Museums, Exhibitions and Events

At St Fagans National Museum of History, the rose garden, or Rosery, is full of colour and scent during the summer. But behind the beauty, there is a lot of hard work, and a long and interesting story.

The first Rosery was planned in 1898 by Hugh Pettigrew, the head gardener at the time. It had winding grass paths, trellises with climbing roses, and a canal planted with water lilies and filled with ornamental fish. More than 100 types of roses were planted in the garden.

After the First World War, the Rosery was not looked after. The canal was filled in, and the trellises and pergolas were removed. In the 1940s, after the Plymouth family donated St Fagans Castle and grounds to the Museum, a simpler rose garden was created, with triangular beds.

In 1998, the Museum decided to restore Pettigrew’s original design. The old canal was dug out and replanted with water lilies. The triangular beds were removed, and new curved beds were laid out around the canal, following Pettigrew’s plan. Roses were chosen carefully, based on a list made by Pettigrew in 1904.

However, over time, many of the old roses became unhealthy. They suffered badly from a disease called black spot, which makes the leaves turn yellow, develop black spots and fall off. Before the Clean Air Act of 1956, black spot was rare because the air was full of sulphur from pollution, which helped protect the plants. But when the air became cleaner, black spot became a much bigger problem.

In 2017, the Rosery was replanted again. This time, many modern roses were used, strong, healthy plants that flower for a long time and still have the beauty and scent of traditional roses. Most of the roses are from David Austin, a famous rose breeder. One special rose growing in the garden is called ‘Roald Dahl’, named after the famous author who was born in Cardiff.

We still garden in the spirit of the Edwardian period, because most of the ornamental gardens at St Fagans date back from that time. The Edwardians loved roses - and so do we! But looking after them is not always glamorous. Every January, the gardeners prune the roses hard to keep them healthy. Then the beds are mulched with manure, we add manure to the soil to feed it. Healthy soil helps the roses to grow strong and healthy.

Throughout the summer, the gardeners deadhead the roses to encourage more flowers, but they leave some blooms to make rose hips, which are used to decorate the historic houses in winter. Around the roses, there are also flowering perennial plants like lavender and violas planted to help pollinators like bees and butterflies. 

Some roses, called single roses, have fewer petals and an open centre. These are better for insects because bees can easily reach the nectar and pollen. Some of our favourites include roses called ‘Tottering-by- Gently’ and ‘Starlight Symphony’.

Today, the Rosery is full of colour and scent. The new roses look and feel like old roses, but they flower again and again through the summer. They remind us of the love, care, and hard work that goes into keeping a garden full of life.

As an artist, my work explores the traces of social history held within domestic artefacts and local landscapes. I’m drawn to details that reflect nurture and resourcefulness, especially those shaped by women’s everyday experiences, which are often missing from official histories. This project was a great opportunity to engage with participants, hear their stories, and explore how everyday objects carry memories and histories.

Our sessions in Morfa ward, Ysbyty Alltwen 'day room' began with conversations about domestic life in the past, sparked by handling artefacts from the museum, such as crockery, utensils, and textiles.

We created our own pieces inspired by domestic life using air-dry clay, incorporating textures that reflect both industrial and household labour. Letter stamps allowed us to imprint memories from our discussions into the clay, adding a personal layer to collective stories. Colour was added with ink and graphite, or tea and coffee, buffed between layers to give an aged effect—a process that echoed domestic chores.

Rag rugs, part of the Slate Museum’s collection and a symbol of domestic resourcefulness, inspired us to create our own collaborative sample. Traditionally made by prodding strips of rag through sacking cloth, we adapted the method for simplicity: looping rags around pipe cleaners, then linking and stitching them into a smaller rug shape.

The embroidery hoop pieces are inspired by a quarryman’s blanket from c.1900, made from patched pieces of grey cloth trimmed with red, to protect its owner from the harsh conditions of the barracks. Our stitched pieces combine the resourcefulness of stitching and mending with symbols from the carved hearths seen in some slate quarrying communities.

The postcard-sized pieces continue the theme, featuring symbols from the hearths, with text drawn from conversations and memories.

This project has been a wonderful way to share personal stories and creativity, bringing people together through collective making —thanks to everyone involved!

"It was nice to come together as a group and learn new skills" - a patient on Morfa ward, Alltwen hospital

Contact details: rachelevanscelf@gmail.com   
Instagram: rachelevans_artist

This activity was a part of the National Slate Museum redevelopment project, which is funded by The National Lottery Heritage Fund, UK Government via Gwynedd Council as part of the Llewyrch o’r Llechi project, Welsh Government including the Community Facilities Programme, the Wolfson Foundation, The Garfield Weston Foundation and other funders. 

Before 2017 the Waterfront Museum’s central garden was plain, and had no interest for wildlife to thrive. Then in came the GRAFT Garden to shake up the soil and to introduce a haven for wildlife in what is a concreted area of Swansea. 

Over the last two years I have found many species of insects and birds visit the Garden, and some have even made the Garden their home. 

In GRAFT we do not use any pesticides, and try to use natural organic solutions to the problems posed by pests. 

For World Wildlife Day I am spotlighting some of our most exciting and annoying bugs and birds that visit the Garden and how they impact the space. 

Compost Royalty! 👑🌱

We produce our own compost on site, this is the best place to spot the royalty of the compost heap, and the best bugs in the business of breaking down organic matter into the lovely soil for our growing beds. 

We have the humble Earthworm which helps Aerate the soil and breaking the organic matter into useable soil. We have hundreds if not thousands of them! And did you know that there are over 16 different species! 

Pollinators 🐝🌼      

The insects we love the most! The pollinators. These are a collection of insects (and sometimes birds but not in our case) that support our ecosystem. 

We of course have our Honeybee’s managed by our beekeeper Alyson and a group of students from Dylan Thomas School. At its peak we have over 100,000 bees in our hives!

Bee’s play a massive part in global biodiversity and food production and we are lucky to have them here on site! Please keep an eye out on our what’s on pages on the website for your opportunity to see them! 

Pests 🐛

Every gardener will have a battle with insects, be it Cabbage Moth or Slugs eating all our crops! 

But I am going to highlight a lesser known garden pest called the Aphid. These are tiny black insects that collect in their thousands on plants. Aphids love our Broad beans and Broccoli. They can cause disease in plants so it is important to regulate them. We use companion planting and also some water mixed with fairy liquid to try and support our plants.

We also have a super hero in the form of Ladybugs who eat Aphids and help us create balance. Did you know you can buy ladybugs in the post? I didn’t! 

Birds 🐦

I am not a bird watcher, however when I am working in the garden and see birds follow me around the garden it fills me with a little bit of Joy! 

We found evidence of a nest in our Grapevine last year, I am not sure what species this belonged to, but we also have a resident Robin that calls Graft its home and is its ‘patch’. 

Robins are extremely territorial and you will rarely see more than one Robin. We haven’t named this one yet, but maybe we should name it Charles Watkins after the inventor and creator of The Robin Goch monoplane …. 

So next time you visit the museum, take a walk out into the GRAFT garden and see what wildlife you can spot.