Designing with Teens

Dafydd James, 12 April 2008

ArtPad is an online of presentation of Glenbow Museum's contemporary arts collections, geared towards young people. The idea was to get teens to explore more about the context, content and the artist of a piece of art - but delivered in a less curatorial and formal manner. 

Early evaluation of ArtPad challenged some assumptions of the project - which meant a change in the delivery of the information. The teens weren't interested in some of the project coordinators' ideas, for instance they thought a podcast of an artist was a boring concept - stating that they would never bother to download it to their iPod!

The Danish national Gallery, Statens Museum for Kunst (SMK) targeted a teenage audience through the creation of their u.l.k website (Danish abbreviation for Young Peoples' Laboratory of Art). 

With a starting point of 90 teens (which were hired) they created an online art community for teens aged 12-20, making sure that this was an experiment for both parties involved. The website now has 500 active users that can discuss art in a safe (and Danish!) forum.

And finally the guys at the Walker Art Center in Minneapolis worked closely with their teen program to redesign their 'WACTAC' website. They researched into the most popular teen activities online, and created a site that combined both institution and teen driven content effectively - through using a 'draggable' vertical screen to swap between both types of information.

As with the Milano Romana Tecnologica project (see last blog) the emphasis here was on the process. Including the teens from an early stage made this a learning experience, and the Walker saw this as more of an educational program than a marketing exercise.

The museums of Montreal

Chris Owen, 12 April 2008

Museums & the Web 2008 has been a lively, interesting conference. As I'm still digesting all the knowledge from the many sessions, I'd like to talk how about how it all started: with a tour of the city's museums. This was a great day and I wish all the talks could be delivered from familiar surroundings, as staff talk about their projects in such a relaxed, off-the-cuff way and can actually show you the galleries that they're so proud of. Of course, with museums represented here from all over the world, Powerpoint has to suffice most of the time.

The first stop on the tour was the McCord Museum, which is a museum of Canadian history in downtown Montreal. They started by talking us through the new personalisation features on their web-site, coming under the banner of My McCord. These allow users to choose their favourite works, to tag them, annotate them (including annotating areas of images) and more.

These are features we've been considering for Rhagor, so it was also useful to see another implementation of this critiqued by experts in the Crit Room yesterday. It's a difficult thing to get right from a usability point of view, but the most compelling reason to do it is that it isn't an end in itself. If a user can register on your site and get access to new features, the possibilities extend to exhibitions and events that haven't even been planned yet.

They were also doing some interesting work with tagging. One of the problems of tagging is actually getting users motivated to go in add a bunch of tags to your collection. They achieved this through an interactive game which pitted taggers against other taggers (or the computer), the aim being to enter keywords that matched the other play. I wondered how the competitive nature of the game would affect the type of tags that users submitted, but it seems to work, and the difference in uptake between this and traditional tagging was a huge argument in its favour.

The next stop on the tour was the Science Centre. The highlight was a fantastic interactive lab where children put together short news items on topics such as genetic engineering or drugs in sport. They not only get to engage in a science debate, but they're simultaneously learning the basics of video editing, presenting their own news items and about how the media shows different sides of an argument. Really intuitive software too - impressive.

The final stop was the Canadian Centre for Architecture, where they talked us through their new collections management system and how they've made it work for them. The basic system is The Museum System, or TMS, and this was a piece of software I kept hearing about this week. I'll be mentioning TMS and an open-source solutions called OpenCollection in a later entry.

Mobile Computing

Dafydd James, 11 April 2008

The first session in Mobile Computing was about the Heritage 2.0 project based in Belgium by the Vrije Universiteit Brussel and the Flemish Institute for Cultural Heritage, Belgium. The two main aims of the projects was to build a 'communication layer' on top of existing heritage databases and to distribute this content on mobile devices in Flanders. 

They decided to bring in some international experts in to find out about the issues of mobile heritage presentation - and the outcome was that Flanders was not ready for handheld devices. The project could open up heritage to a larger audience, though the experts concluded that they should focus on content and not just use PDAs for the sake of it.

In the following presentation our fellow countryman Tom Pert from the Royal Commission on the Ancient and Historical Monuments of Wales (RCAHMW) showed some of the GPS-based handhelds projects he has been working on for the last couple of years. 

In 2005 he built an e-trail for Ruthin using some customised GIS software and had some input from local Welsh Baccalaureate students for content design (which was mainly text and images). 

Due to the success of the project he has won funding for another project in Blaenafon, which launches on the 18th April. I'm looking forward to testing these devices, which have predefined zones that trigger (or stop) media files depending on your location. He also mentioned the possibilities of using KML with Google Maps on your mobile.

Beyond Single Repositories

Dafydd James, 11 April 2008

The Peabody Essex Museum in the USA have been working on several web projects collaboratively through the ECHO project. The project is a mix of Native and non-Native institutions within USA and is funded by Federal Government grant.

Even though ECHO is challenged by different educational standards at state and national level, they continue to work to engage young people and children in local communities. They also mentioned some cross-cultural design issues, though some issues have been successfully overcome with their interactive map and artists' gallery on newtradewinds.org.

We also listened to a Flickr representative talking about a new project called 'The Commons' (flickr.com/commons), which they developed alongside the Library of Congress. It's a more formal way for institutions to increase access their photographic collections through Flickr. The number of tags and comments added are unbelievable - in two and a half days the Library of Congress' online collection had 20,000 tags, and have had 4,000 comments so far. And some of the feedback has been added into their records, which means it's a good way for the public to contribute knowledge.

A very brief update on new media

Chris Owen, 11 April 2008

It's great to be back at the international Museums & The Web conference. The last conference helped shape a lot of the work we've been doing in the last year, so now seems a good time to update you on a few of those developments.

Around this time last year we launched a new blog area. If you haven't seen it yet, click 'refresh' and you're here! Since then we've expanded the feature and published over 70 blog entries. Similarly, we launched our first podcast in October of last year. There's more work to do here and in the short term, you'll see an overhaul of our blog pages and, of course, lots more content.

Tying a lot of things like this together is our new collections site,

Rhagor

. The goal behind Rhagor was to open up our collections and stories to the public in ways that weren't possible before, and really engage visitors with our collections.

The creative process and technical challenges behind our work is sometimes unseen in the final product of an exhibition or an event. We'd also often like to tell you the interesting stories behind our objects without filling our galleries full of text. For me, this really enriches the experience of going to museum for real. We're going to be doing a lot more work to tie our blogs, podcasts and Rhagor features into our visitor pages to give a fuller picture of the work we do.

This is all part of a wider plan we're working on and an evaluation of everything that goes into our site. As always, feedback is welcome. I'll keep you updated as this work develops, but like this time, I'll try to keep it short and sweet!