I've been taking photographs of all the activities I've been a part of, but keep forgetting to update the blog with them. Therefore this is going to have to be a two-parter as I have so much stuff to update you all with.
Ok. Let's go:
Our summer art cart activities included the super successful Iron Age shield making workshop. Ian (the celtic guy) and I spent two days running the workshop and we were really lucky to have volunteers on hand too as with all the glue, paint and celtic pattern designing it was pretty crazy. As you can see from the pictures, the finished results were just beautiful. I love the one that looks like maybe Chagall had a hand in it.
Artist Tracey Williams made the most wonderful house out of cardboard with visitors over the summer, inspired by our buildings on site. It was a lovely community project which I stupidly don't have any photos of!
I spent the rest of august doing a variety of art and craft workshops - we did some sketching of nature in the bird hide, made dragonflies out of wooden pegs and did gorgeous drawings and collages of the lily pads in the Italian Gardens with a bit of inspiration from Monet. We also did some sewing and made felt flower badges which were really popular.
If you took part in any of these activities, do you have any photographs you could share? and what did you think of our locations this year? was it fun going to the Italian gardens (I know I enjoyed it) or was it too far away from the main entrance? let me know!
So part one of my epic sharing of photos with you looked at our summer art and craft activities. Part two is all about the food festival and a couple of craftivist sessions.
On a lovely sunny day up in the Italian gardens we had a picnic and took part in the Craftivist Collective project all about fashion. The project is all about how we love fashion and hate sweatshops, and as part of our event we talked about where we buy our clothes and what we can do to help the situation. It definitely made us all think more about ethical fashion and sustainability!
Another Craftivist project we've been a part of this year is the #imapiece jigsaw project. Earlier in the year we had a session where we made fabric jigsaw pieces embroidered with messages about global hunger and sent them to the craftivist collective to be a part of a huge installation. Just a couple of weeks ago we got a part of the installation back (300 pieces out of a whopping 700 or so) and exhibited it in St Fagans: National History Museum. We have also been adding to the installation ourselves, it will be up for a few days yet, so come and see it and let me know if you would like to add your own message.
For the food festival this year, myself and genius gardener Bernice made herbal teabags! Bernice picked and dried mint, lemon balm, fennel seeds and Elderflower from the gardens here in the museum and then we bought some teabags to fill and made little envelopes to put the teabags in for safe keeping, or as a sweet gift. We also made sure we had a pot of tea on the go all day and almost everyone liked our blend!
The last thing I wanted to tell you about is the Wedding Fayre that was held here a couple of weeks ago. You probably already know that you can get married here in St Fagans, either in the castle or in Oakdale. Well, now you can also have a hen afternoon tea party as well! as part of this tea party you can learn to dance, have hair and make-up done (vintage style), or get all crafy with me! The photos show what kind of things we could make... tissue pom-poms, name places, bunting... it will be lovely and I can't wait to take part!
That's all for today, but I do have some knit and sew group photos to share next time, and look out for half term halloween arts and crafts and quilt club on the 2nd and november. Happy Autumn!
Hello, and welcome to the first instalment of what will become a regular blog following the development of Participatory Forums at St Fagans National History Museum. As part of its exciting redevelopment project (the result of a grant from the Heritage Lottery Fund) the Museum has been developing public consultation methods and engaging with representatives from third sector organisations and individuals from across Wales. These groups symbolise a transformation in our methods of working and are a key step towards our goal of becoming a truly participatory museum.
Discussion and debate is set to be a predominant theme throughout the new gallery spaces. The curators are currently working with the design team Event to develop methods of recording public opinion and responses to objects on display. The plan at present is to open up the floor for further debate online – to create a forum where people can respond to the gallery spaces and to each other, creating a platform for debate which will inspire the Museum’s continued development.
There are a number of issues that will need addressing along the way if we are to ensure that the Museum is representative of Wales as a whole. These will include:
accessing close-knit community groups who may not see the Museum as representative of their histories
addressing the poverty barrier to ensure the Museum is accessible to all
ensuring we provide for people of different ages, ability and varied background.
The primary issue now is to ensure that we are representative of Wales today and that our reach is Wales wide. These are concerns that publicising our ventures can help resolve. We can be Wales wide and representative of all by making the developments visible to all and opening the floor for discussion and debate.
So, let’s set the debate off now! The theme for the first gallery will be ‘Wales is…’ looking at the stereotypical ideals of ‘Welshness’ while also opening the floor for a debate on what Wales is to others, and how Wales has developed throughout history. So, what is Wales to you? We are developing a great Word Cloud of responses. If you email five words that you believe sum up Wales to the link bellow, we will add them to the Word Cloud and post the results here!
Continuing our celebration of the life of Alfred Russel Wallace...
We welcomed over 300 A-level students to National Museum Cardiff for this special event in partnership with Cardiff University School of Earth and Ocean Sciences.
At the invitation of Prof Dianne Edwards F.R.S, Prof Steve Jones F.R.S gave a talk entitled ‘Is man just another animal?’
Prof Jones discussed our shared ancestry with other primates, the genetic evidence for human evolution, and cast light on Wallace and Darwin’s different views on the subject. Professor Steve Jones is Emeritus Professor of Genetics at University College London and an author of several popular science books.
And Theatr na nÓg gave an excellent performance of their play ‘You Should Ask Wallace’.
The play took us through Wallace’s life as a young boy growing up in Wales to embarking on epic adventures to the Amazon and Malay Archipelago where he discovers the theory of evolution. His great findings would compel Darwin to publish his seminal work on the origin of species.
An exhibition on Wallace’s life will open on 19 October at National Museum Cardiff.
If you Google ‘National History Museum’ the first thing that comes up is London’s Natural History Museum, and then St Fagans. Though it is gratifying that St Fagans comes so near the top of the list, it does make you wonder why there are so few other national history museums listed. Of course, many national history museums don't call themselves such - some are simply the national museum, or the histories of the nation are split among a number of museums.
There is no doubt that being called a national history museum is loaded with expectations. Is it a one-stop shop for an authoritative narrative of the nation? The EUNAMUS project research reports are really worth reading (http://www.eunamus.eu/index.html). This EC-funded multidisciplinary project explored the formation and power of national museums in Europe.
A particular quote from the project summary really rang a bell with me in terms of the pressure of traditional expectations of a national museum:
'The museum is seen as possessing treasures and contributing to knowledge while simultaneously making concrete the cultural attributes of the nation. This is the performance undertaken by most national museums: visitors are expected to bow to the authority of the institution as it possesses the real evi- dence of the past.'
St Fagans is a former national open-air folk museum feeling its way towards becoming a national history museum. We are bringing the national collections of archaeology and social history together in an open-air site to create a very unique learning experience. Our origins as a museum lead us to a bottom-up approach to national history - or rather histories. We don't want visitors to bow to the authority of the institution - we want them to recognise our expertise, yes, but also to feel that they have a contribution to make. The significance of our collections to Wales is as much about their feelings in the present as about our knowledge of the past.
Some of you will already have read Nina Simon's The Participatory Museum. If not, then read it now - it's free and online. This publication has been a great source of inspiration to us on the project team. We aim to create a participatory museum of history on a national scale - no pressure there!
So what exactly does that mean? Well our aim is to work with the people of Wales to create a museum that actually makes a difference to people's lives - a place where everyone can share knowledge, collections and skills and make history together. We want the people of Wales to contribute so that they are part of the story and not just visitors to it. We intend to ask our users to define what is recognised and preserved as Welsh history.
Most importantly we want it to be a museum that continually evolves with the people that participate with it. This blog is part of that process. You can find more detailed information about the aims and objectives of the project here. But from now on, the project team will add to this blog, and give you glimpses into the trials and tribulations of trying to deliver our vision of what a national history museum should be. Join us on the journey, and let us know what you think!
