Wales and the History of the World

St Teilo's Church was featured on the BBC's 'Wales and the History of the World' last night, and is now available to view on the iplayer. The programme will be available to watch here until the 31st of March.

Mural fragment - rose and throne

Original mural fragment, showing a Tudor rose and a throne, from St Teilo's Church. Copyright RCAHMW/Coflein.

Presented by rugby lej Eddie Butler, the show presents a refreshing view on what I mentioned in my last post: what makes us, 'us'. You'll see many unusual, interesting and iconic objects from your national collection on display throughout the programme.

Of course, I'm a bit biased but St Teilo's was beautifully shot, and the team was fun to work with. I only wish I'd brought a crate to stand on for my interview, as Mr Butler is a giant! You can see my grinning mug at the 9 minute mark. Hope you enjoy.

Allotment Keeper Photography Project

Maybe you've noticed that there's been a bit of work going on at the back of Llainfadyn Cottage recently. Well all that digging is part of photographer Betina Skovbro's fantastic new project where she will be creating an allotment with a bit of a difference!

To follow her progress, have a read of her blog allotmentkeeper.wordpress.com and i'll put a few updates on this blog too.

The Allotment Keeper Photography Project is just one of many events dealing with biodiversity this summer. Check our events pages for more details.

Photographs by Betina Skovbro

Bowls in the Bog: the Langstone Treasure Revealed

The hoard group of two bowls and a wine-strainer

The hoard group of two bowls and a wine-strainer

The decorated ring-handle fitting (escutcheon) on the large bowl

The decorated ring-handle fitting (escutcheon) on the large bowl

Investigating the waterlogged find-spot of the bowls and wine strainer

Investigating the waterlogged find-spot of the bowls and wine strainer. Undertaken as part of an ongoing treasure case by staff of the Portable Antiquities Scheme in Wales and of Amgueddfa Cymru — National Museum Wales

In December 2007, Craig Mills discovered two Late Iron Age bronze bowls and a bronze strainer, each decorated in the Celtic Art style. The finds were made while metal-detecting in a low-lying field near Langstone, Newport. This article presents these rare finds and shows how museum fieldwork and research are helping to tell their story...

The bronze vessels

This hoard of bowls with a 'wine-strainer' was once a drinking-set, for decanting and straining liquids. They may have been used for the preparation and drinking of newly fashionable Mediterranean wine. Alternatively, they may have been put to medicinal or religious use.

The bowls are round-bottomed with carefully formed rims. One is slightly larger than the other but the strainer sits comfortably in both. Each bowl has a decorated fitting below the rim, through which a ring was fitted for hanging and storage. The strainer has a wide brim and a rounded body with a ring for hanging. The base is decorated with a carefully designed strainer pattern, achieved by careful piercing with many small, circular holes. The perforation pattern forms three trumpet-shaped zones, surrounding a three-legged triskele motif. The triskele is an often repeated Celtic Art design on Iron Age metalwork in Wales.

The significance of the find

The two bronze bowls from Langstone were made during the Late Iron Age (50BC-AD60). Examples have previously been found across south western and south eastern England, sometimes in watery places and sometimes in graves. These, and another similar bowl fittings from Llantilio Crosseny (Monmouthshire), show that they were also used across south Wales. The Langstone discoveries provide a rare opportunity to follow up a recent discovery using modern archaeological techniques.

Wine-strainers of this form have previously been viewed as early Roman (AD75-150) in date, with examples known from Manorbier (Pembrokeshire) and Coygan (Carmarthenshire). However, this example, found with a set of Late Iron Age bowls, suggests they began to be made and used slightly earlier, probably between AD40-70.

Why were valued and complete vessels buried in a bog?

A few metres away from the hoard find-spot, a complete

wooden tankard of similar age was found at the same time. This suggested a place of particular significance, associated with drinking and the burial of drinking vessels.

Two small test-pits were excavated by museum archaeologists and revealed the exact places of these finds, within the same peaty layer. The vessels had been carefully placed into the edge of a low-lying bog or shallow lake. Nearby, at the centre of this bog, on a slightly raised island of gravel, is a known Roman villa site. However, this remote island setting is unusual for a settlement. It may first have been selected as an isolated place of religious significance, before later becoming an important place of residence in Roman times.

Offerings to the gods

Burying prized objects in lakes, rivers and bogs was a widespread practice across north-western Europe during the Iron Age. These places were chosen for ceremonies involving the giving of prestigious items to the gods, who resided in these places. The reasoning for this final act of burial may relate to a moment of stress experienced by a local Iron Age community. During the middle of the 1st century AD, the Silures tribe of south Wales was engaged in bitter and prolonged conflict with an advancing Roman army. Perhaps such gifts reveal an urgent measure, a call on the power of the Celtic gods against an invading force.

Written by Adam Gwilt, with a contributing team of Evan Chapman, Mary Davis, Mark Lewis, Mark Lodwick, Craig Mills & Nigel Nayling

It exists, but not according to this...

I was just visiting the St Fagans library, looking to do a little reading up before the Easter tours of St Teilo's Church. A chance encounter and a fleeting chain of thoughts later, I'm here on the blog.

It begins when I bump into a colleague clutching a hefty old book, in the reference section of our research library. Rather cryptically, he tells me "It exists! And it's in here!". Taking the book to one side, he lets it fall open - and rightly it does, on the very page he was looking for.

In my experience, old dictionaries and manuscripts that fall open like that usually contain something very juicy. Finding a page in this way always makes me think of the people who read the book before me. I feel almost as if I am joining a secret club, where generations of readers have sought out and read the same pages carefully. My old art history professor had a story about illuminated Biblical manuscripts, painstakingly drawn and handled by monks. Almost without fail, they will all fall open at the same page: where Bathsheba is described in the bath. Thankfully, I wasn't confronted with anything as lascivious - but certainly something scandalous.

"WALES, see ENGLAND", Encyclopaedia Britannica.

The near-apocryphal entry in the Encyclopaedia Britannica: 'Wales, See England'. I had always thought of it as an idiom, muttered under my breath at Jeremy Clarkson's use of 'us'; defensively invoked on seeing corporate maps which leave out Anglesey, and, most recently, when Google decided to celebrate St David's day by putting one of Kind Edward's castles on their homepage. I suppose it isa lot of history to squeeze into so few words.

That's just my reaction, of course. Debates about Britishness, Welshness, and other -nesses will continue as long as there are people on this island, and in the darker corners of the internet. Whatever your take on the matter, whichever 'ness'-ness you subscribe to, the museum's job is to take a reading every now and then; keep an eye on what makes us, inexplicably, 'us'.

I optimistically dropped by the updated Encyclopaedia Britannica. I was hoping to tie up this post with a point about Wales' growing confidence and international profile using a pithy, concise definition. By now, britannica.com, as it's known, refers to Wales as a 'constituent unit'. I must admit I was disappointed. Over a 150 years since the phrase "Wales: see England" was first published, even as new law-making powers are invested to our Assembly Government: it's strange that 'Country' still does not describe what some people see, when they look at Wales.

Voices from Medieval Wales (AD 1070s- 1500s)

Introduction

An extract from the White Book of Rhydderch, mid 14th century

An extract from the White Book of Rhydderch, mid 14th century

Many different languages were heard in Wales during the early medieval and medieval periods. People from other countries invaded, came here to work or had prolonged contact through trade.

These passages were recorded in 2007 for new archaeology galleries at National Museum Cardiff. These modern recreations of what these lost voices may have sounded like illustrate differing degrees of linguistic exchange in Wales, and further perspectives on creative thoughts, words and deeds from these early periods.

Anglo-Norman

Letter of John Peckham to King Edward, describing the death of Llywelyn ap Gruffudd in 1282. Anglo-Norman reading by David Trotter

Anglo-Norman was written and spoken by a small elite following the Norman invasion.

After the conquest of Wales by Edward I, Anglo-Norman was introduced as the language of the incoming ruling class in Wales. It survives in a small number of literary texts and in administrative and legal documents. There is some influence, too, of Anglo-Norman on the Welsh language.

This example is from a letter of John Peckham, Archbishop of Canterbury (about 1230-92) to King Edward I, describing the death of Llywelyn ap Gruffudd in 1282.

Transcription of the audio passage:

Sire, sachez ke cues [ceus?] ke furent a la mort Lewelin truverent au plus privé lu de sun cors menue choses ke nus avoms veues; entre les autres choses il i out une lettre deguisé par faus nuns de traysun. E pur co ke vus seyez garni, nus enveyum le transcript de la lettre a le eveske de Ba, e la lettre meymes tient Eadmund de Mortemer, e le privé seel Lewelin, e ces choses vus purrez aver a vostre pleysir, e ço vus maundum pur vus garner, e nun pas pur ce ke nul en seyt grevé, e vus priums ke nul ne sente mort ne mahayn pur nostre maundement, e ke (s) ce ke nus vus maundums seyt secré.

English translation:

Lord, know that those who were at the death of Llywelyn found in the most secret part of his body some small things which we have seen. Among the other things there was a treasonable letter disguised by false names. An that you may be warned, we send a copy of the letter to the bishop of Bath, and the letter itself Edmund Mortimer has, with Llywelyn's privy seal, and these things you may have at your pleasure. And this we send to warn you, and not that any one should be troubled for it. And we pray that no one my suffer death or mutilation in consequence of our information, and that what we send you may be secret.

Source: R. Griffiths (ed.) 1986, 1282. A Collection of Documents (National Library of Wales), 12-13; English translation by Charles Trice Martin.

Anglo-Norman reading by Professor David Trotter, Anglo-Norman Dictionary, Aberystwyth University.

Middle Welsh

Old Welsh developed into Middle Welsh around 1100. Spoken Welsh included a variety of dialects, such as Gwyndodeg (the speech of Gwynedd) and Gwenhwyseg (the speech of Gwent). The written language was used for religious literature, legal texts, works on medicine, heraldry and farming as well as prose sagas and romances. Medieval Wales remained overwhelmingly Welsh speaking.

We have here an example of Middle Welsh taken from one of three cywyddau by the professional bard Iolo Goch (about 1320-98) praising Owain Glyn Dŵr. This one praises his court at Sycharth.

The cywydd (plural cywyddau) is one of the most important metrical forms of Welsh poetry, consisting of a series of seven-syllable lines in rhyming couplets, using a form of harmony known as cynghanedd. It was the favourite metre of the poets of the nobility.

Iolo's patrons included high-ranking churchmen as well as Anglo-Welsh and Welsh noble families.

Transcription of the audio passage:

Llys Owain Glyn Dŵr

Naw neuadd gyfladd gyflun,
A naw gwardrob ar bob un,
Siopau glân glwys cynnwys cain,
Siop lawndeg fal Siêp Lundain;
Croes eglwys gylchlwys galchliw,
Capelau â gwydrau gwiw;
Popty llawn poptu i'r llys,
Perllan, gwinllan ger gwenllys;
Melin deg ar ddifreg ddŵr,
A'i glomendy gloyw maendwr,
Pysgodlyn, cudduglyn cau,
A fo rhaid i fwrw rhwydau;
Amlaf lle, nid er ymliw,
Penhwyaid a gwyniaid gwiw,
A'i dir bwrdd a'i adar byw,
Peunod, crehyrod hoywryw;
Dolydd glân gwyran a gwair,
Ydau mewn caeau cywair,
Parc cwning ein pôr cenedl,
Erydr a meirch hydr, mawr chwedl;
Gerllaw'r llys, gorlliwio'r llall,
Y pawr ceirw mewn parc arall;

English translation:

... nine symmetrical identical halls,
and nine wardrobes by each one,
bright fair shops with fine contents,
a lovely full shop like London's Cheapside;
a cross-shaped church with a fair chalk-coloured exterior,
chapels with splendid glass windows;
a full bakehouse on every side of the court,
an orchard, a vineyard by a white court;
a lovely mill on flowing water,
and his dovecot with bright stone tower;
a fishpond, hollow enclosure,
what is needed to cast nets;
place most abounding, not for dispute,
in pike and fine sewin,
and his bord-land and his live birds,
peacocks, splendid herons,
bright meadows of grass and hay,
corn in well-kept fields,
the rabbit park of our patriarch,
ploughs and sturdy horses, great words,
by the court, outshining the other,
stags graze in another park...

English translation by Dafydd Johnston (D. Johnston 1993, Iolo Goch: Poems, Gomer.

Middle Welsh reading by Professor Peter Wynn Thomas, Cardiff University.

Middle English

The Norman Conquest destroyed the literary high culture of Anglo-Saxon England. The Middle English that was increasingly widely used again after about 1200 was grammatically much changed from Old English, and had absorbed many Norse and Anglo-Norman words. English was the usual language of most of the towns founded by Norman and English rulers in Wales. Large numbers of Middle English words passed into Welsh.

This example of Middle English comes from the medieval romance 'Sir Cleges'. Sir Cleges is the tale of a spendthrift knight reduced to poverty and restored to prosperity, against a background of Christmas festivities.

It was composed in the late 1300s/early 1400s, probably in the north-west Midlands.

Transcription of the audio passage:

Sir Cleges and his son gent
The right waye to Cardiffe went
Uppon Cristemas Daye.
To the castell he cam full right
As they were to mete dy?t,
At noun, the soth to saye.
In Sir Cleges thow?t to goo,
But in pore clothyng was he tho
And in sympull araye.
The portere seyd full hastyly:
"Thou chorle, withdrawe þe smertly,
I rede the, without delaye —

'Ellys, be God and Seint Mari,
I schall breke thyne hede on hig?t!
Go stond in beggeres row?t.
Yf þou com more inward,
It schall þe rewe afterward,
So I schall þe clow?t.'
'Good sir,' seyd Sir Cleges tho,
'I pray you lat me in goo
Nowe, without dow?t.
The kynge I have a present brow?tt
From hym þat made all thynge of now?t;
Behold all abow?t!'

English translation:

Sir Cleges and his fine son took the road straight to Cardiff on Christmas day. He went directly to the castle, as they were sitting down to eat, at noon to tell it true. Sir Cleges meant to go in, but he was poorly dressed then, and in simple costume. The porter very quickly said 'You churl, take yourself off smartly, I tell you, without delay, or by God and Holy Mary I'll break the crown of your head. Go and stand in the crowd of beggars. If you come further in, you'll regret it afterwards. I shall hit you so hard'. 'Good sir', said Sir Cleges then, 'I pray you, let me go in now, without doubt. I have brought the king a present from him who made everything from nothing. Look all around.'

Source: D. Speed (ed) 1987, '4. Sir Cleges', Medieval English Romances Part One (Department of English, University of Sydney), 169-92.

Middle English reading and translation by Professor John Hines, Cardiff University.

Flemish (Middle Dutch)

Flemings came to England with the army of William the Conqueror, and during the 1100s as merchants and colonists for new towns. The most famous group of colonists are the Flemings of south-west Wales (Pembrokeshire and Ceredigion). Flemings retained their identity as a group and their language for several generations until the early 1200s. By then they had transformed the character of areas of Dyfed.

This example of Flemish comes from the 'Roman van Walewein'. Roman van Walewein is an Arthurian story which appears to be a Flemish invention and in which Walewein (Gawain) is the main character. The central theme in the story is the quest for a flying chess-board which appeared at Arthur's court (and disappeared again).

Transcription of the audio passage:

Die koninck Arthur zat t'enen male
Te Carlioen in zine zale
Ende hild hof na konink zede
Alzo hi menigwerven dede
Met een deel zire man
Die ik niet wel genomen kan:
Ywein ende Percevaal,
Lanceloot ende Duvengaal
Entie hoofse Walewein;
Zijn gezelle was daar negein.
Ook was daar Keye, die drussate.
Daar die heren aldus zaten
Na den etene ende hadden gedwegen
Alzo hoge liede plegen,
Hebben zi wonder groot vernomen;
Een schaak ten veinstren inkomen
Ende breedde hem neder uptie aarde.
(...)

English translation:

King Arthur once was seated
in Caerleon in his hall
and held court as kings do
and as he did frequently
with a number of his men
who I cannot name all.
Yvain and Perceval,
Lancelot and Duvengal
and the courtly Walewein;
who was there without peer.
Also Kay was there, the steward.
When these lords sat there
after a meal, and had washed (their hands)
as gentlemen use to do,
they witnessed a great wonder:
A chess-board came in through the window
and alighted on the floor.
(...)

English translation/source: D. F. Johnson and G. H. M. Claassens (eds) 2000, Roman van Watewein. Arthurian Archives. Dutch Romances. Vol. 1 (Cambridge); Flemish reading by Lauran Toorians.

Text by Mark Redknap with Peter Wynn Thomas, Diarmait Mac Giolla Chríost, John Hines, David Trotter, Lauran Toorians