An article by me, published on the website Waleshome today:

Connecting Cultures

TODAY is the Chinese New Year, and we enter the year of the Rabbit.

Although we have been celebrating the Chinese New Year for a number of years at Amgueddfa Cymru –National Museum Wales, this year is extra special for us as it coincides with the unique exhibition that we are currently hosting at National Museum Cardiff – From Steep Hillsides: Ancient Rock Carvings from Dazu, China. This exhibition has been a coup, not only for Amgueddfa Cymru but also for Wales as these sculptures have never before been seen outside of China. We feel very privileged to have been chosen as the first ever venue to host them outside of their homeland and I’m confident that this free exhibition will be popular with our visitors.

If you have not yet had the opportunity to visit the exhibition, then it is difficult to convey in words just how magical they are. The carvings originate from the steep hillsides of the Dazu World Heritage site near Chongqing, which contain an exceptional series of rock carvings dating from the middle of the 7th century and developed between the 9th and the 13th centuries. The carvings comprise some 50,000 figures in total, and are remarkable for their aesthetic quality, their rich diversity of subject matter, both secular and religious, and the light that they shed on everyday life in China during this period. By a happy coincidence, a few years ago I was lucky enough to visit Dazu and see them for myself. It was an unique experience, and I remember being blown away by them. Obviously, we couldn’t bring all 50,000 figures to Wales, but this exhibition contains superb examples that have become detached from their original setting, along with accurate replicas of some of the most important sculptures still in situ and dramatic large-scale images, to give some idea of what it is like to visit these spectacular places.

Dazu is a real treasure house of Chinese art history and an important expression of Buddhism, Daoism and Confucianism, as well as a fascinating insight into Chinese daily life. I cannot overemphasise how remarkable these carvings are, and certainly, this exhibition would not be out of place at any world-class museum. A question that I have been asked since the exhibition opened has been why was Wales selected as a venue for this stunning exhibition rather than somewhere like the British Museum or the Victoria and Albert? The answer lies in the blossoming relationship between Wales and the Chongqing region in China, which has been led by the Welsh Assembly Government.

The origin of the relationship was a recommendation from Premier Wan Jiabao during his visit to Wales in 2000, which resulted in a Memorandum of Understanding between the Chongqing Municipal Government and the Welsh Assembly Government, agreeing to collaboration and co-operation in a number of areas, which was signed during First Minister for Wales Rhodri Morgan’s visit to Chongqing in March 2006. Since then Wales has welcomed a number of visitors from Chongqing and delegations from Wales have visited Chongqing. The Welsh Assembly Government also funds a schools project, managed by British Council, which links more than 50 Welsh schools with schools in Chongqing. There have been several exchange visits by the schools to Chongqing and to Wales.

This relationship has also extended into culture, and National Museum Wales has established a relationship with several cultural organisations in Chongqing. It is hoped that this exhibition is the first of many such exchanges, which will in future include sending some of our own collections to China. Not only will we be able to continue to showcase Chinese culture in Wales but we will also be able to showcase Wales to the world. Both countries are steeped in history and culture, and it is a fantastic opportunity for us to share our national stories.

Establishing strong links between Wales and China is obviously of great importance to the Welsh Assembly Government, and it was widely commented upon that Wales had been excluded from the itinerary of a recent Chinese trade delegation that visited the UK. But those critics should not despair. I believe that the Welsh Assembly Government is laying the foundations for a successful long term friendship between the two countries, not just a relationship based on business and economics. This exhibition is a small but not insignificant part of that burgeoning friendship which will hopefully evolve over time.

Pupils from Raglan VC Primary School took part in my Looking at Buildings session on Monday. Here are some pictures of just a few of the houses they made. I didn't get a chance to take photographs of all the buildings so if anyone at Raglan VC Primary School is reading this, please email me some more as everyone's building was looking so fantastic!

After being inspired by our Quilting Club (next meeting is March 5th), I have been doing quite a lot of sewing. Over Christmas I got out the sewing machine and made about 8 bags, but mainly I've been concentrating on my quilt (see picture above). I've never quilted before (or sewn much really), so am learning as I go, and have been loving it.

This foray into sewing has meant that I've been spending lots of money on material and equipment and reading lots of books and articles. One of my favourite things I've found out is that on February 8th it's Hari-Kuyo festival in Japan. This festival gives people the chance to thank and appreciate the needles they have used in the past year by sticking them in to a big block of tofu! As one of the monks from the temple said in the article I read on the reuters website 'Sometimes there are painful things and secrets that women can't tell men, and they put these secrets into the pins and ask the gods to get rid of them.'

It made me wonder if there are any pins and needles or sewing customs in Wales (and the rest of the UK), does anyone know of any? In Oriel 1 we do have a charm bottle on display which has bent pins in it which is meant to protect the owner of the bottle from witchcraft, and of course, pins would be used with a voodoo doll or a poppet...

I had a look in Steve Roud's book 'The Penguin guide to the Superstitions of Britain and Ireland', and whereas there wasn't much about needles (other than if a needle breaks when you are sewing it will bring good fortune to the wearer of the article sewn) there are quite a few customs to do with pins. Pins used in the making of wedding dress are particularly lucky, you could also stick them into an onion as part of a love divination, but you shouldn't take pins on board a ship.

And back to quilting, and patchwork quilts in particular... 'If a lady completes one of these without assistance, she will never be married.'

Last week Bishop Childs C.I.W Primary asked: "If you plant your bulb at the same time as your partner will they open their flowers at the same time?"  

This is a very good question and if the bulbs were planted at the same time, were the same size and kept in the same conditions then they could possibly open on the same day. But, all the bulbs are slightly different sizes and some may get more water or sunshine - so they tend to open on different days.

Generally, all of the bulbs in one school will open within a week or two of each other. At first, you get a few then the majority will open within a few days of each other, then a smaller number will take a little longer. It's a bit like a race, there will be a few quick ones, a larger group that arrives about the same time then a few slow ones.

In this experiment, we take the average flowering time. So we record each date from each flower then divide it by the total number of flowers. Look at the results from your school last year http://www.museumwales.ac.uk/en/2135/

Ysgol Glantwymyn asks: Ydy'r tywydd yma yn dda?/ Is this weather good? The recent warm temperatures we are having are good - as it is getting our bulbs growing. But, if we have a another cold snap it could be very damaging to our bulbs and slow them down again.

Good reports from schools:

Cwm Glas Primary:  We have got some shouts.

Maesycwmmer Primary School: A very frosty and cold week. We have noticed a few of our bulbs have started to grow. We have our chart ready and we are going to keep personal records of how much they grow each week. This is a great idea!

St. Mary's Catholic Primary School: It has been quite sunny this week and we haven't had a lot of rain.

Many thanks

Professor Plant 

During my time as a designer at National Museum Wales I have had to deal with displays of all shapes and sizes and the Dazu Rock Carvings exhibition provided a unique challenge, especially the heads!

The exhibition features many heavy stone heads, separated from the bodies by historical vandalism as well as some wear and tear (well, they are over 1000 years old!).

The problem posed was how to display them securely and yet in a good position for the viewing public. We also needed a flexible system that is quick: there was only ten days from the delivery to the practical installation!

Some weeks ago we had an idea in the design studio and called on the expertise of Annette and Mary from the Conservation department to discuss the merits of our thoughts.

“What if we set the stones in an expanding foam mould? Would it grip the sculpture securely and hold a display position?”

Mary and Annette both confirmed that if we employed a high-grade conservation material and sheathed the stone with polythene film, the stone would not be affected -in Layman’s terms, it would work!

As the icing on the cake we came up with the idea of adding a fabric layer that would act as the finish, ready for display. A mock up was quickly made and, wow! It worked brilliantly!

Mary and Annette made great progress and the heads were set into pre-made display boxes in a secure lab deep in the bowls of the Museum.

The fabric finish was trimmed and the boxes complete with the sculptures were transferred to the gallery for display with specialised lighting.

The heads joined larger items on specialised plinths and some very delicate carvings within cases. Further ingenious display methods were devised for each and every sculpture to ensure this truly amazing exhibition is as inspiring as possible.

We are all very excited to see this exhibition come together and are sure the public will love it too.

Simon Tozzo, Three Dimensional Designer, National Museum Wales

See more Dazu images on Flickr, keep up to date with Dazu on Facebook and follow us on Twitter @museum_cardiff  #dazuwales