My name is Lowri and I am one of the Freelance Project makers working on the Winter of Wellbeing project. My main role is as part of a small team putting together activity packs for families and young people with the goal of improving wellbeing. But before this project, I had been a stay at home parent for over a decade. 

The last time I was formally employed, it was 2011. A year where it was still acceptable to say ‘talk to the hand’, 3D movies still seemed like a good idea and Flossing was just a dental practice, not a dance. So when I heard about a position that involved working with young people in the heritage sector, which are both my areas of interest, where I could work from home around my family, I couldn't believe my luck! However, after so long away from work, even with a few relevant qualifications and experiences I have, I struggled to know if I had anything of value to offer.  

Thankfully, I did not need to worry too much. My experiences as a parent have been surprisingly essential to the work I have been doing. Even my daughter has become involved in testing and photographing some of the activities which will now be shared with thousands of children around the country. That got me thinking about how valuable our skills as parents can be in the workplace. For example: 

• If you can construct a play kitchen with no instructions and 2 missing screws at 11.30pm on Christmas eve… you can problem solve. 

• If you can negotiate a screaming toddler out of a soft play area… you can hold your own in any meeting. 

• If you have managed to get everyone out of the door on time, with a packed lunch, reading book read, spellings learnt and cupcakes for the charity bake sale (that you will pretend you baked yourself but actually bought on the way to school and bunged in a Tupperware box) and still arrive at school on time…You can project manage. 

I know now, through working on this project, that I do have value outside of the home. The Winter of Wellbeing project has not only given me the opportunity to make a difference in young people's lives, it has given me invaluable work experience, built m

y confidence up and allowed me to contribute financially to my family. And because of the short term nature of the contract, I have managed to dip my toe into the employment pool without the massive worries about childcare in the summer holidays, which is often a barrier for parents returning to work.  

All in all, I have had a ball so far on the project, I have met so many interesting and inspiring people. I have learnt so much in such a short space of time and will come away from it more confident to apply for future jobs I might previously have discarded because I thought I wasn't good enough. Feeling valued outside of the home has added so much to my wellbeing and I am so thankful for that. 

February each year is LGBT+ History Month, with events throughout the month that help to increase the visibility of LGBTQ+ people, their history and lived experiences. Each year there is usually a theme, and this year it is ‘Politics in Art’. 

Amgueddfa Cymru has a number of events planned for LGBT+ History Month 2022: 

On display at St Fagans National Museum of History throughout February 2022 will be the original design drawn by Jonathan Blake for the Lesbians and Gay Men Support the Miners badge from 1985. This will be displayed in the Wales is… gallery at St Fagans alongside an original LGSM badge. Lesbians and Gay Men Support the Miners were a group that raised money for striking south Wales miners during the 1984-85 strike. By the end of 1984 there were eleven branches of LGSM across the UK. Each of these branches ‘twinned’ with a particular community – with the London branch twinning with communities in the Neath, Dulais and Upper Swansea valleys. This story, and LGSM’s visit to Onllwyn, became immortalised in the 2014 film Pride. Last year Mark Ashton, who was one of the founders in 1984 of LGSM, was one of the faces of LGBT+ History Month 2021, so it is great that again this year we are able to celebrate the amazing achievements of Lesbians and Gay Men Support the Miners.

 As part of Amgueddfa Cymru’s ‘Museum Talks’ series, curator Mark Etheridge will give a talk on the LGBTQ+ Collection at St Fagans and the importance of representation in museum collections. You can book here -  Museum Talks: LGBTQ+ Collections at St. Fagans | English | National Museum Wales

We have an exciting project being developed for LGBT+ History Month. Funded by Arts Wales, composer Gareth Churchill’s piece LGBTQ+ History Wales Songbook will be performed at Oakdale Institute at St Fagans during LGBT+ History Month. This will be a musical performance piece for voice and piano/keyboard that will celebrate and give musical voice to the St Fagans LGBTQ+ history collection. Initially it will be a closed performance that will be filmed and broadcast online. This will be broadcast as a finale to LGBT+ History Month, and will be advertised on the museum’s social media channels.

Of course, LGBTQ+ history should not just be celebrated during one month each year. So throughout 2022 look out for further displays and events across Amgueddfa Cymru’s museum sites. These are just a few things we have planned:

At St Fagans some LGBTQ+ related objects are now on display in the Wales is… and Life is… galleries. As well as the LGSM items mentioned, these include a teapot and toy paddle relating to the Ladies of Llangollen (probably the most famous lesbian couple in history) and a songsheet for the song We’ll Gather Lilacs that was written by Ivor Novello.

From mid-March some LGBTQ+ objects from the LGBTQ+ collection will be on display at the National Waterfront Museum as part of the exhibition Trawsnewid. This is part of a project for LGBTQ+ young people aged 16-25 that explores queer and gender non-conforming figures in Welsh history and supports participants to create work inspired by their own experiences.

We’re thrilled to announce that we’ve won the Investing in Volunteers Award for the third time.

Investing in Volunteers is a UK quality standard award in Volunteer Management.

We couldn’t have done this without the hard work and dedication of our amazing staff and volunteers. Thank you!

Having poured over our final assessment reports our highlight was to read…

“Volunteers commented that they felt that their contribution was meaningful, and that they enjoyed their roles. The majority of volunteers remarked on how welcoming the organisation is.  One volunteer said it made them feel part of a family.”  

Volunteers donate their time, skills, expertise, and enthusiasm to Amgueddfa Cymru year after year. We're a charity, and your support helps to enrich and bring a fresh perspective to our national museums.

If you would like to get involved, please visit Get Involved with Amgueddfa Cymru | National Museum Wales

@WCVACymru

#InvestinginVolunteers 

 

In September 2021 I was given the chance to work with the Llangorse Textile as part of my master’s degree placement at the museum. The Textile, is dated to the 10^th century, made from linen and silk, and is embroidered with fine motifs; however it was discovered charred and waterlogged after the crannog in which it was found had been destroyed by fire. It is very delicate and vulnerable to harm owing to the fire damage. For more information on the Llangorse Textile, please see the list at the end of the article.

The project I was set was to create new mounts for the undecorated pieces of the textile that aren’t on display, so they can be stored safely. They had been previously stored on boards with specially cut out depressions and covered with mesh and film to protect them. In the years since, the fragments had shifted slightly and so I was charged with making new mounts to keep the fragments safe.

Empty mount with stitched in label (Photo: E. Durrant)

The new mounting method had already been devised by the conservators at the museum (and used to display the decorated pieces of the Textile in the Gweithdy Gallery at St Fagans) by the time I arrived. Following this method, I cut out pieces of board to fit the shape of each textile fragment so they could be slotted together like a jigsaw puzzle. This was an important part of the process because this method of mounting allows the pieces to be moved around and reinterpreted.

The board was covered in specially dyed jersey fabric which has a slight knap that holds the textile fragments to the surface without the need for sewing to secure it, as this would damage its fragile structure. This was then trimmed, and a calico backing sewn down to neaten it.

A completed box of newly mounted Textile pieces (Photo: E. Durrant)

After the mounts were made, then came the daunting part – transferring over the pieces of textile from their old mount to their new ones! I consulted the original conservation notes to ensure loose pieces were located in the correct position; a tricky exercise as the Textile is an almost uniform black colour owing to the charring. Instead, the direction of the warp and weft of the small pieces, as well as their shapes were used to position them correctly. This was the part of the process that took the longest and required the most scrutiny!

Empty mount with stitched in label (Photo: E. Durrant)

All museum objects have assigned numbers, so that they are easily identifiable and therefore the next task was to create labels for the Textile. Because the pieces are so fragile, I created small tags and sewed them to the calico backing of the mounts so they can easily be tucked away when being stored or displayed but can also be accessible in the event they need to be consulted. This means that the tags won’t drag across the surface of the Textile. For added security in case the tags got lost, I also wrote the numbers on the calico backing.

Finally, it was time to think storage. As the problem with the old storage method was slippage, that was the main factor that needed to be addressed. The nap of the jersey halted movement to a degree, but it wasn’t enough. Therefore, I packed an archival box with foam and pinned around the freshly mounted textile pieces; the heads of the pins holding the mounts in place. The foam will help to reduce shock and by placing pins around the pieces I have ensured that they can’t move within the box.

A completed box of newly mounted Textile pieces (Photo: E. Durrant)

It was a thrilling opportunity to be able to work on such a unique piece of Welsh heritage and I would like to thank all the museum conservation staff for being so welcoming and sharing the wealth of their knowledge.

Further Reading/References:

Amgueddfa Cymru. 2007. The Llan-gors textile: an early medieval masterpiece. Available at: https://museum.wales/articles/1344/The-Llan-gors-textile-an-early-medieval-masterpiece/ [Accessed 4 January 2022]

Lane, A. and Redknap, M. 2019. Llangorse Crannog: The excavation of an early medieval royal site in the kingdom of Brycheiniog. Oxford: Oxbow Books

 

We’re pleased to announce that we have received a grant from the Landfill Disposals Tax Communities Grant Scheme!

The grant money is to help communities and their local environments. Our proposal was to improve the landscape around National Museum Cardiff. The urban meadow is to be reinvigorated and enriched with further habitats and the carpark will have it’s planting levels increased. We will develop the spaces to support biodiversity, part of our response to declaring a state of global climate and ecological emergency.

The funding has allowed the creation of my post – Museum Garden Co-ordinator – to oversee the project and will allow us to buy all the tools, materials and plants needed. The garden’s development and maintenance will be volunteer led. The publicly accessible garden will link with our museum collection and strengthen our relationships with community partners. We will create a space with educational value to school groups and visitors alike. Public consultation has taught us that visitors want more green space and hands-on interactions so we will be able to provide this.

 

Gardening volunteer roles will be advertised soon on museum.wales/getinvolved or you can follow us on twitter for updates @AmgueddfaVols

Any questions?

Contact us on gwirfoddoli@amgueddfacymru.ac.uk | volunteering@museumwales.ac.uk

 

Bee Orchid illustration. Jennah-Kate Morgan 2022