How the weather has changed since my last blog. Just before Christmas, we were reporting on the warm wet weather and how the bulbs had started to grow early as a result.

Since then, temperatures have dropped and snow has fallen all over the country! Most schools have been closed and our young scientists have had the chance to play in the snow. For schools that have been open, it’s been difficult to record, with many reports of ‘frozen thermometers’ or bulbs deep below the snow.

So what does all this cold weather mean for our bulbs, farmers and global warming?

For the bulbs: If your bulb started to grow before Christmas, it will probably still be the same height today. In other words, it will have stopped growing – until it gets warmer again. Some plants may be damaged by the frost and as a result may not flower – but most should be ok.

Farmers from the Really Welsh farm reported: ‘We should have started picking the earliest variety of Daffodils already and they are normally out in the supermarkets by now. If you look at the picture taken on the farm – you will see that they are nowhere near ready for picking. 

The daffodils that were a week or two ahead at the end of November have not grown at all since before Christmas. This is because Daffodils need temperatures of above 6 degrees in order to grow. If this weather continues we will not have any daffodils for a few weeks.’

Is global warming still happening? You could be forgiven for questioning if our planet is warming when it’s so cold outside, but sadly the overall temperature of our planet is still set to rise as carbon dioxide levels continue to increase.  Global warming is about the overall temperature of the planet rising. There will always be some colder winters and hotter summers – that’s a natural variation. But when we look at the average temperature of the planet over the last century it is definitely rising and scientists are in no doubt it will continue to rise.

For Wales, global warming doesn’t mean more sunshine, but warmer and wetter summers and more erratic weather like flash floods and gales.

Daffodils from Taiwan. Here is a picture sent to us from Chao-mei an environmental teacher based in Taiwan. She says: Hello, Professor Plant, Do you know the daffodils have bloomed in Taiwan? It reminds me of the beautiful UK spring. I have shown children in Taiwan how to keep a nature diary by looking at your blog. It’s very helpful. I teach children at the Cheng-long Wetland Education Centre and this is our blog page, it’s only in Chinese sorry.

Feed the birds. Visit our woodland blog to see pictures of St.Fagans wildlife in the snow. Plus find out how to help your garden birds to survive this winter or take part in the Big Schools' Birdwatch.

Many Thanks

Professor Plant

As you may have seen reported in the press, I have decided to take up the post of Chief Executive at the Museum of New Zealand, Te Papa Tongarewa. It has been far from easy to reach this decision for a variety of personal and professional reasons; and, to say that it represents a big step would be something of an understatement.

It has been a privilege to serve as Director General of Amgueddfa Cymru. During this time, I have truly come to appreciate how integral culture is to Wales's national psyche and how we should never lose sight of its importance in underpinning Welsh society and shaping the nation’s future. Our recent work regarding the positive contribution our museums make to Wales highlighted this fact, and we are committed as an organisation to working with other cultural organisations in Wales to take this research forward. Wales has strong cultural assets, and there is a job to be done in turning these into a more distinct brand and marketing them more effectively, both within Wales and beyond. There is a real danger, particularly during recession, of thinking that it’s not worth worrying about culture but it is incredibly important to our country and our economy.

I am excited about the challenges and different perspectives that I will face in this new role, but undoubtedly my approach will be shaped by my experiences here in Wales and Northern Ireland. Museums can't shy away from telling national stories, no matter how intricate or controversial they may be, and Te Papa is world famous for its innovative approach to demonstrating how culture and community memory has moulded the history and identity of New Zealand's communities.

I won't be leaving immediately. Over the next six months, I will continue to update this blog and look forward to remaining involved with a variety of projects including St Fagans and the redevelopment of the West Wing.

The St Fagans site isn’t usually this quiet: even on blustery November afternoons, determined (but soggy) visitors can be found walking the site, exploring the galleries and the historic buildings. This week, however, the only surge in visitors has been the amazing array of birds we’ve seen reclaiming the hedgerows and, out of necessity, brazenly venturing near the offices and mess rooms in search of food. Only last Friday I was kept company by a pair of Lapwings, who were enjoying the last of the afternoon sun outside the museum's main entrance.

The only human traffic on our pathways has been a small army of Museum Assistants, Craftspeople and Agriculturers, busy clearing snow and gritting. The textures, colours and smells of our Christmas Nights event* are now long-gone; tipp-exed out and muted. The site is eerily empty - though it is incredibly beautiful, it has not been safe enough to let visitors in on several occasions during the last week or so.

In the snow, St Teilo's Church does not look as dazzling as last year: as is the custom with traditional buildings, the bright limewash covering the outer wall has taken the brunt of the season's weather, and will be re-applied next spring when it is milder. The interior, as ever, is still as vibrant as it was when the reconstruction was officially opened in 2007, and, we hope, as it would have looked in 1500-1530.

The wall painting scheme is now finished, bar a few Latin inscriptions, which are proving harder to decipher than previously thought. The north chapel design, including figures of Saints Dewi and Teilo, as well as what is thought to be male and female portraits of local patrons, were composed by copying fragments plaster from the church in its original location. Where the plaster had deteriorated, or the pigment faded, we looked at better preserved mural sequences in Wales in order to come up with appropriate evidence for the missing parts.

While the north chapel is not directly accessible to the visiting public (partly because the east end of the church houses some of the oldest furniture in our collection), these murals are visible through the carved screens in the church. These, too, have had a new lease of life, through the work of Fleur Kelly, who has worked with our own in-house painters on several aspects of the church’s painted carvings.

If the snow holds back, the advertised guided tours of the Church will go ahead tomorrow and Friday (14-15 Jan); starting at 12:00, 13:00 and 14:00. Those interested in attending are encouraged to telephone us before starting their journey, to ensure that the museum is open and accessible, on (029) 2057 3500. The church is a ten-minute walk from the main entrance on a clear day, so please bear this in mind when choosing your footwear!
Wrap up warm, and hope to see you there!

*That's treacle; fairy lights; brass bands; bay leaves; woodsmoke and wet boots, in case you were wondering...

Well, we've been pretty busy on the art cart making wrapping paper, squishy stars, paper-plate angels, pop-up cards and garlands. Everyone who came by stayed a while and made some beautiful things. Unfortunately I didn't manage to take any photographs of your work, so if you made anything and are using it to decorate your house please email me a picture!

Here are some of the things that I made as examples and then took home!

Happy Christmas and see you all in the New Year!

On the 30th and 31st of December between 11am and 12.30pm we will be making Calennig gifts(like the one in the picture above!)

At 2pm there will also be a chance for you to sing with the Calennig gift you have created. It's going to be so much fun!

And if you are wondering what the apple on a stick is all about, here's what Trefor M. Owen has to say in his fantastic book 'Welsh Folk Customs':

'The giving of gifts on New Year's Day is an ancient custom once widely observed but more recently displaced by the growing importance of Christmas and Christmas presents. The collecting of calennig (New Year's gift)is a Welsh form of this custom.

[...]the collecting of calennig began early in the day and continued until noon. An account published in 1819 describes the custom in the following words: 'New Year is marked by all the children in the neighbourhood forming themselves in little groups and carrying from house to house their congratulations and good wishes for the health and prosperity during the ensuing year, which are symbolized by each bearing in his hand an apple stuck full of corn, variously coloured and decorated with a sprig of some evergreen, three short skewers serve as supports to the apple when not held in the hand, and a fourth serves to hold it by without destroying its many coloured honours.''