverted pudding basin, surrounded by a large moat. This can still be seen, although the mound received some landscaping by Capability Brown in the late 18th century and the moat (which Brown filled in) was re-excavated in the 19th century and may be more regular than it once was.

We can assume that there was some sort of structure on the top of the mound, probably a wooden palisade and tower, likely to have been replaced by the present stone ‘shell-keep’ in the 1240s. The remainder of the castle interior was probably divided as seen now by some sort of wall between the keep and the south gate. A stone wall seems likely but is uncertain. We can expect buildings (probably of wood) within the two ‘wards’ thus created but, to date, no certain structures have been discovered within the limited area excavated.

The Norman town.

South of the castle lay the small town of Cardiff. The classic view of the medieval town is that created in 1610 by John Speed, which shows a walled enclosure extending south from just east of the south-east corner of the castle to the bottom of what is now St Mary’s Street.

This, however, depicts the late medieval town. It is likely that the first Norman town was smaller, probably bordered by the present day Womanby Street, Quay Street, Church Street and St Johns Street (the semi-circle of streets at the northern end of the town as seen on the Speed map).

This layout can still be seen in the streets of Cardiff and it is noticeable that the junctions of High Street and St Mary’s Street, and of St John’s Street and Working Street, lie on the suggested early boundary. This, along with much else of the documentary history of Norman and Angevin Cardiff, is discussed by David Crouch (2006). Crouch’s hope that archaeology will add to this picture has so far not been fulfilled. The only excavations within the suggested first town (in Womanby Street and Castle Street), although they confirm Norman occupation, have not yielded structures of such an early date. Indeed, the assiduous digging of cellars by the Victorian residents of Cardiff has unfortunately removed a good deal of the potential evidence.

Peter Webster, Honorary Research Fellow, Amgueddfa Cymru – National Museum Wales (former lecturer, Cardiff University)

Further Reading

Cardiff Castle
The medieval castle is treated extensively in RCAHMW, An inventory of the ancient monuments in Glamorgan, Vol. III, Part 1a, Medieval Secular Monuments, the early castles from the Norman conquest to 1217, London 1991, 162-211, which, despite the title, takes the castle story up to the 20th century. Further background to the restoration of the Marquesses of Bute is provided by J. P. Grant, architect to the 4th Marquess (Cardiff Castle, its history and architecture, Cardiff 1923).

The Town
The best discussion of Norman Cardiff is David Crouch. ‘Cardiff before 1300’ pp.34-41 in J.R.Kenyon, D.M.Williams (Eds.), Cardiff. Architecture and Archaeology in the Medieval Diocese of Llandaff, British Archaeological Association Conference Transactions 29, London 2006. This includes references to earlier work by W.Rees (1962) and D.Walker (1978).