Museums, Exhibitions and Events

No blogs for a while now - but mostly because we've been working full tilt on the book (also because I've been off for a week...).

So, it's now at the printers, and there's nothing - well, hardly anything - more we can do now. If all is well the books will be in Cardiff this Friday, and we'll all be at St Fagans launching it on Sunday. If the weather is anywhere as good as it has been this last week or so then it'll be a truly lovely afternoon.

As exciting as it is to look forward to seeing the actual book (no matter how many proofs, dummies etc you've seen - the real thing always looks different!) this bit always makes me a bit nervous too. After it arrives, and I spot the inevitable typo that got away, or something I wish we'd changed when we had the chance, or... and after the launch event, I'll be able to reflect on what a pleasure it was to work on and how lovely everybody was to work with. It's a real privilege to have been able to learn so much about the whole project - one of the very best bits of my job is being able to get involved with such a variety of different projects that might otherwise have passed me by. But with this one in particular, I think, the depth of people's knowledge and skills, and their committment, is inspiring.

Anyway, look out for it, available in all good bookshops - soon!

We're getting really stuck in now. We've had a complete set of pages, which is our chance to move or replace any images, or perhaps move pages around. Once we've done that the layout is set in stone and we start proofreading. While we proofread the English, the designer will work on the Welsh pages - that's why it's important that nothing moves around after we've agreed on the layout!

We had some new external shots of the church done, so that we'd have a wider choice to try out for the cover. I think we're pretty close to deciding on the image. And I think the title is decided too:

Saving St Teilo's: bringing a medieval church to life.

I hope it's a strong title, and I like the fact that we get the name 'St Teilo's' right in there at the beginning!

We're also moving ahead with the launch event. It will be in the spring, March or maybe April. It should be a lovely event, it will be lighter then - and warmer!

We had a very positive meeting with the book's designer before Christmas at St Fagans. She's come up with some lovely ideas, it makes a big difference when you've seen something and you then have a set of images and visual themes you can relate to. The design manages to convey a sense of the crafts, skills and techniques behind the whole project, which is something I really want the book to convey.

We're still looking for exactly the right image for the cover though. We decided, although it might seem a bit unimaginative, to use a picture of the exterior of the Church. For all the amazing images we've got of the interiors, especially of course the wall paintings, I really believe that the audience for this book will be looking for a book with a picture of the church on it - sounds obvious I suppose! The book covers many things including art, archaeology and architecture, but in the end it's primarily about the story of St Teilo's Church. So that's the message the cover will convey. Plus, the building itself is now so recognisable, its shape is almost iconic.

I think one of the features that draw people to the Church is the contrast between the simple, white, almost humble-looking exterior and the riot of colour and images inside.

As soon as I've got images of the sample spreads I'll publish them here - it would be very interesting to know what people think of them!

I'm working on a book about the fantastic St Teilo's Church at St Fagans. Been really looking forward to this one, it's a lovely story and there's a wealth of fab images - unlike usually, when I have to scrabble around for some decent stuff. I thought we'd be much further on than we are mind, I really expected to be up to my ears in proofs by now. I sort of know why we're further behind than I'd planned, just can't quite explain. Or I could, but it still probably wouldn't make much sense. Plus, designers work in different ways, and this one likes to take a lot of time 'up front' working on the design concept, then when that's agreed we crack on with the proofreading fairly quickly. I suppose I'm more comfortable with spending the bulk of the time at the proofreading stage, especially with a fairly text-heavy book like this one. Still, we always manage to end up with a book on time. I should be designing the marketing plan by now, but I'm still getting the images together and finishing the copy - things like indexes, the glossary, that kind of thing. And I haven't written any of the image captions yet, which I decided would be quite long, narrative style, so that we don't have to cram absolutely everything into the main copy.

Having to work within a financial year is odd too - not at all the way publishing works. I could get really quite anxious about this if I let myself. I just have to concentrate on how good the book's going to look, and having a high-profile launch, with a popular speaker, where everybody buys a copy of the book, which will get great reviews...

In our favour is the fact that the Church is already incredibly popular and has had a lot of good press. The whole re-erection project at St Fagans has built up a swell of good will, and the Church has its own loyal following - a sort of fan-base! All that's keeping me going at the moment, but I know things are going to get pretty intense over the next couple of months.

Lots more things installed now. It's seems tidier and it's possible to see much better how the exhibition is going to look. We have some of the audio visual aspects being tested and lights are sparkling in the empty cases. You can see the Bryn Celli Ddu stone already in place and covered in bubble wrap to protect it from all the work going on around it. Our recreated medieval Archer, who we affectionately call 'Jeffrey', was first created for our Re:Creations exhibition in 2002. The level of detail on his hands where he holds the string to his bow is amazing - it looks real. He is currently covered in bubble wrap to protect him from all the activity around him. He does look a bit like a mummy - but that's a whole different exhibition!

There are a lot more stones you can see in place covered to protect them and their plinths are nearly complete.

We're waiting for more mounts and the insides of cases to allow us to start installing our objects. As soon as they arrive the gallery will become a hive of activity with curators and conservators checking and installing large and small, delicate and robust, beautiful and functional objects that together will tell some of the story of the early people of Wales.