Richard Trevithick’s steam locomotive

The replica locomotive

The replica locomotive in its present home, the National Waterfront Museum.

The Penydarren loco

On 21 February 1804, the world’s first ever railway journey ran 9 miles from the ironworks at Penydarren to the Merthyr–Cardiff Canal, south Wales. It was to be several years before steam locomotion became commercially viable, meaning that Richard Trevithick and not George Stephenson was the real father of the railways.

In 1803, Samuel Homfray brought Richard Trevithick to his Penydarren ironworks at Merthyr Tydfil in South Wales. Homfray was interested in the high pressure engines that the Cornishman had developed and installed in his road engines.

He encouraged Trevithick to look into the possibility of converting such an engine into a rail-mounted locomotive to travel over the newly laid tramroad from Penydarren to the canal wharf at Abercynon.

Crawshay’s wager

It would appear that Trevithick started work on the locomotive in the autumn of 1803 and, by February 1804, it was completed. Tradition has it that Richard Crawshay, owner of the nearby Cyfarthfa ironworks, was highly sceptical about the new engine, and he and Homfray placed a wager of 500 guineas each with Richard Hill (of the Plymouth ironworks) as to whether or not the engine could haul ten tons of iron to Abercynon, and haul the empty wagons back.

The first run was on 21 February, and was described in some detail by Trevithick:

‘...yesterday we proceeded on our journey with the engine, and we carried ten tons of iron in five wagons, and seventy men riding on them the whole of the journey... the engine, while working, went nearly five miles an hour; there was no water put into the boiler from the time we started until our journey’s end... the coal consumed was two hundredweight’.

Unfortunately, on the return journey a bolt sheared, causing the boiler to leak. The fire then had to be dropped and the engine did not get back to Penydarren until the following day.

This gave Crawshay reason to claim that the run had not been completed as stipulated in the wager, but it is not known if this was ever settled!

The engine was, in fact, too heavy for the rails. Later, it would serve as a stationary engine driving a forge hammer at the Penydarren works.

Replica locomotive

The replica locomotive on display in the Museum today was built working from Trevithick’s original documents and plans (now in the National Museum of Science and Industry). It was inaugurated in 1981 and, ironically, presented the exact same problem as the original engine – it too broke the rails on which it ran!

We cannot overestimate the importance of Trevithick’s locomotive. In 1800, the fastest a man could travel over land was at a gallop on horseback; a century later, much of the world had an extensive railway system on which trains regularly travelled at speeds of up to sixty miles per hour. This remarkable transformation, a momentous occasion in world history, was initiated in south Wales in that February of 1804.




 

The Penydarren locomotive – Steaming Days

A short film documenting the yearly steaming of Richard Trevithick’s replica locomotive at the National Waterfront Museum, Swansea.

A Christmas card from Professor Plant

I'd like to say Merry Christmas to all the school pupils who are helping this year!

I am truly delighted with all the weather records that I have recieved so far.

Do you like my Christmas hat? I can't wait until the Christmas holidays! Not long now. I'm really looking forward to relaxing and spending time with my family and plant pals. I wonder if we will get a white Christmas this year?

I hope you have a really fantastic holiday and get everything you wish for!

Best wishes

Professor Plant

St Teilo's Church - the book 2008-12-12

I think we've just about finished the glossary. It's only short, but a very educational process for me! I've just a couple more images to chase and then I think we'll have all the content, apart from the illustrations we've commissioned.

The designer is coming to see us next week with some sample design concepts. I always get nervous about that - what if they turn up with something horrible?! What if they've completely misunderstood the brief? What if...    I shouldn't worry too much as I've worked with this designer before and they've always produced lovely work, always very sympathetic to the subject and,  importantly, the audience.

We're meeting at St Fagans and if the weather's dry we'll be able to take a walk over to the Church for further inspiration. When we had the initial briefing meeting with the designer, we took her to see the Church. We stayed in there for a while, and only left as a fairly large group of visitors wandered in. As we were walking away down the path the group in the Church, who must have been a choir on tour or something, suddenly started singing, in really beautiful harmonies - we were rooted to the spot, and I can honestly say I had goose pimples, it was so unexpected, so moving.

St Teilo's Church - the book 2008-12-08

I'm working on a book about the fantastic St Teilo's Church at St Fagans. Been really looking forward to this one, it's a lovely story and there's a wealth of fab images - unlike usually, when I have to scrabble around for some decent stuff. I thought we'd be much further on than we are mind, I really expected to be up to my ears in proofs by now. I sort of know why we're further behind than I'd planned, just can't quite explain. Or I could, but it still probably wouldn't make much sense. Plus, designers work in different ways, and this one likes to take a lot of time 'up front' working on the design concept, then when that's agreed we crack on with the proofreading fairly quickly. I suppose I'm more comfortable with spending the bulk of the time at the proofreading stage, especially with a fairly text-heavy book like this one. Still, we always manage to end up with a book on time. I should be designing the marketing plan by now, but I'm still getting the images together and finishing the copy - things like indexes, the glossary, that kind of thing. And I haven't written any of the image captions yet, which I decided would be quite long, narrative style, so that we don't have to cram absolutely everything into the main copy.

Having to work within a financial year is odd too - not at all the way publishing works. I could get really quite anxious about this if I let myself. I just have to concentrate on how good the book's going to look, and having a high-profile launch, with a popular speaker, where everybody buys a copy of the book, which will get great reviews...

In our favour is the fact that the Church is already incredibly popular and has had a lot of good press. The whole re-erection project at St Fagans has built up a swell of good will, and the Church has its own loyal following - a sort of fan-base! All that's keeping me going at the moment, but I know things are going to get pretty intense over the next couple of months.

Bulb blog

Planting for the Planet!

3,743 pupils from 91 schools across Wales are taking part in this year's Spring Bulbs for Schools investigation. On Monday the 20th of October each pupil planted crocus and daffodil bulbs to kick-start this climate change investigation - which is in its forth year.

Over the next few months each of these school scientists will be keeping weather records and noting when their flowers open as part of a long term study looking at the effects of temperature on spring bulbs.

Talk to Professor Plant:
Professor Plant would love to know how you got on with your planting. Let us know what you did in your school or send in some photographs.

To be web safe: 
We will not publish any childrens names. When you leave a message, list the name of your school, then your comment will be posted as ' pupils from' and the 'name of your school'. Always ask your teacher for permission before posting a message or a photograph.