Taking part in ‘take pART' 2026 – a young artist’s perspective, Iza Jem

While the National Slate Museum is temporarily closed for a major redevelopment project, the team has been busy travelling with our ‘pop‑ups’ and attending local and national events. They have been trialling and piloting activities that will be woven into the redevelopment and sharing those plans with our communities.  Read below to see how freelance opportunities were offered to creative practitioners as part of the Amgueddfa Cymru Producers programme during the annual ‘take pART' event at Venue Cymru.

This project began research and viewing the collections of the Slate Museum. Seeing how such many items are being stored, catalogued, and cared for was fascinating. Being able to see items in person gave me a tangible sense of what I could work with, and sparked ideas rooted in the less publicised history of the slate industry across North Wales and beyond. I was particularly drawn to the creative acts of mining communities, such as decorative carving, poetry, and banner making.

Working with Cara was central to the process. We began with individual research, then compared notes, shared interests, and discussed what had inspired us. In the new year, we met in person to refine our ideas. That check-in was energising we realised we were on a similar path, particularly in exploring foam printmaking so participants could create their own slate patterns. We decided on an immersive, walk-in workshop that would let people experience the history and aesthetics of carved slate fireplaces in the Ogwen Valley. Having both noticed the plate, we chose a colour palette inspired by it, highlighting slate as a global and varied industry. The collaboration itself was highly motivating, as we continually exchanged ideas. A highlight of the workshop was watching continually exchanged ideas.  

A highlight of the workshop was watching children’s reactions as their prints appeared, their pride, surprise, and excitement. Those moments showed how powerful it is to create conditions where participants can clearly see their ideas and voices reflected in what they make. I also saw how crucial preparation is; for this kind of workshop, it’s almost impossible to over- prepare. Having materials ready, processes streamlined, and clear steps in place made a huge difference when ten children needed support at the same time.

Finally, I saw the value of thoughtful simplification: reducing complexity without limiting imagination. For example, a limited colour palette encouraged more focused, inventive experimentation rather than restricting creative possibilities.  

Overall, the project deepened my connection to the Amgueddfa Lechi collection and strengthened my skills in collaboration, facilitation, and workshop design. It gave me new insight into balancing structure and freedom so participants can truly see themselves in what they create. 

The redevelopment project of the National Slate Museum is funded by the National Lottery Heritage Fund, UK Government via Gwynedd Council as part of the Llewyrch o’r Llechi project, Welsh Government including the Community Facilities programme, the Wolfson Foundation, The Garfield Weston Foundation, and other funders.