Richards was deeply affected by the death of Dylan Thomas in 1953 and produced a series of works in homage to the dead poet. This allegorical composition celebrates another of the artist's heroes, Ludwig van Beethoven. It juxtaposes two favourite themes. One of these is a musing woman, turning from a piano and a French horn to a sheet of music. The other is a pair of energetic galloping horses, ultimately derived from 'The Lion Hunt' by the French Romantic painter Eugéne Delacroix (1798-1863).
Creation/Production
Education: Swansea School of Art; Royal College of Art
Work: Cardiff College of Art; Chelsea School of Art; Royal College of Art; Slade School of Art
Awards: CBE, 1960; Hon. D.Litt University of Wales, 1961; Hon.Fellow of the RCA
Commissions: stained glass windows for Liverpool Cathedral and Derby Cathedral
The landscape of the Gower was a strong source of imagery - much of his work was also inspired by poetry and music: a crowning achievement was the series of paintings and construction on the theme of Debussy's La Cathedrale Engloutie (The Sunken Cathedral)
Role: Artist
Period: 1953
Acquisition
Gift, 1956
Given by The Contemporary Art Society
Measurements
Height
(cm): 127.3
Width
(cm): 102.4
Height
(in): 50
Width
(in): 40