11^th December 2015 at the National Museum Cardiff from 10.30am to 3.30pm.

Join us for the Christmas version of this one day conference organized by Amgueddfa Cymru: National Museum Wales, The Federation of Museums and Art Galleries of Wales and Cardiff University. The theme is ‘Conservators in action’ and will highlight some of the great work done by conservators across Wales.

A good mix of talks is being arranged;

• Gemma McBader, this years winner of the Pilgrim Trust Student Conservator of the Year Award, will talk about her project 'Significance-led conservation of a 19th century Ethiopian shield'.
• Helen Baguley on her experiences as a music internship at St Fagans National History Museum.
• Adam Webster will be exploring the conservation of the Stradling family memorial panels.
• Ruth Murgatroyd on preparing the specimens for the ‘Stuffed, pickled, pinned’ exhibition for their 3 year tour.
• Julie McBain will be challenging authenticity in textile conservation.
• Jane Rutherfoord discusses the uncovering, conservation and significance of the 15th century wall paintings at Llancarfan.
• Caroline Buttler will be looking at the challenges of conserving, moving and displaying a few tons of fossil tree root!
• Katie Mortimer Jones will be providing an insight into the way the Natural sciences at AC-NMW integrate the use of social media.

A draft program for the day is;

If you have any queries about the program please contact julian.carter@museumwales.ac.uk. We will be looking to finish by around 3.30pm, with the additional option of some short collection tours afterwards if you wish to stay longer. For those requiring some further refreshment the tours will be followed by a seasonal visit to a local pub.

The cost of the day is £20 which includes lunch (£10 for students). If you wish to join us, please email your booking information before 7 December 2015 and follow it with a cheque or Purchase Order payable to Amgueddfa Cymru - National Museum Wales to

Katrina Deering
National Collections Centre
Heol Crochendy
Parc Nantgarw CF15 7QT

Please E-mail any booking queries to katrina.deering@museumwales.ac.uk

Booking information
Name:
Organisation:
E-mail address:
Payment enclosed or to follow: Yes/No     

Students are permitted to pay cash on the day, but must book a place by 7 December 2015. Places are allocated on a first come first served basis.

Please include any dietry requirements with your booking information.

Conservation Matters in Wales conferences are held twice a year in Wales, UK and bring together examples of best practice, case studies and research in conservation and collections care, and provide networking opportunities for conservators and museum, library and archive professionals.

Explore Your Archive is a joint campaign delivered by The National Archives and the Archives and Records Association across the UK and Ireland. It aims to showcase the unique potential of archives to excite people, bring communities together, and tell amazing stories.

Last year staff from Amgueddfa Cymru held an Explore Your Archive event for the first time. It was held in the Oakdale Institute at St. Fagans: National History Museum. We showcased a selection of documents and photographs relating to Wales and the First World War to coincide with the launch of our First World War online catalogue. You can search the catalogue here.

It was a popular event with adults and a number of school parties excited to see original historic archive material, and discuss their history with the staff who look after these collections. The success of last year’s event means that we are organising another one this year. ‘Discovering Wales: History on Your Doorstep’ will be held over two days on 20-21 November in the main hall of National Museum Cardiff, Cathays Park. This year the theme will be travel and tourism and we will have a selection of archive material from our collections including photographs, film, postcards, letters and notebooks for you to look at and discuss with members of the team who curate, manage and conserve the archive collections. This year we will also have a series of events for children. Children will be able create their own postcard for display in the Main Hall, or can put on their Sherlock hats and help us to identify unknown names and places from the photographic collections! There will also be an Explore Your Archive trail around the museum.

We hope to see you there. You can find out more about the event here.

The Bishop’s Palace at Hereford was once a very grand hall, and as it was built in 1180, offers a rare glimpse at the constructional techniques of the period. Last week, my colleagues and I visited the Palace to see the one giant arched-brace that survives, hidden in the attic.

One of St. Fagans’ latest building projects is the reconstruction of a medieval Royal hall from Rhosyr, near Newborough in Anglesey. This hall was significant because it was one of 22 in Gwynedd owned by Llywelyn ap Iorwerth (Llywelyn ‘the Great’) during the beginning of the 13^th century. At the time Princes were peripatetic and would visit each hall in turn, in order to attend to the administrative needs of that region. As this hall now only stands as a ruin, very little evidence survived of its timber-framed roof, and a considerable amount of research has been undertaken in order to provide a representative design for the reconstruction. One potential ‘post-pad’, and areas of differential stone paving was enough evidence to suggest the existence of two rows of timber posts within the great hall at Rhosyr. These divided the space along its length, forming a central ‘knave’ and an ‘aisle’ on either side. Rows of tall timber posts like these need to be braced together to ensure their rigidity, and hence the reason for our visit to Hereford. The curved arch is almost as impressive today as it must have been when it was built. We plan on replicating this framing technique by joining our posts with similar, if smaller, arched-braces. Together they will form strong ‘arcades’ on which our roof rafters can rest.

The 1168 work was finished to a very high standard, as you can see from the ornately carved capitals and the studding along the upper edge of the brace. The timber is also of some note, as today such large diameters are only to be found in the dreams of woodworkers. For instance, each half of the brace is made from a single long curving trunk, which would be an exceptionally rare find these days. Also, the circular column near the base of the arch has been carved from, and is still attached to, the same trunk as the square post it backs on to - which called for a very wide tree.  A point of note, however, is that although the standard of workmanship is high, its design is somewhat frowned upon. In his book ‘English Historic Carpentry’ (1980) Cecil A. Hewett wrote ‘This is poor carpentry’… ‘The Hereford example is wrought to a high standard, but this quality is expressed only in the skilled cutting of the timber and the degree of ‘fit’ achieved. As illustrated, the jointing is weak and hardly deserves to be called such..’

Although described as ‘bad carpentry’ The Bishop’s Palace has stood for 835 years. Having returned from Hereford, my challenge is to replicate this design for use in our own hall, where 17 of these semi-circular arched braces are required to support Llys Rhosyr’s thatched roof, albeit at a reduced scale. The inclusion of a pair of hidden tennons at the top of the arch will successfully raise the standard of the jointing while crucially, maintaining the look of the original brace.

This October Amgueddfa Cymru had the wonderful opportunity to be a part of the Made in Roath community arts festival. Now in its 7^th year, the festival celebrates creative talent by taking art out of the gallery and into the wider community, with an emphasis on social engagement and inclusivity.

During the weekend of 17^th and 18^th October, the Natural Science conservators and curators along with some amazing Made in Roath volunteers, contributed to the festival’s creative extravaganza by installing a pop-up museum in a residential house. The unique setting allowed us to display many of our scientific specimens in a completely different way and also to make great use of our outreach collections.

Our aim was to simply have fun with the specimens, to inspire curiosity and delight for our visitors, and reinforce the idea that museums can be a friendly, relaxed spaces. So that’s just what we did…. by placing a sheep in the kitchen, a giant ancient millipede on the worktop, a crocodile under the stairs and an ostrich skeleton in the bay window. We filled a snooker table full of insects, made blinds from pressed plants and replaced the cups and saucers in the welsh dresser with fossils and minerals. Our curators enjoyed weaving their humour into the displays in subtle ways too. Visitors may have noticed a fox and otter playing a family game together and spelling their names, the spider’s web in the garden with its own paper label and even the specially created 2015.032 accession number with reference to the year of the festival and the door number of the house! 

Thanks to everyone’s hard work, the exhibition was a huge success and was amazingly well received by the local community. We have a visitor book full of lovely comments to prove it!

We’d like to say special thanks to the local Roath celebrity, Boyd Clack, who cut the red ribbon and opened the museum for us; the property owners who let us take over their home; and our volunteers who warmly welcomed visitors over the weekend, helping us to bring the museum to life.

We hope that our collaborative work with Made in Roath will grow in the future, so we can find even more creative ways to engage the community with our science collections. Watch this space!

https://storify.com/CardiffCurator/museuminahouse-madeinroath2015

We have had more of our I Spy Nature Competition winners in for special behind the scenes tours of National Museum Cardiff.

We ran a drawing competition as part of our I Spy Nature Pop-up Museum at the Capitol Shopping Centre over the summer. We had some fantastic entries and it was extremely difficult to choose the winners. However, we managed to select several winners and they were given natural history related goodies from the Museum’s shop and offered special tours to see what happens once you leave the public galleries and go into the museum’s collections.

These three lucky winners had tours in the fossil and mineral collections with palaeontologist Dr Lucy McCobb and mineral curator Andrew Haycock. 

Some of our other winners have also been in to see what happens in the marine, shell and vertebrate collections.