Welsh Blankets – Beauty, Warmth, and a Little Bit of Home

Mark Lucas, 5 May 2020

The National Wool Museum in Drefach Felindre is home to a comprehensive collection of tools and machinery involved throughout history in the processing of woollen fleece into cloth. It also holds the national flat textile collection and the best collection of Welsh Woollen blankets with documented providence dating back to the 1850s. These range from large double cloth tapestry blankets that are now very collectable, to plain white single utility blankets from WWII. In this blog, Mark Lucas, Curator of the Woollen Industry Collection for Amgueddfa Cymru – National Museum Wales, shares his knowledge of the heritage of Welsh blankets and some fine examples from this important collection.

 

Welsh Blankets traditionally formed part of the bottom draw for Welsh brides. A pair of Welsh blankets was also commonly given as a wedding gift. The would have travelled great distances with people moving during the Industrial Revolution looking for work, but wanting to keep a small piece of home with them. Thus, Welsh blankets have found their way across the world, adding a touch of homely aesthetic to a room by day and providing warmth at night.

 

Narrow Width Blankets

Narrow Width Blanket - two narrow lengths stitched together.

Narrow width blankets were the earliest, woven on a single loom. They were made of two narrow widths hand sewn together to form a larger blanket. Single loom blankets of this type were the norm before the turn of the twentieth century when the introduction of the double loom enabled the weaving of broader widths of fabric. However, many of the smaller mills, as well as individual weavers, did not convert to wider looms and, as a result, narrow-loom blankets continued to be produced in significant quantities during the 1920s, 30s and even later.

 

Plaid Blankets

Plaid Blanket

Plaids were popular during the nineteenth century, usually featuring strong colours against a natural cream background. The introduction of synthetic dyes in the late 19th century allowed weavers to mix more coloured yarns into the designs, although some colour combinations were subtle, others could be gaudy. Many smaller mills continued the use of natural dyes well into the 20th century. The natural dyes were made from madder and cochineal for reds, woad and indigo for blues, and various berries and lichens for other shades. The National Wool Museum has its own natural dye garden and hosts courses and talks throughout the year on natural dyeing

 

Tapestry Blankets

Tapestry Blanket

Welsh Tapestry is the term applied to double cloth woven blankets, producing a pattern on both sides that is reversible and is the icon of the Welsh woollen industry. Examples of Welsh tapestry blankets survive from the eighteenth century and a pattern book from 1775 by William Jones of Holt in Denbighshire, shows many different examples of tapestry patterns. Double cloth was first used to make blankets, but its success as a product for sale to tourists in the 1960s led to its use as clothing, placemats, coasters, bookmarkers, tea cozies, purses, handbags and spectacle cases. Because of the hardwearing quality of the double cloth weave the material has also been used for reversible rugs and carpeting.

 

Honeycomb blankets

Honeycomb Blanket

Honeycomb blankets are a mixture of bright and soft colours. As the name implies the surface is woven to produce deep square waffle effect giving the blanket a honeycomb appearance. This type of weave produces a blanket that is warm and light.

With the current resurgence of Welsh blankets for a decorative home-style item there is much interest in old blankets and the designs patterns. Antique blankets have become very popular with interior designers and feature heavily in home décor magazines. They are used as throws and bed coverings in modern homes with many high-end textile designers as well as students researching old patterns for inspiration for their new designs.

Caernarfon Blanket

Many of the fine examples in the Museums’ blanket collection come from mills across Wales that ceased production long ago. A highlight is the collection of Caernarfon Blankets. These were produced on Jacquard looms in a range of colourways. Only a few mills used Jacquard looms, which can make complicated designs and pictures. The Caernarfon blankets show two pictures one with Caernarfon Castle with the words CYMRU FU (Wales was) and a picture of Aberystwyth University with the words CYMRU FYDD (Wales Will Be). It is believed that these blankets were first been made in the 1860s, and last produced for the investiture of Prince Charles in 1969. A recent donation to the museum is an earlier example of the blanket featuring two images of Caernarfon castle. Woven by hand it contains a critical spelling error - Anglicising the name to Carnarvon.

 

VE Day: Medals of Heroism, Service and Sacrifice

Alastair Willis, 5 May 2020

Victory in Europe Day or VE Day commemorates the Allied victory over Nazi Germany. The United Nations also marks the 8th-9th May for all countries as a “time of remembrance and reconciliation for those who lost their lives during the Second World War”.

On 8th May 1945, the War in Europe ended. After almost six years of bloody conflict, Nazi Germany had finally been defeated. By the end of the Second World War – which lasted another four months in the Pacific – more than 60 million soldiers and civilians had been killed, including more than 15,000 Welsh people. The National Museum Wales’ collection of Second World War medals attests to the incredible heroism and sacrifice of Welsh servicemen and civilians between 1939 and 1945. In this article, we will present some of the medals from the war in Europe and share with you the stories of their recipients.

British servicemen were eligible for eight campaign stars (a retrospective ninth was added in 2012) and two service medals. Extraordinary acts of bravery or service by service personnel or civilians were rewarded with gallantry medals.

Petty Officer William John James (Royal Navy), Cardiff

Petty Officer William John James, served on HMS Galatea, a Royal Navy light cruiser that operated in the Atlantic and Mediterranean until it was torpedoed and sunk by a German U-Boat off Alexandria in December 1941. James and over 460 of the crew were killed; only around 100 sailors survived. His medals were awarded posthumously and given to his family after the end of hostilities and were accompanied by a condolence slip from the Admiralty.

W.J. James’ medals (from left to right): The Naval General Service Medal with the Palestine 1936-1939 clasp, The 1939-1945 Star, The Atlantic Star, The Africa Star and The War Medal

W.J. James’ medals (from left to right): The Naval General Service Medal with the Palestine 1936-1939 clasp, The 1939-1945 Star, The Atlantic Star, The Africa Star and The War Medal.

Condolence slip accompanying W.J. James’ medals.

Condolence slip accompanying W.J. James’ medals.

Reverend Ivor Lloyd Phillips (Army), Kilgetty

These medals were awarded to the Reverend Ivor Lloyd Phillips, a military chaplain who served with the 102 (Pembroke Yeomanry) Field Regiment, Royal Artillery in Tunisia and Italy.

Rev. I.Ll. Phillips’ medals (from left to right): the Military Cross, The 1939-1945 Star, The Africa Star with 1st Army clasp, The Italy Star, The Defence Medal and The War Medal with a bronze oak leaf demonstrating that Phillips had been “Mentioned in De

Rev. I.Ll. Phillips’ medals (from left to right): the Military Cross, The 1939-1945 Star, The Africa Star with 1st Army clasp, The Italy Star, The Defence Medal and The War Medal with a bronze oak leaf demonstrating that Phillips had been “Mentioned in Despatches”.

Phillips was awarded the Military Cross, which was at the time the second highest military decoration after the Victoria Cross. The recommendation for the award says “He has carried out his duties in a completely selfless and devoted manner… his work has been unremitting and he is held in very deep esteem by all ranks… Never deterred by any considerations of enemy shelling, he has always shown complete disregard for personal safety. He always hurries to the spot where casualties have occurred and his presence and work with them… has always been the greatest inspiration to others”

He later became Archdeacon of Newport.

Rev. Phillips.

Rev. Phillips.

Rev. Phillips’ Army Chaplain’s Badge.

Rev. Phillips’ Army Chaplain’s Badge.

Rev. Phillips donated his medals to the National Museum Wales in 1991.

Sergeant Glyn Griffiths (Royal Air Force), Llandudno

Griffiths (right) and other members of his squadron on a Hurricane.

Glyn Griffiths (right) and other members of his squadron on a Hurricane.

Born in Llandudno in 1918, Sgt Griffiths was an RAF fighter pilot who flew Hawker Hurricanes as part of 17 Squadron during the Battle of Britain, from July to October 1940. He destroyed at least six enemy aircraft and possibly as many as 15. He was awarded the Distinguished Flying Medal for his actions. Following the Battle of Britain he became an instructor and later flew operationally with 4 Squadron. Returning from a sortie over France, he and his wingman collided over their base and Griffiths was forced to bail out. He suffered severe burns, which ended his wartime service.

Sgt Griffiths medals (from left to right): Distinguished Flying Medal, The 1939-1945 Star with Battle of Britain clasp, The Atlantic Star, The Defence Medal, The War Medal, Croix de Guerre (Belgium), Order of Leopold II (Belgium)

Sgt Griffiths medals (from left to right): Distinguished Flying Medal, The 1939-1945 Star with Battle of Britain clasp, The Atlantic Star, The Defence Medal, The War Medal, Croix de Guerre (Belgium), Order of Leopold II (Belgium).

Sergeant William Herbert Evans (RAF), Cardiff

Sgt Evans was the navigator of a Halifax bomber in 78 Squadron. He was killed on 31st August 1943, when his aeroplane was shot down during a 600-aircraft raid on the German cities of Mönchengladbach and Rheydt. His medals were issued posthumously.

Sgt Evans’ medals (from left to right): The War Medal, The Air Crew Europe Star, The 1939-1945 Star

Sgt Evans’ medals (from left to right): The War Medal, The Air Crew Europe Star, The 1939-1945 Star.

Sgt Evans’ medals were donated to the National Museum by his family.

Benjamin Lewis Aylott (Police), Pontarddulais

London-born Aylott had served in the Royal Navy during the First World War before moving to Pontarddulais. At the outbreak of the Second World War he joined the Glamorgan Constabulary as a War Reserve Constable. He was awarded the King's Police and Fire Services Gallantry Medal for apprehending an armed army deserter on 27th December 1943.

B.L. Aylott’s King's Police and Fire Services Gallantry Medal

B.L. Aylott’s King's Police and Fire Services Gallantry Medal.

B.L. Aylott and his family following his investiture by King George VI at Buckingham Palace.

B.L. Aylott and his family following his investiture by King George VI at Buckingham Palace.

His medals were donated to the museum by his son Terry Aylott in 2011.

Thomas William Keenan (Civilian), Cardiff

On the night of 2nd-3rd January 1941, over 100 German aircraft attacked Cardiff. Keenan, watchman at a fuel depot, used his hat to remove an incendiary bomb from the top of a tank containing 300,000 gallons of petrol. His hands were badly burned, but the fuel tank was saved. He was awarded the George Medal for his bravery. Among his medals are two from the First World War that Keenan had received as a result of serving in the Machine Gun Corps.

T.W. Keenan’s medals (left to right): George Medal, British War and Victory Medals (WW1), The Defence Medal, 1939-1945

T.W. Keenan’s medals (left to right): George Medal, British War and Victory Medals (WW1), The Defence Medal, 1939-1945.

Keenan’s medals (reverse).

Keenan’s medals (reverse).

Gordon Love Bastian (Merchant Navy), Barry

Eynon Hawkins (Royal Navy), Llanharan

These Albert Medals were awarded to G.L. Bastian and E. Hawkins for saving life at sea.

Born in Barry, Bastian was a Second Engineer officer on the S.S. Empire Bowman, which was torpedoed on 31st March 1943. His Albert Medal was awarded for “exceptional bravery, strength and presence of mind” in saving two men from the ship’s flooding stokehold.

Hawkins, a Royal Navy Able Seaman from Llanharan, was serving as a gunner aboard a defensively armed merchant vessel that was torpedoed and set on fire on 10th January 1943. According to the London Gazette (29 June 1943), “Hawkins, with the greatest coolness and courage, organised a party of survivors in the water until they were later picked up by one of H.M. ships. Twice he swam to the assistance of other survivors who were in difficulties, himself receiving burns in the face as he pulled them to safety.”

Albert Medals of G.L. Bastian and E. Hawkins

Albert Medals of G.L. Bastian and E. Hawkins.

Albert Medals of G.L. Bastian and E. Hawkins.

Albert Medals of G.L. Bastian and E. Hawkins.

Both medals were donated to the National Museum by their recipients.

Elizabeth Harriet Edwards (Civilian), Cardiff

The British Red Cross Society awarded the medal below to Hetty Edwards for proficiency in First Aid. Edwards was the Librarian of the National Museum of Wales between 1931 and 1970. During the Second World War, she volunteered as a nurse for the British Red Cross Society.

Read more about Hetty Edwards:

Part One

Part Two

Part Three

E.H. Edwards’ Proficiency in Red Cross First Aid Medal

E.H. Edwards’ Proficiency in Red Cross First Aid Medal.

Victory in Europe Day

5 May 2020

VE Day marks the occasion in 1945 when the Allied forces accepted Nazi Germany's surrender, bringing an end to the Second World War in Europe.

Here you can learn more about Wales during the Second World War through objects from the collection.

Sgt Evans’ medals (from left to right): The War Medal, The Air Crew Europe Star, The 1939-1945 Star

Sgt Evans’ medals (from left to right): The War Medal, The Air Crew Europe Star, The 1939-1945 Star.

The National Museum Wales’ collection of Second World War medals attests to the incredible heroism and sacrifice of Welsh servicemen and civilians between 1939 and 1945.

Read More

 

Following food rationing in 1940, clothes rationing came into force in June 1941. The main reason was to reduce the need for raw materials and to redirect labour to war work.

Read More

 
Utility fireside chairs in the Prefab living room, St Fagans National Museum of History

Utility fireside chairs in the Prefab living room, St Fagans National Museum of History

In 1941, the Board of Trade designed a collection of furniture of simple design that could be produced cheaply, which was referred to as ‘utility furniture'.

Read More

 

Thousands of British homes were destroyed by bombing during the Second World War. They could not be replaced immediately because of the shortage of builders and materials.

Read More

 

Some have drawn similarities between our current situation and the Second World War – long queues outside shops, empty shelves and rationing of items in our supermarkets.

Read More

 

Seal Matrices

Rhianydd Biebrach, 1 May 2020

What does your signature look like? Is it an illegible squiggle, an elegant flourish, or simply a hurried scrawl of your name?

Whatever it looks like, it’s something that’s unique and personal to you – identifying you and no one else. Putting your signature to something shows that you have approved and endorsed it, and things like contracts, deeds, cheques and certificates would be invalid without one.

But what if you can’t write, because you live in an age where literacy is a skill only needed by a small proportion of society? What if you hold an important position – such as bishop or abbot – where power is invested in your office, rather than in your person?

What is a seal?

For hundreds of years, instead of using signatures, people in past societies resorted to the use of seals – personal devices usually containing an image and often some sort of inscription, legend or motto to identify the owner – to show that they have witnessed and agreed to documents of various kinds.

In the Roman world, seals usually took the form of signet rings, which contained an intaglio - a gem engraved with an image. Later, in the medieval period, they generally took the form of either flat metal discs or ovals, with lugs or cone-shaped projections for holding.

An example of a seal in the form of a flat disc. The 13th century seal of Llewelyn son of Gruffudd, found Abenbury, Wrexham (WREX-D0D606).

An example of a seal in the form of a flat disc. The 13th century seal of Llewelyn son of Gruffudd, found Abenbury, Wrexham (WREX-D0D606).

The cone-shaped silver seal of an unknown late 14th century lady, found in Hyssington, Montgomeryshire. (T2012.12). Now in the collections of Amgueddfa Cymru – National Museum Wales.

The cone-shaped silver seal of an unknown late 14th century lady, found in Hyssington, Montgomeryshire. (T2012.12). Now in the collections of Amgueddfa Cymru – National Museum Wales.

Both forms were engraved with a distinguishing design and legend on the flat face to form a die, or matrix. This would have been pressed into coloured wax and the resulting seal was often affixed to a document with a cord or strip of parchment.

Suspension loops on the backs of medieval seal matrices suggest they were kept secure or carried on cords or chains.

Amgueddfa Cymru-National Museum Wales and local museums throughout the country hold many examples of seal matrices in their collections. This article, however, considers some of the hundreds which have been found by members of the public and recorded on the Portable Antiquities Scheme (PAS) database. The majority of them were found by metal detectorists and are now in private collections, apart from a small number acquired by museums through the treasure process.

Seals were most commonly used in Wales in the medieval period, particularly between the twelfth and the fourteenth centuries. There are far fewer examples known of from the Tudor period and later, although they have continued in use up to the present for certain functions.

What do they look like?

Many seal matrices were made from base metals such as lead or lead alloy and copper alloy such as bronze. Silver examples are less frequently found by members of the public, but when they are they often end up in museum collections after being declared treasure by coroners.

Generally they are circular in shape, though other shapes do occur. Pointed ovals were often used for the seals of women and the clergy, while shield-shaped, lozenge and hexagonal examples are also known.

Medieval seals usually contain some sort of engraved central image or design, surrounded by an inscription identifying the owner of the seal - an individual or an institution - around the outside edge. Later seals often had an image only.

Where are they found?

Seal matrices have been found all over Wales, but some hotspots do occur. The Vale of Glamorgan is where the highest numbers have been recorded, followed by Pembrokeshire, Monmouthshire, Wrexham and Flintshire. Apart from a single example each from Pontyclun and Caerphilly, none have been recorded from the South Wales Valleys, or from Neath and Port Talbot, Ceredigion or Gwynedd.

If you take a look at the Saving Treasures map of objects, you will notice that this pattern matches pretty closely with the areas where other archaeological objects of many different kinds, from the early Bronze Age to the eighteenth century, have been found.

Who used them?

A wide range of people would have needed a seal, from the monarch to small landowners and tradespeople – anyone, in fact, who might have needed business or legal documents of many different kinds. Individuals had personal seals, but seals were also used by bodies such as town corporations, trade and religious guilds, cathedrals, abbeys and monasteries.

The higher your status, the better quality your seal was likely to be. It might be made of silver instead of base metal, with a carefully-chosen device engraved by an expert craftsman. The less wealthy might have resorted to a basic ‘off the peg’ example, made of lead or bronze, with a standard design which may also have been quite crudely cut. There were seals out there to suit all pockets!

Legends

13th century seal of Brother Baldwin (NMGW-E91B83). © Portable Antiquities Scheme.

13th century seal of Brother Baldwin (NMGW-E91B83). © Portable Antiquities Scheme.

The legend (also known as the motto or inscription) is carried around the outer edge of the matrix. It generally follows a standard formula containing the owner’s name, such as ‘S. FRATRIS BALDVINI’ (The seal of Brother Baldwin), on an example found in Porthcawl in 2008. Here, the Latin word ‘Sigillum’ (seal) has been abbreviated to a single letter ‘S’. This was common practice in order to save space for the more important element – the name itself. Both Margam and Neath Abbeys held land in the Porthcawl area, so Baldwin is likely to have been a monk of one of these houses.

Names are often abbreviated, which can make them difficult to decipher, especially if the matrix is corroded or damaged. Out of the 150 or so matrices looked at for this article, 59 of them had illegible or partially legible inscriptions.

More rarely, the legend takes the form of a religious or secular motto, instead of a name. A seal containing the Latin religious motto ‘CREDE MICHI’ (Believe in Me) was found in Penmark in the Vale of Glamorgan in 2011, while ‘I CRACKE NUTS’ was recorded on a seal found in Penhow, near Newport, in 2014. This legend is sometimes thought to be a sexual reference, so although seals had a serious purpose, they could sometimes be playful!

13th or 14th century seal showing the legend CREDE MICHI (Believe in Me).

13th or 14th century seal showing the legend CREDE MICHI (Believe in Me).

13th or 14th century seal showing the legend I CRACKE NUTS.

13th or 14th century seal showing the legend I CRACKE NUTS.

Inscriptions on seals found in England are in one of the three main languages used there in the Middle Ages – English, Anglo-Norman French and Latin. In Wales however, Welsh can be added to that list, and is far more common than either English or French. It appears either in the form of personal names, such as Ieuan or Gwenllian, or as the Welsh word ‘ap’ meaning ‘son of’. Much rarer is the female version ‘ferch/verch’, or ‘daughter of’.

13th-14th century seal of Madog son of Madog (CPAT-0791F5). ©Clwyd Powys Archaeological Trust.

13th-14th century seal of Madog son of Madog (CPAT-0791F5). ©Clwyd Powys Archaeological Trust.

13th or 14th century seal of Wenllian Kaperot.

13th or 14th century seal of Wenllian Kaperot.

13th-century seal of David de Carew

13th-century seal of David de Carew

Some people with clearly Welsh names also used the Latin ‘filius’ instead of ‘ap’. This was usually abbreviated to ‘fil’ or ‘f’, such as in the seal of MADOCI F MADOCI (Madog son of Madog), found near Wrexham.

In the Middle Ages, language and names were among the ways in which people signalled their personal identity, so information like this is valuable evidence for historians studying the society of medieval Wales.

Parts of Wales were extensively settled by Anglo-Normans after the conquests of the late eleventh to the late thirteenth centuries, and seals sometimes provide us with evidence of cultural exchange between the native Welsh and the incomers. Wenpelian (Wenllian) Kaperot, whose seal was found at St Mary Hill (Vale of Glamorgan) in 2005, combines a Welsh first name with an English surname. Was she a Welsh woman married to an Englishman, or was she from a settler family who had adopted native names and begun to think of themselves as Welsh?

History books often tell us that the native Welsh were treated as second class citizens after the Anglo-Norman conquests, but the evidence of these seals shows us that a significant number must have been wealthy enough to have been buying and selling land and conducting legal business of various kinds.

Although we can often decipher the names of the owners of the seals, it can still be difficult to link them with an individual who appears elsewhere in the historic record. Occasionally however, seals are found which can be linked to known families. The Carew family were important Pembrokeshire landowners throughout the medieval period, and the seal of one of them – DAVID DE CARREV (David de Carew) – was found in Carew Cheriton in 2009. The pointed oval shape of this seal and the religious imagery on it suggest that David was possibly a younger, non-inheriting, son of the family who had gone into the church.

Like the Carews, the Turberville family were powerful Anglo-Norman lords, settled at Coity Castle, near what is now Bridgend. Reginald de Turberville’s (REGINALDI DE TURBERVILL) seal was found at nearby St Bride’s Major in 2010. Close neighbours of the de Turbervilles were the de Reigny family and the seal of RICAR’ DE REIGNI (Richard de Reigny) was found near Laleston, Bridgend, in 2018.

13th or 14th-century seal of Reginald de Turberville (PUBLIC – 6C42D0). ©Portable Antiquities Scheme

13th or 14th-century seal of Reginald de Turberville (PUBLIC – 6C42D0). ©Portable Antiquities Scheme

13th or 14th century seal of Richard de Reigny.

13th or 14th century seal of Richard de Reigny.

Designs

The seal’s central motif is its most obvious feature, and can range from simple and crude to complex and sophisticated.

The most common motif on Welsh seals recorded with PAS is a variation on a many-pointed star, sometimes also described as a flower. Typical examples of this form are the thirteenth- or fourteenth-century lead seal of IEWANI APIERWE (probably Ieuan ap Iorwerth), found at Marshfield, Newport, in 2017, and the contemporary seal of WILLIEI FIL ROBERTII (William son of Robert), found at Merthyr Dyfan, near Barry, in 2013.

Seal of Ieuan ap Iorwerth (13th or 14th century)

Seal of Ieuan ap Iorwerth (13th or 14th century)

13th or 14th-century seal of William son of Robert (NMGW-8C9517)

13th or 14th-century seal of William son of Robert (NMGW-8C9517)

Sometimes, seals display such similar central designs, that it is highly likely that they came from the same source, or that the pattern was a very common one, produced in large numbers.

Compare, for example, the twelfth- or thirteenth-century seal of RICARDI MADENVEI (Richard Madenvey), found in 2015, with a broken example found the following year. They contain near identical images of a flower, of six broad petals and a central circle, which looks very like a daffodil. Interestingly, they were found less than seven miles apart, on the Gower Peninsula.

Seal of Richard Madenvei (13th or 14th century)

Seal of Richard Madenvei (13th or 14th century)

Seal of unknown individual, showing same design as seal of Richard Madenvei (13th or 14th century).

Seal of unknown individual, showing same design as seal of Richard Madenvei (13th or 14th century).

Only slightly less common than the star/flower, are a range of cross-shaped designs, and in fact these two groups are closely related, since many of the cross designs have more than four arms and can be interpreted as stars or floral patterns.

A well-preserved example is the seal of Ieuan ap Gronw, found in Pontyclun, Rhondda Cynon Taff, in 2013. The seal of Wenllian Kaperot, already mentioned, contains a slightly more elaborate variation on this theme, while a more basic style can be seen on the seal of Leuel (Llewelyn?) son of Ithael, found in St David’s, Pembrokeshire, in 2011.

12th-13th-century seal of Ieuan ap Gronw (NMGW-05F969)

12th-13th-century seal of Ieuan ap Gronw (NMGW-05F969)

Seal of Leuel son of Ithael (13th-14th century)

Seal of Leuel son of Ithael (13th-14th century)

Seal from St Nicholas, showing Virgin and Child and praying cleric under a canopy at her feet (13th century).

Seal from St Nicholas, showing Virgin and Child and praying cleric under a canopy at her feet (13th century).

Devotional images, including saints, donor figures and other religious imagery, were also popular. A typical example was found in St Nicholas, Vale of Glamorgan, in 2006, dating from the thirteenth century. It shows the Virgin and Child, with a small figure of a praying cleric under a canopy at her feet. Many of these examples are also pointed oval-shaped, suggesting it was a popular theme for the clergy.

Seal showing St Catherine and her wheel (top right).

Seal showing St Catherine and her wheel (top right).

The round seal of Brother Baldwin, mentioned above, contains a Lamb and Flag, the symbol of St John the Baptist. An individual, possibly named Winton or Wilton, had a seal containing an image of another popular medieval saint, Catherine, which was found at St Donat’s, Vale of Glamorgan, in 2012. St Catherine is easily identified by the inclusion of the wheel on which she was martyred.

14th-15th-century seal, possibly belonging to an abbess of Llanllyr, alongside its impression in wax.

14th-15th-century seal, possibly belonging to an abbess of Llanllyr, alongside its impression in wax.

Connected to these examples of devotional imagery, and a rare and important find in its own right, is a seal from Ceredigion which depicts a standing, veiled female figure holding a book and staff. Only part of legend is discernible, reading ‘[ - - - - -] n l l e i r’, making it possible that the seal belonged to an abbess of Llanllyr, Wales’s only Cistercian nunnery.

The fleur-de-lys – a stylised lily – was another popular design and was a common decorative device in the Middle Ages. A particularly nice example appears on the late thirteenth century lead seal of Tuder ab Ithel, which was found in Llanhennock, Monmouthshire, in 2010. However, the craftsman who cut the fleur-de-lys design on the seal of Henry David, found at Nevern, Pembrokeshire, in 2009, was considerably less skilful!

Late 13th-century seal of Tuder ab Ithel (PUBLIC-929A66) © Portable Antiquities Scheme

Late 13th-century seal of Tuder ab Ithel (PUBLIC-929A66) © Portable Antiquities Scheme

13th-14th-century seal of Henry David (PUBLIC-9EF6F3) © Portable Antiquities Scheme

13th-14th-century seal of Henry David (PUBLIC-9EF6F3) © Portable Antiquities Scheme

If your family was important enough to possess a coat of arms, you may decide to include it on your seal. Heraldry was an important signifier of status in the Middle Ages, and appeared everywhere, from wall paintings, to tombs, stained glass, horse trappings and even clothing, as well as on seals.

The arms of the Turbevilles of Coity Castle, Bridgend, appear on a seal found at St Bride’s Major in 2010, referred to above. It is more difficult, however, to identify the families associated with some other heraldic seals, such as that found at Reynoldston, Gower, in the same year, or the crudely-incised three chevrons on a seal found at Llanasa, Flintshire, in 2012.

13th-14th-century seal bearing the arms of an unidentified family, found on the Gower (PUBLIC-6C62F1) © Portable Antiquities Scheme

13th-14th-century seal bearing the arms of an unidentified family, found on the Gower (PUBLIC-6C62F1) © Portable Antiquities Scheme

13th-14th-century seal from Llanasa, Flintshire, showing heraldic device with chevrons.

13th-14th-century seal from Llanasa, Flintshire, showing heraldic device with chevrons.

As well as crosses, stars, saints and heraldry, a number of other designs are found, including animals, non-religious human figures, letters and inanimate objects. Some, like the stag’s head that appears on a seal found in Pembroke in 2017, or the rampant lion on a seal from Holt, Wrexham, may also be heraldic in origin, alluding to an animal on the owner’s coat of arms.

Seal from Pembroke showing stag’s head (13th-14th century)

Seal from Pembroke showing stag’s head (13th-14th century)

13th-14th-century seal from Holt, Wrexham, showing rampant lion (HESH-D966A6). © Birmingham Museums Trust

13th-14th-century seal from Holt, Wrexham, showing rampant lion (HESH-D966A6). © Birmingham Museums Trust

The occasional appearance of bows and arrows, such as on a seal found near Kenfig, Bridgend, in 2012, may indicate an association with archery, either through military service or through hunting. Allusions to occupations are rare however. The only clear reference in a Welsh context recorded with PAS comes from a late thirteenth century lead seal found in Llawhaden, Pembrokeshire, in 2006. This vesica-shaped seal belonged to ‘I’his Carpentarii’ (John the Carpenter), and shows one of the tools of his trade in the shape of a pair of dividers.

Seal showing bow and arrow device (12th-13th century).

Seal showing bow and arrow device (12th-13th century).

Seal of John the Carpenter, showing dividers (c.1250-1300). ©Portable Antiquities Scheme.

Seal of John the Carpenter, showing dividers (c.1250-1300). ©Portable Antiquities Scheme.

Conclusion

Of all the object types commonly recorded with the Portable Antiquities Scheme, seal matrices are unique in that they can provide us with a precious link to specific named individuals. Often, this is the only evidence we have of this person’s existence, as they may have left no other trace in the historical and archaeological record. More than this, they give a tantalising insight into the lives of their owners: their activities, status and even ethnic identity, occupations and spiritual beliefs.

Further Reading

David H. Williams, Catalogue of Seals in the National Museum of Wales, 2 vols, (National Museum of Wales, 1993 and 1998, Cardiff).
David H. Williams, Welsh History through Seals (National Museum of Wales, Cardiff, 1982).
Seals in Context: Medieval Wales and the Welsh Marches, John McEwan and Elizabeth New, eds., (Aberystwyth University, 2012).

Website of the Imprint Project: https://www.imprintseals.org

All images are ©Amgueddfa Cymru-National Museum Wales, unless otherwise stated.

Quarrymen’s Gardens Bloom to Reveal Family History

Julie Williams, 30 April 2020

The gardens of the Quarrymen’s Houses at the National Slate Museum are a popular part of the visitor experience - but the planting choices are not just there to look nice - they're there to add an extra layer of meaning to the stories of the quarrymen’s families and lives.

The gardens are mostly tended by a hardworking team from Gwynedd Council working from their base at Melin Glanrafon, Glynllifon. The team is part of Gwynedd Council’s adult, health, and wellbeing department, and offers training and experience for adults with learning difficulties. The team are contracted to look after the gardens all year round and to ensure that they are in tip top condition for visitors.

Cadi Iolen, Curator of the National Slate Museum explains more about the history and context for the gardens:

“The Quarrymen’s Houses were moved from Tanygrisiau to the National Slate Museum 21 years ago. Each house reflects a different period in the history of the slate industry – from 1861 in Tanygrisiau at the rise of the industry to a household in 1901 on strike during the Penrhyn Lockout of 1900 -1903 and a house in 1969 in Llanberis  - when Dinorwig quarry closed for the final time.

Initially we sought advice from the head gardener at our sister site,  St Fagans: National History Museum, who outlined what we should use for each house in order to further interpret the living conditions at the time. After that it was over to the gardeners to grow and prepare all that was need for the gardens.

Our 1861 house has a herbal garden including  fennel, mint, and st john’s wort. The 1901 house is more practically planted with a vegetable garden in the front as well as the back as the family would have needed to grow their own food at a time of particular hardship.  By 1969, the gardens become much more decorative with wallflowers, begonias and lots of colourful planting similar to the gardens that we grow ourselves today.  We also grow potatoes and rhubarb in the back of the Education House which our actors in residence refer to when on site and which are occasionally used in the cafe. ”