Ancient Drinking Culture: The Langstone Tankard

The Langstone tankard

The Langstone tankard

Taking wood samples from the tankard

Museum conservator Mary Davis and environmental archaeologist Nigel Nayling (Lampeter University) taking wood samples from the tankard. Microscope analysis has shown that the tankard was made of yew wood, a specially selected and very slow growing tree species.

investigating the tankard find-spot

The finder, Craig Mills, and museum archaeologist Mark Lewis (National Roman Legion Museum at Caerleon), investigating the tankard find-spot

In December 2007, Craig Mills discovered a complete wooden tankard while metal-detecting in a field near Langstone, Newport. Around 2000 years old, this article presents this rare and exceptionally well-preserved drinking vessel, showing how museum conservation and research are helping to reveal its story...

The tankard

When full, the tankard would have held nearly four pints of beer or cider. It was held in two hands and was probably passed around a group as a communal drinking vessel. This vessel was made of six wood staves, slotted around a circular base-piece. Surrounding the outer face of the body are two bands of bronze sheet. The vessel has a cast copper-alloy handle, attached to the tankard wall by two pairs of rivets.

Dating to the Late Iron Age or early Roman times, the tankard has only survived because it was buried in a waterlogged soil, without contact with the air. As soon as it was taken out of the ground, it started to dry out with a real danger that it could shrink, crack and warp beyond recognition. Conservators spent much time and care, monitoring it, until it could be conserved. This was achieved by immersing it in alcohol (one more time!) to replace water from the cells within the wood. The alcohol was then replaced by ether (a very volatile substance), which evaporated easily from the wood's surface to leave the object 'dry'. Finally, the metal fittings were carefully cleaned and stabilised.

The significance of the find

Tankards were popular drinking vessels across western and southern Britain in the Late Iron Age and Roman periods. This is only one of six complete tankards to have survived in Britain and Ireland. The other example from Wales is the elaborately decorated Trawsfynydd tankard (Gwynedd), which was found around 1850 and also preserved in waterlogged peat. More common, are discoveries of just the bronze handles from tankards. The Langstone tankard is difficult to date accurately. The surviving handle, is very similar to a tankard handle discovered at the Roman fort at Loughor (Swansea). It was buried in a well, which was filled up during the second century AD. However, close examination of the Langstone tankard, suggests that this poorly fitted handle was a late replacement to an original, now missing. A localised tapering of the rim and delicate bronze pins remaining in the middle tankard wall are the surviving evidence for this early handle. This suggests that this tankard was made in the first or early second century AD (AD1-150).

Just a few metres away from the tankard find-spot a group of

two bronze bowls and a wine-strainer was found also by Craig Mills at around the same time. These near complete vessels were made during the Late Iron Age and decorated in the Celtic Art style. They were buried in a similar waterlogged and peaty layer, probably during the middle of the first century AD. This similar use, for straining and holding liquids, such as wine or medicine, suggests that this location held particular significance to their owners, who chose to bury their valued drinking gear here.

Written by Adam Gwilt, with a contributing team of Evan Chapman, Mary Davis, Mark Lewis, Mark Lodwick, Craig Mills & Nigel Nayling

Easter eggs?

The female peregrine has been showing signs of incubating eggs the last couple of weeks. In fact, we think she started incubating the first egg on Wednesday or Thursday 17th/18th March.

After last years disappointment they have decided to use the nest on the east side of the tower which will be much better for viewing with our camera.

Fingers crossed the eggs hatch!

Keepsakes Community Arts Project with Women's Arts Association

What would you consider to be a keepsake? What objects are important to you and why? I love to be surrounded by little objects and ornaments that remind me of places I’ve been to and people I know, but I think that my most precious keepsake is a letter and a bracelet made out of crystals given to me by a close friend just before she died. To anyone else this piece of cheap jewellery wouldn’t mean anything, but to me it is imbued with memories and every time I look at it or read the letter I am transported back six years ago to when I first received it.

In St Fagans: National History Museum, as you would expect, we have lots of fascinating objects which all come with their own story. The picture below seems to be merely a bit of wood…

but it’s actually an

‘Elder-tree charm - consisting of an elder branch with the twigs cut to give a cruciform effect. Crosses of this type were thought to be potent against witches and other malevolent influences. Used in a Monmouthshire farm-house during the late 19th century.’

And what about this beautiful sewing box?

Made approximately in 1830 out of rosewood, mother of pearl, silk, paper and leather and used in Garthmyl, Powys it’s as if it has keepsakes within keespakes! The box itself is a beautiful blue, the inside lid (which you can’t see in this picture) is of ruched turquoise silk and it has lots of lovely little compartments filled with treasures such as buttons, needlework samples, bright coloured thread and even a lock of hair which you can see in the bottom left-hand corner.

To explore this idea of the keepsake we have teamed up with Women’s Arts Association to collaborate on a community arts project culminating with an exhibition in Oriel 1 in September 2010. The idea is that participants of the project will visit St Fagans and choose some objects from our collections which resonate with them and use these objects as a starting point to create their own works of art. Ultimately the intention is that the museum object they choose and the piece of work they create will be exhibited side by side.

Leading this exciting project are two experienced tutors and professional artists: Prue Thimbleby and Becky Adams. Prue specialises in basket weaving and sculpture using natural and recycled materials and Becky specialises in book arts and textiles and they could help you make beautiful keepsakes of your own!

Workshops start in May, and for details of those and the rest of the project, please visit www.womensart.co.uk

I’ll blog about the project while it goes along, and meanwhile will leave you with a quote from Sherry Turkle’s book Evocative Objects: Things we think with:

‘We find it familiar to consider objects as useful or aesthetic, as necessities or vain indulgences. We are on less familiar ground when we consider objects as companions to our emotional lives or as provocations to thought. The notion of evocative objects brings together these two less familiar ideas, underscoring the inseparability of thought and feeling in our relationship to things. We think with the objects we love; we love the objects we think with.’

We’d also love to know of any keepsakes you have and treasure - please write any comments below.

March update

The peregrine camera has just been reinstalled on the roof.

Despite the building works going on here we have managed to get the camera up on the roof. With a little ingenuity and the construction skills of a colleague in the Department of Industry the camera has been mounted on a purpose built metal support.

All being well the camera will be live by the end of next week.

Finally the daffs are coming...

This winter has been the coldest in 30 years - so our flowers have opened much later than usual.  Our first crocus was recorded in Murch Junior School on the 14th of February and our 1st daffodil also at Murch on the 17th of February. 

Since then many more have opened across the country. Study the maps and graphs to find out more. https://museum.wales/en/1719/

Finally, this week the daffodils in my garden have produced their buds and hopefully should be ready to open soon! They seem a lot shorter than in previous years. We will study the records to see if this is a trend this year.

Many thanks

Professor Plant

 

Mystery bulb No.1 Can you guess what it is?

Mystery bulb No.2 Can you guess what it is?

 

22/3/2010 Daffodils in Cardiff. Sent in by Mr. Alun Jones