Seal Matrices Rhianydd Biebrach, 1 May 2020 What does your signature look like? Is it an illegible squiggle, an elegant flourish, or simply a hurried scrawl of your name? Whatever it looks like, it’s something that’s unique and personal to you – identifying you and no one else. Putting your signature to something shows that you have approved and endorsed it, and things like contracts, deeds, cheques and certificates would be invalid without one. But what if you can’t write, because you live in an age where literacy is a skill only needed by a small proportion of society? What if you hold an important position – such as bishop or abbot – where power is invested in your office, rather than in your person? What is a seal? For hundreds of years, instead of using signatures, people in past societies resorted to the use of seals – personal devices usually containing an image and often some sort of inscription, legend or motto to identify the owner – to show that they have witnessed and agreed to documents of various kinds. In the Roman world, seals usually took the form of signet rings, which contained an intaglio - a gem engraved with an image. Later, in the medieval period, they generally took the form of either flat metal discs or ovals, with lugs or cone-shaped projections for holding. An example of a seal in the form of a flat disc. The 13th century seal of Llewelyn son of Gruffudd, found Abenbury, Wrexham (WREX-D0D606). The cone-shaped silver seal of an unknown late 14th century lady, found in Hyssington, Montgomeryshire. (T2012.12). Now in the collections of Amgueddfa Cymru – National Museum Wales. Both forms were engraved with a distinguishing design and legend on the flat face to form a die, or matrix. This would have been pressed into coloured wax and the resulting seal was often affixed to a document with a cord or strip of parchment. Suspension loops on the backs of medieval seal matrices suggest they were kept secure or carried on cords or chains. Amgueddfa Cymru-National Museum Wales and local museums throughout the country hold many examples of seal matrices in their collections. This article, however, considers some of the hundreds which have been found by members of the public and recorded on the Portable Antiquities Scheme (PAS) database. The majority of them were found by metal detectorists and are now in private collections, apart from a small number acquired by museums through the treasure process. Seals were most commonly used in Wales in the medieval period, particularly between the twelfth and the fourteenth centuries. There are far fewer examples known of from the Tudor period and later, although they have continued in use up to the present for certain functions. What do they look like? Many seal matrices were made from base metals such as lead or lead alloy and copper alloy such as bronze. Silver examples are less frequently found by members of the public, but when they are they often end up in museum collections after being declared treasure by coroners. Generally they are circular in shape, though other shapes do occur. Pointed ovals were often used for the seals of women and the clergy, while shield-shaped, lozenge and hexagonal examples are also known. Medieval seals usually contain some sort of engraved central image or design, surrounded by an inscription identifying the owner of the seal - an individual or an institution - around the outside edge. Later seals often had an image only. Where are they found? Seal matrices have been found all over Wales, but some hotspots do occur. The Vale of Glamorgan is where the highest numbers have been recorded, followed by Pembrokeshire, Monmouthshire, Wrexham and Flintshire. Apart from a single example each from Pontyclun and Caerphilly, none have been recorded from the South Wales Valleys, or from Neath and Port Talbot, Ceredigion or Gwynedd. If you take a look at the Saving Treasures map of objects, you will notice that this pattern matches pretty closely with the areas where other archaeological objects of many different kinds, from the early Bronze Age to the eighteenth century, have been found. Who used them? A wide range of people would have needed a seal, from the monarch to small landowners and tradespeople – anyone, in fact, who might have needed business or legal documents of many different kinds. Individuals had personal seals, but seals were also used by bodies such as town corporations, trade and religious guilds, cathedrals, abbeys and monasteries. The higher your status, the better quality your seal was likely to be. It might be made of silver instead of base metal, with a carefully-chosen device engraved by an expert craftsman. The less wealthy might have resorted to a basic ‘off the peg’ example, made of lead or bronze, with a standard design which may also have been quite crudely cut. There were seals out there to suit all pockets! Legends 13th century seal of Brother Baldwin (NMGW-E91B83). © Portable Antiquities Scheme. The legend (also known as the motto or inscription) is carried around the outer edge of the matrix. It generally follows a standard formula containing the owner’s name, such as ‘S. FRATRIS BALDVINI’ (The seal of Brother Baldwin), on an example found in Porthcawl in 2008. Here, the Latin word ‘Sigillum’ (seal) has been abbreviated to a single letter ‘S’. This was common practice in order to save space for the more important element – the name itself. Both Margam and Neath Abbeys held land in the Porthcawl area, so Baldwin is likely to have been a monk of one of these houses. Names are often abbreviated, which can make them difficult to decipher, especially if the matrix is corroded or damaged. Out of the 150 or so matrices looked at for this article, 59 of them had illegible or partially legible inscriptions. More rarely, the legend takes the form of a religious or secular motto, instead of a name. A seal containing the Latin religious motto ‘CREDE MICHI’ (Believe in Me) was found in Penmark in the Vale of Glamorgan in 2011, while ‘I CRACKE NUTS’ was recorded on a seal found in Penhow, near Newport, in 2014. This legend is sometimes thought to be a sexual reference, so although seals had a serious purpose, they could sometimes be playful! 13th or 14th century seal showing the legend CREDE MICHI (Believe in Me). 13th or 14th century seal showing the legend I CRACKE NUTS. Inscriptions on seals found in England are in one of the three main languages used there in the Middle Ages – English, Anglo-Norman French and Latin. In Wales however, Welsh can be added to that list, and is far more common than either English or French. It appears either in the form of personal names, such as Ieuan or Gwenllian, or as the Welsh word ‘ap’ meaning ‘son of’. Much rarer is the female version ‘ferch/verch’, or ‘daughter of’. 13th-14th century seal of Madog son of Madog (CPAT-0791F5). ©Clwyd Powys Archaeological Trust. 13th or 14th century seal of Wenllian Kaperot. 13th-century seal of David de Carew Some people with clearly Welsh names also used the Latin ‘filius’ instead of ‘ap’. This was usually abbreviated to ‘fil’ or ‘f’, such as in the seal of MADOCI F MADOCI (Madog son of Madog), found near Wrexham. In the Middle Ages, language and names were among the ways in which people signalled their personal identity, so information like this is valuable evidence for historians studying the society of medieval Wales. Parts of Wales were extensively settled by Anglo-Normans after the conquests of the late eleventh to the late thirteenth centuries, and seals sometimes provide us with evidence of cultural exchange between the native Welsh and the incomers. Wenpelian (Wenllian) Kaperot, whose seal was found at St Mary Hill (Vale of Glamorgan) in 2005, combines a Welsh first name with an English surname. Was she a Welsh woman married to an Englishman, or was she from a settler family who had adopted native names and begun to think of themselves as Welsh? History books often tell us that the native Welsh were treated as second class citizens after the Anglo-Norman conquests, but the evidence of these seals shows us that a significant number must have been wealthy enough to have been buying and selling land and conducting legal business of various kinds. Although we can often decipher the names of the owners of the seals, it can still be difficult to link them with an individual who appears elsewhere in the historic record. Occasionally however, seals are found which can be linked to known families. The Carew family were important Pembrokeshire landowners throughout the medieval period, and the seal of one of them – DAVID DE CARREV (David de Carew) – was found in Carew Cheriton in 2009. The pointed oval shape of this seal and the religious imagery on it suggest that David was possibly a younger, non-inheriting, son of the family who had gone into the church. Like the Carews, the Turberville family were powerful Anglo-Norman lords, settled at Coity Castle, near what is now Bridgend. Reginald de Turberville’s (REGINALDI DE TURBERVILL) seal was found at nearby St Bride’s Major in 2010. Close neighbours of the de Turbervilles were the de Reigny family and the seal of RICAR’ DE REIGNI (Richard de Reigny) was found near Laleston, Bridgend, in 2018. 13th or 14th-century seal of Reginald de Turberville (PUBLIC – 6C42D0). ©Portable Antiquities Scheme 13th or 14th century seal of Richard de Reigny. Designs The seal’s central motif is its most obvious feature, and can range from simple and crude to complex and sophisticated. The most common motif on Welsh seals recorded with PAS is a variation on a many-pointed star, sometimes also described as a flower. Typical examples of this form are the thirteenth- or fourteenth-century lead seal of IEWANI APIERWE (probably Ieuan ap Iorwerth), found at Marshfield, Newport, in 2017, and the contemporary seal of WILLIEI FIL ROBERTII (William son of Robert), found at Merthyr Dyfan, near Barry, in 2013. Seal of Ieuan ap Iorwerth (13th or 14th century) 13th or 14th-century seal of William son of Robert (NMGW-8C9517) Sometimes, seals display such similar central designs, that it is highly likely that they came from the same source, or that the pattern was a very common one, produced in large numbers. Compare, for example, the twelfth- or thirteenth-century seal of RICARDI MADENVEI (Richard Madenvey), found in 2015, with a broken example found the following year. They contain near identical images of a flower, of six broad petals and a central circle, which looks very like a daffodil. Interestingly, they were found less than seven miles apart, on the Gower Peninsula. Seal of Richard Madenvei (13th or 14th century) Seal of unknown individual, showing same design as seal of Richard Madenvei (13th or 14th century). Only slightly less common than the star/flower, are a range of cross-shaped designs, and in fact these two groups are closely related, since many of the cross designs have more than four arms and can be interpreted as stars or floral patterns. A well-preserved example is the seal of Ieuan ap Gronw, found in Pontyclun, Rhondda Cynon Taff, in 2013. The seal of Wenllian Kaperot, already mentioned, contains a slightly more elaborate variation on this theme, while a more basic style can be seen on the seal of Leuel (Llewelyn?) son of Ithael, found in St David’s, Pembrokeshire, in 2011. 12th-13th-century seal of Ieuan ap Gronw (NMGW-05F969) Seal of Leuel son of Ithael (13th-14th century) Seal from St Nicholas, showing Virgin and Child and praying cleric under a canopy at her feet (13th century). Devotional images, including saints, donor figures and other religious imagery, were also popular. A typical example was found in St Nicholas, Vale of Glamorgan, in 2006, dating from the thirteenth century. It shows the Virgin and Child, with a small figure of a praying cleric under a canopy at her feet. Many of these examples are also pointed oval-shaped, suggesting it was a popular theme for the clergy. Seal showing St Catherine and her wheel (top right). The round seal of Brother Baldwin, mentioned above, contains a Lamb and Flag, the symbol of St John the Baptist. An individual, possibly named Winton or Wilton, had a seal containing an image of another popular medieval saint, Catherine, which was found at St Donat’s, Vale of Glamorgan, in 2012. St Catherine is easily identified by the inclusion of the wheel on which she was martyred. 14th-15th-century seal, possibly belonging to an abbess of Llanllyr, alongside its impression in wax. Connected to these examples of devotional imagery, and a rare and important find in its own right, is a seal from Ceredigion which depicts a standing, veiled female figure holding a book and staff. Only part of legend is discernible, reading ‘[ - - - - -] n l l e i r’, making it possible that the seal belonged to an abbess of Llanllyr, Wales’s only Cistercian nunnery. The fleur-de-lys – a stylised lily – was another popular design and was a common decorative device in the Middle Ages. A particularly nice example appears on the late thirteenth century lead seal of Tuder ab Ithel, which was found in Llanhennock, Monmouthshire, in 2010. However, the craftsman who cut the fleur-de-lys design on the seal of Henry David, found at Nevern, Pembrokeshire, in 2009, was considerably less skilful! Late 13th-century seal of Tuder ab Ithel (PUBLIC-929A66) © Portable Antiquities Scheme 13th-14th-century seal of Henry David (PUBLIC-9EF6F3) © Portable Antiquities Scheme If your family was important enough to possess a coat of arms, you may decide to include it on your seal. Heraldry was an important signifier of status in the Middle Ages, and appeared everywhere, from wall paintings, to tombs, stained glass, horse trappings and even clothing, as well as on seals. The arms of the Turbevilles of Coity Castle, Bridgend, appear on a seal found at St Bride’s Major in 2010, referred to above. It is more difficult, however, to identify the families associated with some other heraldic seals, such as that found at Reynoldston, Gower, in the same year, or the crudely-incised three chevrons on a seal found at Llanasa, Flintshire, in 2012. 13th-14th-century seal bearing the arms of an unidentified family, found on the Gower (PUBLIC-6C62F1) © Portable Antiquities Scheme 13th-14th-century seal from Llanasa, Flintshire, showing heraldic device with chevrons. As well as crosses, stars, saints and heraldry, a number of other designs are found, including animals, non-religious human figures, letters and inanimate objects. Some, like the stag’s head that appears on a seal found in Pembroke in 2017, or the rampant lion on a seal from Holt, Wrexham, may also be heraldic in origin, alluding to an animal on the owner’s coat of arms. Seal from Pembroke showing stag’s head (13th-14th century) 13th-14th-century seal from Holt, Wrexham, showing rampant lion (HESH-D966A6). © Birmingham Museums Trust The occasional appearance of bows and arrows, such as on a seal found near Kenfig, Bridgend, in 2012, may indicate an association with archery, either through military service or through hunting. Allusions to occupations are rare however. The only clear reference in a Welsh context recorded with PAS comes from a late thirteenth century lead seal found in Llawhaden, Pembrokeshire, in 2006. This vesica-shaped seal belonged to ‘I’his Carpentarii’ (John the Carpenter), and shows one of the tools of his trade in the shape of a pair of dividers. Seal showing bow and arrow device (12th-13th century). Seal of John the Carpenter, showing dividers (c.1250-1300). ©Portable Antiquities Scheme. Conclusion Of all the object types commonly recorded with the Portable Antiquities Scheme, seal matrices are unique in that they can provide us with a precious link to specific named individuals. Often, this is the only evidence we have of this person’s existence, as they may have left no other trace in the historical and archaeological record. More than this, they give a tantalising insight into the lives of their owners: their activities, status and even ethnic identity, occupations and spiritual beliefs. Further Reading David H. Williams, Catalogue of Seals in the National Museum of Wales, 2 vols, (National Museum of Wales, 1993 and 1998, Cardiff). David H. Williams, Welsh History through Seals (National Museum of Wales, Cardiff, 1982). Seals in Context: Medieval Wales and the Welsh Marches, John McEwan and Elizabeth New, eds., (Aberystwyth University, 2012). Website of the Imprint Project: https://www.imprintseals.org All images are ©Amgueddfa Cymru-National Museum Wales, unless otherwise stated.
Quarrymen’s Gardens Bloom to Reveal Family History Julie Williams, 30 April 2020 The gardens of the Quarrymen’s Houses at the National Slate Museum are a popular part of the visitor experience - but the planting choices are not just there to look nice - they're there to add an extra layer of meaning to the stories of the quarrymen’s families and lives.The gardens are mostly tended by a hardworking team from Gwynedd Council working from their base at Melin Glanrafon, Glynllifon. The team is part of Gwynedd Council’s adult, health, and wellbeing department, and offers training and experience for adults with learning difficulties. The team are contracted to look after the gardens all year round and to ensure that they are in tip top condition for visitors.Cadi Iolen, Curator of the National Slate Museum explains more about the history and context for the gardens:“The Quarrymen’s Houses were moved from Tanygrisiau to the National Slate Museum 21 years ago. Each house reflects a different period in the history of the slate industry – from 1861 in Tanygrisiau at the rise of the industry to a household in 1901 on strike during the Penrhyn Lockout of 1900 -1903 and a house in 1969 in Llanberis - when Dinorwig quarry closed for the final time. Initially we sought advice from the head gardener at our sister site, St Fagans: National History Museum, who outlined what we should use for each house in order to further interpret the living conditions at the time. After that it was over to the gardeners to grow and prepare all that was need for the gardens.Our 1861 house has a herbal garden including fennel, mint, and st john’s wort. The 1901 house is more practically planted with a vegetable garden in the front as well as the back as the family would have needed to grow their own food at a time of particular hardship. By 1969, the gardens become much more decorative with wallflowers, begonias and lots of colourful planting similar to the gardens that we grow ourselves today. We also grow potatoes and rhubarb in the back of the Education House which our actors in residence refer to when on site and which are occasionally used in the cafe. ”
Dig for Health and Wellbeing! Sharon & Iwan Ford, 29 April 2020 Produce and flower gardens were a mainstay of Miner's homes. An important place where food was grown, where pidgeons, chickens and often a pig was also kept. Sharon Ford is Learning and Participation Manager at Big Pit National Coal Museum. She wrote this article for our blog, in celebration of the health and wellbeing benefits of gardening - particularly during this lockdown. Its full of gardening joy and helpful hints and tips, and Sharon had more than a little help from a fellow keen gardener - her son, Iwan. ‘We may think we are nurturing our garden, but of course it's our garden that is really nurturing us’ Jenny Uglow I’ve never been so grateful to have a garden as I do at the moment, because it offers a space to inhabit beyond the four walls of the house. The fact that the weather has been so consistently good has enabled us to make the most of being outdoors when not working, to get out of each other’s way when we need a bit of solitary time, and of course catch up on all the garden tasks which are usually shoe horned into evenings and weekends. Having something to plan and focus on has been really helpful in taking our minds away from the current global crisis and the fact that we are away from friends and family. Even our energetic 8 year old son Iwan has been more engaged with the outdoors so far this year, planning which vegetables he wants to harvest and eat in a few months time, and the fresh air and activity tires him out at the end of the day. This is important as he is missing his usual swimming, gymnastics and rugby sessions.The benefits of gardening on physical and mental health are well-researched and widely known, and it can help with a range of physical conditions such as high blood pressure and anxiety, as well as helping those with more defined mental health problems.Not everyone is as lucky as we are to have a garden at home and an allotment just across the road, but keeping pots or planters of vegetables in small spaces can also help reduce stress and boost self-esteem. Tending for house plants has also been proven to give a sense of purpose, and can be a good place to start for those with no previous experience of gardening.Anyway, I asked Iwan of he wanted to share his top tips for growing and tending, as he’s a seasoned gardener with four years experience now. He also wanted to share his tips for keeping chickens, just in case anyone is thinking of getting chickens to keep them happy! By the way, the therapeutic benefits of chicken keeping are also well documented!My name is Iwan Ford. I am 8 years old and live in Blaenavon. During the lockdown, I spend all my time at home with Mam and Dad. It is ok but I miss my friends and cousins. We are very lucky because we have two gardens and two chickens. My chickens are called Barbara and Millie. I had another chicken who was called Penny, but she died a few weeks ago because she was poorly. We buried her in the garden.Someone gave Millie to us when they heard Barbara was on her own. She is a Silkie, and is very funny and clumsy. She has big feet and walks on and into everything. Sometimes she kicks the food over and sometimes she walks over Barbara. She is very friendly and follows me around the garden. Silkies have blue ears and furry feathers. Barbara is a small bantam and has very beautiful feathers. She had orange feathers around her neck. She lays very small eggs but they are yummy and have very yellow yolks. You can tell they are happy chickens.I do some gardening to help Mam and Dad because we have an allotment as well as our house garden. I like planting, watering and picking the vegetables and fruit when they grow. I have my own vegetable patch and have planted my French beans, pumpkin, marrow and kidney bean seeds already. Seeds need good soil with compost mixed in, sunshine and water. You have to remember to water a lot or they will not grow.Iwan’s Top Tips:Planting tips: Fill the plant pots with compost. Put your seed in. Sometimes you half fill the pot with compost then the seed then more compost. Sometimes you fill the pot then make a hole with your finger and put the seed in. Make sure you water them, and they will grow in a few weeks. When they have grown big enough and no more frost is coming, you put the plants out into the ground. If you haven’t got a garden you can grow potatoes in buckets or bags of compost if you cut the top. Tomatoes will grow like this as well. Always write the names of what you are planting on tags or lolly sticks and put into the pots so you know which is which. Chicken tips: Silkie chickens don’t like to wander as they can’t fly, so if you only have a small garden silkies are the best. Chicken poos are good for making compost. When this is ready you can dig it into the soil to make your plants come up big and strong. Chickens love meal worms as a little treat. We give some to the chickens and put some out for the garden birds as well. ‘Beaky and Feather’ is the chickens favourite food and makes their feathers shine.
Traditional Medicines Lowri Jenkins, 28 April 2020 It is hard to envisage a time, especially at the moment, when we didn’t have the National Health Service to rely on to treat our illnesses. Before the establishment of the NHS in 1948, access to medical treatment was ad hoc and those who could afford private doctors tried to avoid treatment in hospitals. Health insurance was available but again it was not a comprehensive system. No wonder that many people in Wales turned to nature, plants and flowers, and any other ingredients they had available to them to treat everyday ailments that afflicted themselves and their animals. During the 1970s and 1980s St Fagans National Museum of History and specifically a young researcher named Anne Elizabeth Williams, collected oral testimony from hundreds of people around Wales as a record of those traditional remedies. To mark National Gardening Week here is a selection of the different plants and flowers that were used. Flowers and Plants Onions for Earache – Put an onion in the oven and heat it. Take the core out of the onion and place it in the ear. Olive Evans, The Rhos. Dandelion in the treatment for Warts – use the white liquid from the stalk of the dandelion and rub it on the wart. Merthyr. Wax model of a Dandelion from National Museum Wales collection Garlic was used in a few remedies. In Llanfallteg near Carmarthen garlic was put in the bottom of the socks and worn overnight to ward off coughs and colds. It was thought that the aroma would ward off the cold symptoms. Two women from Llandysul recalled how they were made as children to wear garlic around the neck as a prevention for worms. It was also considered a remedy for snake bites. Tansy (Tanacetum Vulgare) is a perennial, herbaceous flowering plant of the Aster family, native to Europe and Asia. It’s listed in Nicholas Culpeper’s Complete Herbal. It was used in Merionethshire for the treatment of tape worms. In Pembrokeshire it was boiled in milk to treat loose bowels. Bogbean (Ffa Corsydd) In Trawsfynydd and Llandysul Bogbean was used in treating water infections but in Cwm Main it was used to treat aching joints or arthritis. Agrimony (Llysiau’r Dryw) was also used to treat water infections in Cwm Main as were Yellow Flag (Gelaets) and Wood Sage (Chwerwlys yr Eithin) in other areas. Many had considerable faith in the healing powers of Common Centaury (Yr Ysgol Fair) and Milk Thistle (Ysgallen Fraith) for kidney and bladder infections. Trees The Physicians of Myddfai mention the many healing powers of trees in the Red Book of Hergest, written shortly after 1382 (Llyfr Coch Hergest, held at the Bodleian Libraries, MS 111). Much oral testimony collected documents how people in Wales used them to cure many afflictions. A woman from Llandecwyn in Merionethshire remembers creating a drink from the bark of the Mountain Ash (Criafolen) and it being used to treat someone of a nervous disposition. Pouring water on the bark of The Hawthorn (Y Ddraenen Ddu) and drinking the water was used by a gentleman in Maenclochog as a remedy for stomach upsets. The Elder Tree (Ysgawen) was thought to have many healing properties. The leaves would be dried to make an infusion and used as necessary and the berries for wine, both a remedy for colds. A salve could also be made from the leaves or the branches mixed with pig fat or mouldy butter (Menyn Gwyrdd). Fruit and Fruit Trees A drink made with blackberry leaves to treat loose bowels and stomach upsets and the flowers used as a drink to treat haemorrhoids. Rhubarb was considered effective for constipation and the leaves used for joint pain. Potatoes had many uses – a slice on aching joints and as a poultice on the neck when suffering from Quinsy. The most unusual? A remedy from Swansea: the slime from a snail was used to cure a stye on the eye! Materia Medica Collection, National Museum Wales
Heritage 'Gardener's Questiontime' from St Fagans Gardens Juliet Hodgkiss, 28 April 2020 Juliet Hodgkiss is Senior Garden Conservator for Amgueddfa Cymru – National Museum Wales. She leads a dedicated team of gardeners and volunteers at St Fagans, who care for the gardens and their special heritage plant collections. In response to an increased interest our own gardens and a growing yearning for the beauty of some of our nations’ magnificent great gardens during lockdown, over the past few days we’ve been collecting your questions for Juliet about her work. Here are her answers in our ‘heritage’ version of Gardener’s Questiontime.What's the best thing about your job?The best thing about my job is being paid to work in such beautiful gardens.We have such a great variety of gardens, I’m doing something different every day. I also get to meet so many great people through my work - staff, volunteers, visitors, fellow gardeners and more.Which of St Fagans' gardens is your favourite and why?This time of year, my favourite part of the gardens is the area by the ponds. Throughout spring, the terrace banks are covered with spring bulbs; daffodils, bluebells and fritillaries, all above a carpet of anemones. The magnificent Magnolia ‘Isca’ comes into flower first, followed by the cherries and the apples. The latest tree to flower is the Davidia with its giant white bracts, which sway in the breeze, giving its name of the handkerchief tree.Which is the rarest plant in the collection?One of the rarest plants we have is the Bardou Job rose, which was one of the original roses in the Rosery. This was thought to be extinct, then it was re-discovered by a group of rose enthusiasts growing in the old garden of the head warder on Alcatraz! They propagated from it, and sent us over 6 roses to grow in our gardens.We also have a collection of heritage potatoes, donated to us by the Scottish Agricultural Research Agency. One of the potatoes we grow is the Lumper, the potato grown at the time of the Irish potato famine. These cannot be bought, so we have to grow them each year to maintain our collection.Which is the most difficult plant you have to tackle - one that is hardest to maintain?The most difficult plants to keep are the heritage potatoes. We have to grow these every year to maintain our collection, and most of these old varieties are very susceptible to blight, so require careful management to ensure a good crop.Which is the most difficult plant to control?The hardest plant to control is Oxalis, a persistent weed with a clover-like leaf, which multiplies by means of bulbils. These bulbils are spread when the soil is cultivated. It is virtually impossible to eradicate. After years spent trying to weed it out, we now keep it under control with ground cover planting and mulching.Which is your favourite time of the year in the garden?My favourite time of year is spring, with the spring bulbs, blossoming trees, the ferns unfurling their fronds, and all the plants in the garden bursting into growth. Everything looks fresh and new, and we gardeners are full of hope for a great year ahead in the garden.