This exhibition was originally planned to be staged at the National Waterfront Museum between 28th of March and 28th of June 2020.
Everybody across Amgueddfa Cymru is very proud of our collaborations with Ysgol Pen-Y Bryn so in light of the current situation we have decided to share the exhibition with you online
The exhibition celebrates the National Waterfront Museum’s ten-year partnership with Ysgol Pen-y-Bryn, with highlights from their amazing past projects. From Welsh Rugby Legends to Pirates this exhibition showcases the talents of the school's pupils and staff. There is also the chance to discover their latest innovative work creating exciting resources for children in schools based on the new Welsh Curriculum.
Ian Smith - Senior Curator of Modern & Contemporary Industry, National Waterfront Museum, 4 June 2020
In 2016 I received a phone call from Nichola Thomas. She had a son, Rhys, who would love to volunteer at the museum. He was seventeen and in college part-time and he was autistic.
We decided to meet Rhys and Nichola to find out what his interests were and how he could help out in the museum.
Rhys was quite shy at first and didn’t say much, but took everything in. We worked out a plan that he could come for two hours every Wednesday from eleven o’clock until one o’clock. Rhys would help me with a ‘handling object’ table and we would encourage visitors to hold objects from the 1950s, 60s and 70s and talk about their memories or just learn about the objects. Things like ‘Green Shield Stamps’, cigarette coupons, old electrical items and old tools.
Now, most of the staff at the museum had little or no understanding of autism. One lady, Suzanne, has an autistic son and she could explain things like how to interact with Rhys. We all felt we should be better informed, so all the staff were offered ‘autism awareness’ training. I think everybody signed up.
The training really opened our eyes to the world of autism. One huge point that came out of the training was that many organisations have a ‘chill-out’ space. This is for anyone who is feeling anxious or stressed or just needs to get away from the hustle and bustle. We decided we needed something like this at the museum.
By now Rhys had really started to enjoy his time at ‘work’. Everybody noticed a real transformation as he became more outgoing and less shy and regularly starting conversations with complete strangers. We asked Rhys to help us with the design of the ‘Chill-out’ Room. He came into his own, making great recommendations and also being our spokesperson about what we were trying to achieve. He even made a number of radio appearances on the Wynne Evans show.
Rhys became such a favourite on the show that he invited Wynne to come and officially open our ‘Chill-out’ room.
Rhys is full-time in college now so can only volunteer at the museum during holidays. We always love to see him and he really adds something to our team. Our ‘chill-out’ room is a total success and is used daily.
Ian Smith - Senior Curator of Modern & Contemporary Industry, National Waterfront Museum, 28 May 2020
It’s really important that we continue to stay at home and stay safe here in Wales. During this Whitsun week many of you are getting creative and camping in the garden or enjoying a staycation in the caravan on the drive. Some of you might be reminded of camping or caravanning trips to the Urdd Eisteddfod over the years, or to some of your favourite holiday spots along our coast. So, to help us all with a little holiday nostalgia as we stay at home, here’s Ian Smith, Curator at the National Waterfront Museum with a little of the history behind this picture:
This image was taken about 1951 and features the Dodds family who lived in Cardiff. Mr Dodds commissioned the caravan in 1950 to be built and fitted out by Louis Blow & Co in Canton, Cardiff. The van cost £600.00 which was a small fortune in those days. The family toured all over South Wales, eventually though the van was left permanently on a farmer’s field near Newport in Pembrokeshire. There, the family had all their summer holidays until 2009.
The family planned the layout and it included such things as a special cupboard top that the baby’s carry cot would fit perfectly; a fold down double bed for Mother and Father and a sliding oak dividing screen which effectively formed two bedrooms. There was a small kitchen with a gas stove and a sink with a footpump tap to provide washing water. Drinking water had to be colleced in big aluminium containers – a good job for the children if they needed tiring out. The awning doubled the size of the living space and provided an area to keep things dry.
In 2009 the museum was offered the caravan by Michael Dodds, then in his 70s. Mike is the older boy at the back of the group in the picture. The caravan is on display in St Fagans National Museum of History in the ‘Life Is …’ Gallery.
Jennifer Protheroe-Jones Principal Curator – Industry, 16 May 2020
Before the invention of the railway locomotive, the speed and pulling power of horses represented the maximum that land transport could achieve. Steam-hauled railways introduced entirely new concepts of speed; vastly more goods and people could be transported further, faster and more cheaply.
Steam-hauled railways revolutionised many aspects of peoples’ lives. Within less than a single lifetime, steam-hauled railways went from remarkable novelties to being mainstays of everyday life.
The railway revolution began in Merthyr Tydfil on 21 February 1804 with the first recorded steam-hauled journey on rails. The key personalities were the talented Cornish engineer Richard Trevithick and Samuel Homfray, owner of the Penydarren Iron Works.
Trevithick had developed a compact high pressure stationary steam engine that could be built more cheaply and produce more power that pre-existing designs of similar size. Homfray formed a partnership with Trevithick to manufacture the stationary engines. In 1801 and in 1803 Trevithick had built and demonstrated experimental steam-powered road vehicles but had failed to arouse public enthusiasm. In south Wales he encountered a dense network of tramroads serving the ironworks, quarries and mines – all horse drawn and all built with iron rails. He hoped there might be an additional market for his high pressure steam engines if he could demonstrate their usefulness on railways. Homfray, seeking to widen demand for the engines he was beginning to build and market, agreed to fund the construction of a railway locomotive.
The pioneering locomotive was designed and built at Penydarren Iron Works over the winter of 1803-04.
The locomotive successfully pulled five wagons loaded with ten tons of iron and 70 men who had hitched a ride on the wagons for the 9¾ mile journey. Over the following weeks the locomotive made a number of further journeys the length of the tramroad.
The locomotive was widely reported at home and abroad.
Frequent breakages of the brittle cast iron track by the unsprung locomotive resulted in it being converted into a stationary engine within a few months. Two further Trevithick-designed locomotives were built in England in 1805 and 1808 but he found no commercial backers.
Despite Trevithick’s failure to commercially develop his locomotives, a seed had been planted. Engineers in the North East of England, notably Timothy Hackworth and George Stephenson, built a succession of viable locomotives in the 1810s that reliably hauled coal wagons from collieries to shipping places. These developments enabled the Stockton & Darlington Railway to use steam locomotives from its opening in 1825, and lead to the first long distance steam-hauled railway opening between Liverpool and Manchester in 1830.
In 25 years steam-haulage had progressed from experimental to reliable. Within a few decades more, railways employing steam locomotives were in use on every continent.
A conjectural reconstruction of Richard Trevithick’s pioneering Penydarren locomotive is displayed in the National Waterfront Museum at Swansea, where it is periodically demonstrated in-steam.
You may also be interested in this short film about Richard Trevithicks Steam Locomotive:
Jennifer Protheroe-Jones Principal Curator - Industry, 15 May 2020
While Wales is working hard to drive forward a positive climate agenda, with a target of 100% renewable electricity by 2035, our industrial past casts a long environmental shadow. Here Jennifer Protheroe-Jones, Principal Curator – Industry looks at our industrial history and its impact.
Wales was an early and unwitting contributor to climate change.
The 1851 Census showed that Wales was the first nation to have more people employed in industry than in agriculture, the important switch having probably occurred in the mid to late 1840s.
Wales was a notable international centre of industry in the mid 19th century, being one of the most important iron producing nations, and the centre of both the world copper and tinplate industries. Plentiful easily worked coal underpinned all these industries – to fuel furnaces, to power steam engines that drove machinery and locomotives that hauled raw materials and finished products.
Welsh steam coal is ideally suited to steam-raising. It burns with relatively little smoke, produces limited amounts of ash and produces a great deal of heat. As it burns, steam coal fissures but does not crack into small pieces. The fissures allow the coal to burn from the inside as well as from the outside, considerably increasing the heat output and so increasing the steam-raising properties of the fuel. Because steam coal does not break into small pieces as it burns, it sits on top of the fire bars and burns, rather than trickling through the bars as small fragments of unburnt coal which would go to waste amongst the ash. This property of not breaking into small pieces is specially relevant to fuel used in locomotives, because the vibration of the locomotive as it moves along the track tends to make poorer quality fuels break into small pieces which are wasted when they trickle through the fire bars into the ash pit. These properties made Welsh steam coal a premium fuel in wide demand.
A few decades later, exports of Welsh coal would outstrip the large amounts being used by industries within Wales. By the start of the twentieth century, south Wales was the most important coal exporting coalfield in the world, supplying diverse countries with steam coal. In energy terms, the Bristol Channel was at this time the equivalent of the Persian Gulf a hundred years later. If high quality fuel capable of powering the widest range of machinery was required, then the coal-exporting ports of south Wales were key places to obtain it.
In the 19th century the sight of smoke from works’ chimney stacks was regarded as a sign of prosperity. By the early 20th century smoke from burning coal was increasingly recognised as a nuisance but regarded as unavoidable. It was not until after the second world war that serious efforts began to be made to reduce the volumes of smoke from industries and from coal fires in houses – and by this time oil was globally becoming a more important energy source than coal.
The burning of coal, oil and natural gas releases carbon dioxide and other greenhouse gasses that cause climate change. Internationally, today the largest uses of coal are in electricity generation, cement manufacture and in steel making. Coal ceased to be used to generate electricity in Wales in March 2020; coal continues to be used in the steel and cement industries.
The Welsh coalfields were intensively mined in the 19th century and output peaked in 1913, declining thereafter due to exhaustion of accessible reserves of coal. Output in 1913 was 60 million tons, half of which was exported; in 2018 output was down to 1.1 million tons. Welsh coal output was in steep decline by the time climate change was widely recognised as a major global issue. Each year the world now produces over a hundred times as much coal as Wales did in 1913, when the Welsh coal industry was at its peak. Even back in 1913, Wales was only producing around 5% of world coal output – its importance at the time was that half of it was exported and that it was regarded as the premium fuel of its time.
The complex web of communications that enabled Welsh coal to be traded internationally is explained in the Coal gallery at the National Waterfront Museum at Swansea.
Rhys Thomas and BBC Radio Presenter Wynne Evans in The National Waterfront Museum's Chill Out Room
National Waterfront Museum Volunteer Rhys Thomas in one of the Museum's electric vehicle exhibits
The Dodds family of Cardiff with their caravan, built and fitted out by Louis Blow & Co in Canton, Cardiff in 1950.
The pre-dawn preparations at Penydarren Iron Works for the locomotive’s first trial run, a scene filmed for the BBC series “The birth of Europe” in 1991. The Museum’s conjectural reconstruction of the locomotive featured in the episode “Coal, Blood and Iron”.
The forges and rolling mills at Penydarren Iron Works, with the blast furnaces in the left background. In front of the buildings at the right is a horse pulling three loads of bar iron at the start of the journey to Abercynon where it would be transferred onto a boat on the Glamorganshire Canal for transport to Cardiff and loading onto a ship. It was just such a consignment of iron that Trevithick’s locomotive successfully transported. Etching by John George Wood for his book “The Principal Rivers of Wales”, 1812.
“The Miners’ Express”, Saundersfoot Railway, 1900s. This primitive service harked back to early 19th century practices and may capture something of the atmosphere of the Penydarren locomotive’s trial run in 1804 when 70 men hitched a ride on the five wagons. This Saundersfoot Railway service was introduced in 1900 to enable coal miners from Kilgetty to travel to Bonville’s Court Colliery. The ironic name was created by the postcard publisher.
The conjectural reconstruction of the Penydarren locomotive on display in the Networks gallery at the National Waterfront Museum at Swansea.
Blast furnaces at Dowlais Iron Works, Merthyr Tydfil, in 1840, when it was the largest iron works in the world.
An ocean of railway wagons loaded with coal in sidings adjacent to Roath Dock, Cardiff, awaiting shipment in March 1927. The initials on the wagons identify a range of major colliery companies: Burnyeat, Brown & Co Ltd; D.Davis & Sons Ltd; Nixon’s Navigation Coal Co Ltd; United National Collieries Ltd.
Aerial view looking south east over Cardiff (East Moors) Steel Works around 1960.
Tipping a railway wagon of coal at Cardiff Docks, early 20th century. Some coals tended to break up so, instead of tipping the wagons directly into ships’ holds from a considerable height, the coal was tipped into a Lewis Hunter patent ‘coaling box’ (just visible below the copious coal dust) which was picked up by the dockside crane on the left and lowered into the ship’s hold, minimising the height that the coal was dropped.
Rhys Thomas and BBC Radio Presenter Wynne Evans in The National Waterfront Museum's Chill Out Room
National Waterfront Museum Volunteer Rhys Thomas in one of the Museum's electric vehicle exhibits
The Dodds family of Cardiff with their caravan, built and fitted out by Louis Blow & Co in Canton, Cardiff in 1950.
The pre-dawn preparations at Penydarren Iron Works for the locomotive’s first trial run, a scene filmed for the BBC series “The birth of Europe” in 1991. The Museum’s conjectural reconstruction of the locomotive featured in the episode “Coal, Blood and Iron”.
The forges and rolling mills at Penydarren Iron Works, with the blast furnaces in the left background. In front of the buildings at the right is a horse pulling three loads of bar iron at the start of the journey to Abercynon where it would be transferred onto a boat on the Glamorganshire Canal for transport to Cardiff and loading onto a ship. It was just such a consignment of iron that Trevithick’s locomotive successfully transported. Etching by John George Wood for his book “The Principal Rivers of Wales”, 1812.
“The Miners’ Express”, Saundersfoot Railway, 1900s. This primitive service harked back to early 19th century practices and may capture something of the atmosphere of the Penydarren locomotive’s trial run in 1804 when 70 men hitched a ride on the five wagons. This Saundersfoot Railway service was introduced in 1900 to enable coal miners from Kilgetty to travel to Bonville’s Court Colliery. The ironic name was created by the postcard publisher.
The conjectural reconstruction of the Penydarren locomotive on display in the Networks gallery at the National Waterfront Museum at Swansea.
Blast furnaces at Dowlais Iron Works, Merthyr Tydfil, in 1840, when it was the largest iron works in the world.
An ocean of railway wagons loaded with coal in sidings adjacent to Roath Dock, Cardiff, awaiting shipment in March 1927. The initials on the wagons identify a range of major colliery companies: Burnyeat, Brown & Co Ltd; D.Davis & Sons Ltd; Nixon’s Navigation Coal Co Ltd; United National Collieries Ltd.
Aerial view looking south east over Cardiff (East Moors) Steel Works around 1960.
Tipping a railway wagon of coal at Cardiff Docks, early 20th century. Some coals tended to break up so, instead of tipping the wagons directly into ships’ holds from a considerable height, the coal was tipped into a Lewis Hunter patent ‘coaling box’ (just visible below the copious coal dust) which was picked up by the dockside crane on the left and lowered into the ship’s hold, minimising the height that the coal was dropped.