: Museums, Exhibitions and Events

Hi Helen, tell us a bit about yourself and your role at Amgueddfa Cymru.

I’ve been with Amgueddfa Cymru for a whirlwind 12 months. I am on secondment from Conwy County Borough Council where I usually look after the museum, library, arts, and archives services. Before moving to North Wales 14 years ago I worked across the Scottish islands as an archaeologist and community development worker.

My mum is from North Wales, and I always wanted to learn Welsh. It has taken me 14 years to get there, but I would say that a year at Llanberis has certainly supercharged my learning experience!

My role as Project Director means that I’m responsible for the overall management and delivery of the National Slate Museum Redevelopment project. I lead a number of wider project teams and report on progress to the Project Board. I’m charged with ensuring that the project stays on schedule and within budget and that we are meeting the expectations of our funders and stakeholders. Its also my job to make sure that we all share and drive forward the same vision to deliver the project together with our communities in a way that meets their own needs and aspirations.

The Llanberis project is really exciting, what can you share about it, as it progresses?

We refer to it as a once-in-a-generation opportunity and that really is true. Since the Slate Landscapes of Northwest Wales were designated as a World Heritage Site back in 2021, strategic funding opportunities have made it possible for us develop a really ambitious scheme. We will be able to create a brand new shop, café and learning space to transform the visitor experience. We are also going to install a lift to the first floor pattern lofts for the first time, as well as provide more accessible spaces throughout and better toilets (including a changing places toilet).

We are trying to create a nuanced balance between respecting the sensitivity of Gilfach Ddu and providing a contemporary experience. Visitors, locals and staff alike tell us that they love the site just the way it is – as though the workers have just downed tools and gone home for the day. That’s the spirit of the historic workshops that we are trying to honour, whilst at the same time making more significant improvements to spaces that have historically seen a lot of change already. For example, in our new gallery spaces, we will be able to show off more of our national collection, but also develop our role as a gateway to the wider slate landscape WHS.

We have just finalised our RIBA4 stage, which is the technical design phase where all the detailed specifications and materials are agreed. We have gone out to tender for the main works and with all being well are starting on site in April.

What’s happened to the collection while the renovation works are happening and can we still visit?

Almost the entire collection – around 10,000 objects - have been moved off site to a new dedicated accessible collections centre at Llandygai just outside Bangor. Anything that can move, has moved! This is to protect the collection but also to keep it accessible while the museum is closed temporarily. Our activity programme over the coming year will provide lots of opportunities for people to visit, experience and work with the collections in their temporary home and help select objects for display and decide how their stories will be told.

Is the Llanberis site open while works happen, it would be cool to have a tour of the empty museum!

The museum is closed temporarily, partly to keep staff and visitors safe because of the scale of the works, but also because we are working to a very tight timescale! We are offering some ‘Silent Spaces’ tours at the moment for the local community as we prepare to hand over to the contractor, and we will look to offer more sneak peak and behind the scenes tours over the coming months.

We’ve seen the Development and Llanberis Redevelopment Team working hard to secure funding, whose contributed to the project that we can shout about!

Goodness me, there are so many people doing extraordinary work. Certainly in the last 6 months I have been bowled over by Cadi, our curator, and the wider site staff for the work they’ve done to prepare the museum for closure. Kerry Vicker is my hero. She got me through our Stage 2 National Lottery Heritage Fund bid for just under £10m.

What sustainability measures are being considered, to protect the future of the museum and the collection?

We have Victoria Hillman working on the project team as part of the redevelopment so that we can keep a focused eye on sustainability and environment. There are so many elements to this which are a combination of preventative measures and new initiatives.

In terms of the collection we are being pragmatic and responsive to the types of industrial collections we have. We are conserving some elements – such as Una the engine – who will be brought back into steam through the project. The environments we achieve for the main gallery spaces will achieve a new level of conditioning, which will help us to display more sensitive objects for the first time.

We have also been working with Cardiff Met university on a climate adaptation pathway exercise and building this into the specification for things like landscaping materials, managing run-off, breathability of buildings and design of rainwater goods. We are also looking to achieve:

• BREEAM excellent for the new buildings
• New bat and swift boxes
• Translocation of lichens and mosses
• Planting of native and rare species
• Rainwater harvesting
• Highly sensitive lighting strategy
• Sustainability and environmental learning outcomes embedded across all interpretation

The list goes on!

What are you most looking forward to about the redevelopment?

I can’t wait to see my two young children playing in the spaces we create. I’m hoping to see nothing but delight and wonder on their faces as they explore.

Finally, we love asking this - what’s your favourite piece in the Amgueddfa Cymru collection?

Well, I haven’t been here very long, but I would say my favourite object so far is our beautiful Caban Eisteddfod Chair in the NSM collection. What a simple, beautiful expression of life in the slate quarrying communities and the lived experience of those who sat together in the Caban.

After two years of stillness and silence, the Weaving Shed at the National Wool Museum is waking up, and the sound of machinery at work once again fills the air.

Now that the work of cleaning, repairing and conserving the building and the reconfiguring of the work space inside, the exciting work of learning how to operate the machinery has begun.

Before Melin Teifi closed two years ago, Raymond Jones was the last remaining maker of Welsh flannel, which is culturally important as it has been used extensively to make National Costume and workwear. This year Raymond has been in helping us to restore and tune the flannel loom, as it has been in storage and idle for two years.

We have produced a flannel warp that is unique to Amgueddfa Cymru and tied it on to the loom. We have learnt to use a warp stop which as the name suggests, stops the loom if any of the 1,500 threads break; reducing damage to the cloth and significantly reducing the time required to mend the cloth.

Also, as the yarn is a single ply it requires a higher level of skill and awareness when weaving with it. Working with single ply yarn has proved to be quite challenging and has presented us with different issues and problems which have challenged our understanding of how the looms function. It has been an interesting and rewarding experience.

By improving our knowledge and understanding of how the looms function we are able to consistently make better cloth. It is our intention to be able to make a variety of different cloth such as flannel, double cloth, and twill blankets. This will help us to generate income for the Museum and provide a more fulfilling visitor experience.

Over the last year, we as craftspeople at the museum have learnt a great deal, have encountered many obstacles and challenges as well as some frustrations. The greatest lesson we learnt as a team was… patience!

This year, the Weaving Shed will become alive again as we continue with the tradition of flannel making here in the Teifi Valley and we look forward to sharing this experience and history with you, our visitors!
 

In the quiet of winter, the gardens of St Fagans National Museum of History are alive with activity. January is the perfect time to prune apple trees, ensuring healthy growth and a good harvest later in the year. At St Fagans, the orchards are home to several heritage apple varieties, each with its own fascinating name and story.

One such remarkable apple is Gwell na Mil, meaning "Better than a Thousand." This variety, known as Seek No Further by English speakers in Monmouth, dates back to at least the 1700s and was mentioned in the Cambrian Journal of 1856. Another is the Pig y Golomen, or "Pigeon’s Beak," a traditional variety from Pembrokeshire, with a name inspired by its distinctive shape. There’s also Morgan Sweet, a favourite among Welsh miners, who valued its refreshing flavour during long shifts underground.

These apples, along with others, can be found in the many orchards across St Fagans. The old trees not only provide fruit but also act as vital habitats for wildlife. Birds, insects, and bats all rely on the orchards for shelter and food.

Every year, the apples are harvested and taken off-site to be pressed into juice, which is then sold in the museum shop. This annual cycle of care, from winter pruning to autumn harvesting, keeps the orchards healthy and productive and reflects traditional care that has supported orchards for generations.

January is also the season for wassailing, an ancient tradition to bless apple trees and ensure a good harvest. Wassailing often involves singing, offering cider to the trees, and sometimes driving away bad spirits. The museum’s collections feature beautiful wassailing bowls, traditionally used during these celebrations. Visitors can see some examples of these in the Gweithdy gallery, including pieces of Ewenny pottery.

January in the orchards is a time to reflect on traditions and care for the future. The pruning done now ensures the trees remain healthy and productive for years to come, continuing a cycle that has been part of Welsh rural life for centuries.

As part of Kids in Museums Takeover Day Ysgol Penboyr pupils enjoyed creative Christmas decoration workshops.

Craftsperson, Non Mitchell, taught pupils how to wet felt Christmas baubles and make Christmas God’s Eyes.

Ellie Smallcombe facilitated Christmas decoration weaving workshops, a good time was had by all!

The Summer holiday period saw the launch of the new sensory toy boxes at National Museum Cardiff. There are 5 boxes which are inspired by our collections and galleries. The boxes were developed to engage younger visitors and enhance their museum visit through multi sensory play. The boxes are located in five of our galleries and correspond with the objects on display such as woodland wildlife, sealife, dinosaurs and historical and contemporary art.

The boxes include a varied selection of toys and books which are accessible for children of all ages and needs. In museum spaces where collections on display cannot be handled, sensory resources allow children to learn through play and can spark intergenerational conversations about our collections.  

Visitors to the museum are encouraged to find all 5 boxes and share any feedback and photographs with us on X at @Amgueddfa_Learn.