Crystals and minerals of Wales

23 July 2009

Minerals have played a major role in the economic and social development of Wales since the

Bronze Age . Since these ancient times, mineral outcrops and mines have been worked throughout Wales; by Romans and Cistercian Monks, and on into the heyday of Welsh metal mining in the mid nineteenth century, when virtually every outcropping vein or fault was tried by the drivage of adits or the sinking of shallow shafts.

There are currently around 4,900 officially recognized mineral species known to occur globally, of which, 430 have been confirmed from Wales.

Here we present a gallery of Welsh minerals for you to enjoy the incredible colours, forms and lustre of these magnificent museum specimens.

Pottery sorting workshops

Steve Burrow, 23 July 2009

Festival of British Archaeology 2009

Sian, who ran yesterday's pottery sorting workshop at National Museum Cardiff, sent me a photograph of some of the joining sherds they found among the mass of material from the Llandaff Cathedral School excavations (see earlier post for background).

They may not look like much, but by reconstructing these broken pots it's possible to work out what type of vessel they were once part of, what that vessel might have been used for, and sometimes when the pot was made. So, important stuff.

And how did we find these joining pieces from among the many hundred sherd jigsaw puzzle that came from the excavation?  We enlisted the help of dozens of sharp-eyed museum visitors who were willing to spend some time, sorting, grouping, and fitting pieces together.

For visitors it was an interesting way to pass some time, for us it was an opportunity to make sense of the finds from an important site.

Andrew continues the bell making experiments

Steve Burrow, 23 July 2009

Festival of British Archaeology 2009

On Tuesday, Andrew Murphy, blacksmith at St Fagans continued the challenge to make a replica of an early medieval bell, begun by Tim Young earlier in the week. While Tim, had worked on brazing the body of the bell, Andrew worked on the handle. This is a loop which passes into the bell so it can be held from the top, while the bell’s clapper hangs from a hook inside.


Andrew had several attempts at replicating the shape of the original bell’s handle over the course of the day, with each attempt getting closer to the form we were after, and the event was enjoyed by the public throughout the day.

Animations in a roundhouse

Ian Daniel, 21 July 2009

 

Visitors have flocked to the Celtic Village over the last couple of days to join with us in celebrating the Festival of British Archaeology. For me so far there have been several highlights. On Sunday people found shelter from the rain in the stone roundhouse, where in the dark the artist Sean Harris projected his animation film Dadeni onto the earth beaten floor. People are used to experiencing animations on TV, computers or in a cinema. Such an experience proved moving, eerie and played upon the senses. The moving images evoked past mythologies. You almost felt as if you had gathered with the ancestors around a warm fire and cauldron to share their stories, safe from the rain.

 

Tim Young and his team built a forge outside the Village. Their experiments in recreating the lost art of making Early Christian handbells drew the crowd. Tim felt, ‘It was a successful weekend. We were trying to understand the technique not to produce a finished product. If we were going to do this for ten day's solid we'd be getting it right completely by the end. As it is we've cracked how to do the hearth - that's great, I like it - but we need to build on it.’

 

Mark Rednapp, from the archaeology department here, was with them. I asked him about his thoughts, ‘The wonderful thing about experimental archaeology is that you leap from one idea to the next, one experiment to the next. Many things have passed through my mind: the skill needed to judge the temperature and timing, the amount of manual labour involved in keeping the bellows going, which remind us of early medieval slavery, but also of the apprenticeships learning from an early age by experience.’

 

The Festival continues until 2nd of August. Come and join my workshops ‘Colouring the past’ in the Celtic Village this weekend, the 25th and 26th of July.

Piecing together the past

Chris Owen, 21 July 2009

Festival of British Archaeology 2009

Today’s events at National Museum Cardiff were Shadow Puppetry and Pottery Sorting.

I won’t write too much about the Shadow Puppet workshops because I covered these in a previous post – suffice it to say that they continued to be hugely popular with children, a fact demonstrated by the quantity of cut up paper and bits and bobs left behind when the crowds finally cleared.

The Pottery Sorting was a new thing though. Here, visitors were helping museum staff with the real business of archaeology. Back in 2002, an excavation was carried out at Llandaff Cathedral School in Cardiff and a very large quantity of 13th and 14th-century pottery was found. This was all brought back to the museum and staff have slowly been sorting it out. But there are only so many hours in a day and this is an awful lot of pottery so, as part of last year’s National Archaeology Week, we asked the public to help us make sense of it all. The event was so popular – and we still had so much pottery left over – that we ran it again this year.

So, with the help of about a hundred children and adults, Sian and Louise from the museum’s archaeology department spent today sorting the broken pottery into different types: glazed and unglazed, rims, bases and decorated pieces.

It proved to be a surprisingly addictive activity, with one girl staying to help out for over an hour, and a visiting Californian potter finding herself drawn into the challenge of grouping the sherds, and trying to track down elusive joins between pieces. Sadly, no joining pieces were found but, as Sian said: “there’s always tomorrow”.

And tomorrow the team will be joined by Mark Redknap, the museum’s medievalist who will be helping to make sense of it all.