Congratulations to Ladywell Primary School for sending in the first flower records for Scotland! Lakeside Primary School in Wales have also sent in their first flower records – their first crocus and first daffodil opened in the same week! Great work bulb buddies.

Three weeks to go… The deadline for sending in your weather and flower records is Friday 28 March, so there are just three weeks to go!

If you have been keeping records but haven’t sent them to me yet then please send them soon – all your weather and flower records are really important to me! Every record you send in will make the Spring Bulbs Investigation better and more accurate.

Don’t worry if your flowers haven’t opened yet, a lot can happen in three weeks, especially if the sun shines!

Would you like to do a Super Scientific Investigation with your plants? I have put together some great ideas for experiments you can do in your school! Can you trick your crocus? Can your daffodil move? Click here to have a look: Professor Plant’s investigation ideas. As well as exciting experiments you will also find my favorite Spring Poem here! It is about daffodils and this is the first verse:

Daffodils

I wander’d lonely as a cloud

That floats on high o'er vales and hills,

When all at once I saw a crowd,

A host, of golden daffodils;

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

By William Wordsworth (1770-1850)

Beautiful! Have you ever tried to write a poem about Spring? Or about your favourite flower? Why not give it a go?

Your questions, my answers:

Ladywell Primary School: We have had our computer system upgraded in school and it has been difficult for us to send weekly weather reports because we lost a lot of data which was stored on our apple mac and which we cant convert to PC. However we have been taking temperatures and it has not really been cold and we have had a lot of rain. Some of our plants didn't grow very well but our first daffodil opened today 25th February and it is 28 cm tall. We have another one about to open and some others not far away. We hope this is ok with you and we will send more information soon. Prof P: Sorry to hear you have had computer trouble Ladywell School, don’t worry, I completely understand. Thanks very much for sending your first flower record! Keep up the good work and send in your other flower records when they open.

Lakeside Primary: Daffodil comment: Only one is open and the one that has opened has only got half a pot of compost, we think it was knocked over and some soil lost so perhaps less soil has led to quicker flowering, but why? Prof P: Great question Lakeside! Do you have any ideas? This is my theory: A bulb closer to the surface may flower sooner because it warms up quicker and has less soil to push through when it starts to grow. So why don’t we plant them all close to the surface? Well, if there is a very cold winter the frost can damage bulbs that are too close to the surface, and then they may not grow at all.

The Blessed Sacrament Catholic Primary School: We all brought our wellies into school this week so that we can go out and look at our bulbs whatever the weather. We went to check on them all on Friday and measured how tall the leaves were, and started recording them in a table like we had been doing in maths. We hope to do this every week now then we can make a graph of the results. Still no sign of flowers yet! Prof P: What a fantastic idea! I love making graphs, they are a great way to see what the numbers are telling me. You must be very dedicated scientists to bring your wellies in to school so you can measure your leaves. Well done, I am very impressed!

Professor Plant

The sun is shining through my window here in Cardiff and it feels like Spring has arrived! My own plants are not ready to flower yet, my tallest daffodil is 80mm tall and my crocus is still only 30mm tall, but I am sure they will like the sunshine! I took a photo this morning of daffodils and crocuses blooming in Bute Park, Cardiff, aren’t they beautiful?

Which schools have had their first flowers?

Ysgol Glan Cleddau in Wales has reported their first crocus has opened, and Archbishop Hutton's Primary School in England have reported that their first daffodil has opened! Congratulations and well done for sending in your records.

Rougemont Junior School in Wales sent me this message: Well Professor Plant great excitement here at Rougemont School ... our MYSTERY BULBS have started to flower! They look very healthy, shorter in stem than the other Daffodil bulbs that we planted too. We think they could be Narcissus maybe Tete a tete? Will send a photo soon.

Prof. P: That is very exciting Rougemont School, and well done for investigating what kind of Narcissus they might be – Great work! I look forward to seeing your photos.

And Kilmaron Special School in Scotland said: THIS IS AN OBSERVATION OF LAST YEARS BULBS. We have been monitoring last years crocus and daffodil bulbs to see if older bulbs flower before newly planted bulbs. After our 1/2 term holiday we came back to find the crocus bulbs planted in the pots from last year had opened while this years crocus bulbs look to be about 7-10 days behind in their flowering. We are expecting to post this years results towards the end of next week.

Prof. P: This is really excellent monitoring and investigating Kilmaron! I am very impressed. You are right that older bulbs usually flower sooner than new baby bulbs, one reason for this is that they have had an extra year to grow and store up food.

I wonder where flowers will open next? You can see where flowers have opened so far by looking at this map. If your flowers haven’t opened yet then watch them closely as they may open very soon!

Remember to send me you flower records as soon as your flowers open. To remind yourself what to do, please use my PowerPoint presentation how to keep flower records, and read the What and when to record page on my website.

TOP TIPS:

1. Every pupil in the class can send in their flower record! All the data that is sent in is used to create an average flowering date for each school. Watch the crocus chart and daffodil chart to see the tables change as the data comes in. It is really important that each pupil sends in their record - so the website can calculate the average flowering date for your school.
2. Daffodils tilt their heads downwards just before opening. This prevents them from filling with rain after they open.
3. You need to all send in your flower records to win the Super Scientist Competition!

Your questions, my answers:

Ysgol Terrig: It snowed heavily on Monday morning and stopped about lunch time. Our bulbs are starting to grow :) Prof P: I’m glad your bulbs are growing, did you go out to play in the snow?

Raglan VC Primary: We missed Tuesday because it was raining cat's and dog's, and we had bike training. Prof P: I love that saying! Can you imagine what it would be like if it really did rain cats and dogs? How would we measure that in our rain gauge?

Chatelherault Primary School: Sorry we did not record information on Thursday because we were away all day at a school trip. We were excited to see little green shoots in some of the plants. Prof P: Thanks for letting me know Chatelherault, I hope you had fun on your school trip.

Greyfriars RC Primary School: The plants are growing well and it's wonderful seeing them grow up. The mystery bulbs are really a mystery. from A and A :) Prof P: I hope your mystery will soon be solved Greyfriars!

Arkholme CE Primary School: Unfortunately the plant pots are standing in water this week. Let's hope next week is drier. The mystery bulbs are growing better than the others. Flower buds just appearing. From H. Prof P: I am sure your plants will survive the rain Arkholme, keep watching those flower buds!

Professor Plant

This month we have been donated six lamp checks to add to our very comprehensive collection of checks. Lamp checks informed colliery management of who was in work and became vital when rescue services needed to know how many men were actually underground during an incident such as a fire or explosion. Colliery check systems apparently became common during the late nineteenth century and became mandatory in 1913 after an amendment to the 1911 Coal Mines Act. The two lamp checks shown here were manufactured by E. Thomas & Williams at their Cambrian Works in Aberdare in 2013 using original dies owned by the company. The one on the left was produced to celebrate the 30^th anniversary of Big Pit operating as a museum.

Read more information on checks and tokens

You can also see a selection of checks and tokens from our collection on our online database ‘Images of Industry’.

http://museumwales.ac.uk/industry/images/?action=browse_category&category=1716

This ophthalmoscope was used by colliery nurse Sister Iris Evans for checking ears and eyes in Pochin and Oakdale Collieries. After completing her training in 1952 Sister Evans joined the National Coal Board as a nursing officer at Pochin Colliery in 1955. Later she was transferred to Oakdale Colliery. She retired in 1985 finishing her career as Senior Nursing Officer for South Wales Area NCB. During her career she helped out during the Six Bells Colliery disaster in 1960. She also vaccinated many miners at Lady Windsor Colliery during a smallpox outbreak in South Wales in the 1950s.

This large 15 ton piece of coal is now located at Bedwellty Park, Tredegar, and is Grade II listed. It was cut at the Yard Level, Tredegar as a single block with the intention to display it at the Great Exhibition of 1851. It was originally 20 tons, however, after a 5 ton piece broke away in transportation it was decided not to transport it to London as it might not survive the journey. It was subsequently set up in the grounds of Bedwellty House. The smaller block of 2 tons (to the left) was cut in 1951 from the same seam as the earlier one. It was exhibited at the Festival of Britain in London, before being placed next to the earlier block in Bedwellty Park.

Follow us on Twitter - @IndustryACNMW

As part of Amgueddfa Cymru’s First World War centenary programme the collections relating to this period will be conserved, digitised and made available online. My role at the museum is Textile Conservator so I am responsible for the practical care of the textile collections across all seven sites. There are many WW1 objects in the textile collection; most take the form of commemorative or souvenir pieces, while others are costumes and accessories.

One of the objects recently conserved for the project is an embroidered panel measuring 43.5cm × 53.5cm (maker unknown). It is made from a single piece of royal blue silk satin embroidered with flags and text which reads ‘VICTORY FOR THE ALLIES MALTA PRESENT’ in yellow silk thread using stem stitch. It also features a photograph of a Welsh soldier printed onto a postcard which is slipped inside a frame made from card and covered in painted silk. The frame is tacked to the satin along the bottom and sides with the top edge left open. The flags are made with lines of silk floss which have been laid down to form the coloured sections and secured in a criss-cross, net-like fashion and couched using a very fine thread. Thicker, cotton threads are used to define the sections of colour. The flags and poles are made from a coiled paper thread with a cotton core.

When it came to the conservation studio the panel was in a fair condition with some light surface soiling all over and creasing across the silk from being folded around the frame at some point, probably before it came to the museum. It is possible that the panel once had an adhesive backing as the embroidery threads on the reverse appear stiff and flattened. There is also some abrasion to the surface of the embroidery threads and satin floating yarns. The top and bottom edges are frayed and there are several splits in the ground fabric where it has been stitched through.

The conservation treatment began with a surface clean using a micro vacuum to pick up dust and fluff. It was then humidified to remove the creases; we cannot iron historic textiles because the heat and pressure of conventional irons can cause further damage. Instead we use gentle techniques with cold water vapour or, in this case, a combination of materials layered up to introduce moisture gradually to the textile, giving it time to penetrate the fibres. Once the fibres were relaxed, glass weights were used to hold them in position whilst drying. The photograph was removed during the humidification process to avoid any damage. The next stage was to support the splits in the satin which affect the stability of the textile. Fine silk crepeline was chosen to do this because it gives a light support but is almost transparent, so even though it covers the reverse you can still see the threads; it was dyed blue to match the colour of the satin. The crepeline was fixed to the textile using a very fine layer of thermoplastic adhesive, which was applied to the dyed crepeline and allowed to dry. The adhesive was then re-activated to bond it to the reverse of the panel using a heated spatula; the bond created is enough to support the textile but not so strong that it cannot be removed in the future if required. The frayed edges were then laid out and secured though to the backing by working a blanket stitch along the edge using a fine polyester thread.

The textile is now back in store but will soon be available to view online and may one day go on display at St Fagans. Keep checking the blog for more updates as the project progresses!

The soldier in the photograph is yet to be identified; if you recognise him please contact the museum via Elen Philips, Principal Curator: Contemporary & Community History. Tel: 029 2057 3432 – or on Twitter: @StFagansTextile

After much discussion and background work, the digital team at Amguefdda Cymru today began on the exciting path of redesigning its website.

As well as being timely (it’s been almost 5 years since our last design iteration *gasp*), there are a number of important factors driving this project, including an ambitious digital strategy to help deliver the

, as well as a comprehensive review of our institutional structure as a result of the Museums Change Programme.

Areas for development in this project will include providing greater access to online collections, increasing digital participation and also integrating today's social networking activities to encourage participation and sharing.

With these drivers in mind, we’ve been busy beavering away in the background over the last few months, researching audiences, analysing metrics, workshoping stakeholders and talking to our users. Why? Quite simply, we want this project to be as ‘evidence led’ as possible - let’s act on what our users tell us, from how they get to our website, to what they do when they get there.

time to put the user at the centre

From all this background research, we have developed a specific list of objectives that our new redesigned website will seek to provide. In summary these are;

• Reflect first and foremost, the needs and interests of our users
• Be focused on individual museum sites and our knowledge, not our corporate brand
• Remove barriers to our information, including language and structure
• Present a clear and logical navigational structure
• Remove redundant sections and pages
• Present a simple, clean design
• Ensure that there are no dead ends for users - always offer an alternative if no exact content matches their search
• provide fresh and routinely updated material

We are now in a position to take stock of our whole online offer: microsites, domains, social media connections, visiting pages, collections pages, even our in-gallery interfaces, while at the same time rethinking our traditional ‘institutional’ view of what we present online.

Most of you in Museum digital circles will know just how easy it is for websites to evolve through a reflection of internal structures. This is our chance to turn that thinking around and apply fresh perspectives, new ideas and modern technology to a website that really works for those visiting our websites - all based on evidence driven research, of course...

Timescale for all this? 8 months, so check back for updates to how this journey unfolds…