Bando - An ancient manly game 8 February 2010 An ancient manly game Bando stick from around 1845, belonging to Thomas Thomas, a member of the Margam Bando Boys Popular across Wales, especially in Glamorgan, up until the late nineteenth century, the boisterous game of Bando was the cause of much local rivalry and violence. Until the late nineteenth century Bando was a popular team game across Wales, especially in the county of Glamorgan. John Elias (1774-1841), the famous Calvinistic Methodist preacher from Pwllheli, Caernarvonshire, and politician David Lloyd George (1863-1945), raised in Llanystumdwy, Caernarvonshire, were both keen players in their youth, while a traveller from Cowbridge to Pyle in 1797 commented on the extreme barrenness of ash and elm on account of their being used to make bando sticks. Bando resembled an early form of hockey, as it involved striking a ball with a curved club (called a 'bando') across a fixed area of play before attempting to drive it into the opponents' goal. The term 'bando' derives from the French 'bande', meaning 'bent stick', and the clubs used were made of hard local woods while the ball, similar in size to today's hockey ball, was often carved from holly or box. Gambling, drink and boisterous behaviour Bando stick from around 1845, belonging to Thomas Thomas, a member of the Margam Bando Boys Matches were traditionally held between parishes, and the players often took them so seriously that they were known to train in advance. Although bando was usually played by men, women were keen spectators, and there is evidence that at a bando match played once in the Vale of Glamorgan the wife of one of the players concealed the ball with her petticoat until her spouse arrived to retrieve it. Games varied depending on the area, for there were no standardised rules, no set time limit to the play and no restrictions on the number of those taking part. Violence was commonplace, and even if a referee was present players were not deterred from hitting the opposition with their sticks. Spectators often placed bets on the final score, while local innkeepers ensured that there was always enough alcohol available. This lethal combination of gambling, drink and boisterous behaviour both on and off the pitch was eventually responsible for forcing bando out of existence. The Margam Bando Boys The First Glamorgan Rifle Volunteers were formed in Margam, Port Talbot in 1859. This military badge, showing two bando sticks, was adopted by the Volunteers in 1875. The prominence of the game in Margam, west Glamorgan, is celebrated in a nineteenth-century ballad entitled The Margam Bando Boys. This was also the year in which the Margam Volunteer Rifle Corps was formed. All the Margam Bando Boys followed their team captain Theodore Talbot into the Margam Volunteer Rifle Corps, which was formed in 1859. The badge design of this organisation included two crossed bandies or bando sticks. Due praises I'll bestow And all the world shall know That Margam valour shall keep its colour When Kenfig's waters flow Our master, straight and tall Is foremost with the ball; He is, we know it, and must allow it, The fastest man of all Let cricket players blame, And seek to slight our fame, Their bat and wicket can never lick it, This ancient manly game Our fame shall always stand Throughout Britannia's land; What men can beat us? Who dare meet us? Upon old Kenfig's sand? Should Frenchmen raise a voice To crush our peaceful joys, They'll get by storming a precious warming From Margam bando boys Like lions we'll advance To charge the sons of France; The Straits of Dover we'll ferry over And make the traitors dance Napoleon shall repent, If war is his intent; He'll sadly rue it if he'll pursue it; Proud Paris shall lament Bold Britons rule the main, And every hill and plain, From every nation throughout creation Our rights we will maintain
Why worry if languages die? 8 February 2010 Why worry if languages die? Professor David Crystal, author of The Cambridge Encyclopedia of Languages responds: How do languages die? How do languages die? A language dies only when the last person who speaks it dies. But you know, some people say it dies when the second-last person who speaks it dies. Because then the last person has no one left to talk to. Well, of course, languages have come and gone throughout history as communities have come and gone. But what's happening now is something quite extraordinary. How many languages are dying? How many are dying? There are about 6000 languages in the world, more or less. Nobody knows the exact number. And of these, people think that about half of them are so seriously endangered that they are likely to die out in the course of the present century. Now the present century is a hundred years, half is 3000 languages, so that means one language is dying out somewhere in the world, on average, every two weeks. Why are they dying? How does this happen? There are all kinds of reasons why languages die. One is the physical reasons when people are affected by famine and disease and earthquake. Another is genocide, when some countries deliberately try to stamp out a small language. The main reason is globalisation. That is, there are some huge languages in the world, like English and Spanish, and Arabic and French, and these are like steamrollers crushing the smaller languages that they find in their path. Can anything be done? What can be done? A great deal can be done to preserve an endangered language. The first thing is that the people themselves must want the language to be preserved. That's very important. The second thing is the powers-that-be must want the language to be preserved. They must have a respect for the minority languages that are in their care. And the third thing that has to be there, of course, is cash. It costs quite a lot of money to preserve an endangered language. Think about it - you have to train the teachers, you have to write books for the children, and all that sort of thing. It doesn't cost an extraordinary amount of money, but it does cost a bit. So without money, endangered languages don't have a positive future. Why should we care? Why should we care? We should care for exactly the same reason as we care about the biodiversity of the planet — the preservation of the various species of plants and animals. Languages are exactly like that, except they are the intellectual diversity of the planet. There are something like 6000 visions of the world expressed by the 6000 languages that exist. Half of those visions are about to disappear. And I mean disappear. Because think of it like this: when a language dies which has never been written down, it is as if it has never been.
Welsh Surnames: Why are there so many Joneses in Wales? 8 February 2010 Genealogists and family historians are often frustrated by the limited number of surnames in Wales. Why is this so? Professor Prys Morgan, co-author of the book Welsh Surnames, explains the reasons why... What was the old Welsh way of naming? What was the old Welsh way of naming? The Welsh only began to have fixed surnames about 500 years ago. Before that period, 4 — 500 years ago, the Welsh simply didn't have a system of fixed surnames at all. Well now, how did they manage without fixed surnames, you will ask. They managed perfectly well by everybody having a baptismal name, a first name, just as we have today, and then they affixed to that, by a little particle ap, which meant 'son of', they just fixed their father and their grandfather's name and their forefathers' name going back to about nine generations. So if you asked someone who he was and he said, 'Well I'm John.' 'Oh that's not good enough. I mean John who, John what are you?' And he would say, 'Well I'm John ap John ap Gruffydd ap Meilyr ap Llywelyn ap Gwasmeir ap Gwasmihangel ap Rhys ap Gwasteilo and so on. And the reason why each person in Wales had this long rigmarole of a genealogy instead of a name, he had a genealogy, the reason for it was very very important to society. It wasn't a matter of fancy at all, or snobbishness at all. It was that according to the laws of Hywel Dda (Hywel the Good), Welsh people didn't hold land for example as individuals. The only way they could hold land was by proving that they were descendants of a forefather, nine or ten or twelve generations back, who had held the tribal lands. And so if you couldn't show someone a satisfactory genealogy, well tough! You didn't have any right to farm the lands. How did the Welsh get surnames? How did the Welsh get surnames? When about 500 years ago the Welsh were asked to take on a system of fixed surnames on the English pattern of Jackson and Greenfield and so on, they were asked to have a fixed surname and to pass that surname on to all their descendants. The Welsh were asked, 'Well, what is the thing that gives you status in your society?' And they said, 'Well we don't want nicknames, we don't want trade names. The only thing that we think of as important is our father's name.' And so they were asked, 'Well what is your father's name?' And they would say,' Well my name is John and my father is Gruffydd.' 'Alright. Well you will be John Griffiths.' And the other one would say, 'Well my father is John.' So they would say, 'Well you are to be John Jones.' But why so many Joneses? In exactly the same period, there was a period of streamlining and simplifying the Christian name. And this happened all over Europe, by the way, not just in Wales. But it had a very, very bad effect upon Welsh names because instead of having this magnificent variety of hundreds of ancient pagan names like Llywarch and Gwalchmai, which were — I mean Llywarch was the name of an ancient Celtic pagan god. And — or having a huge number of Catholic devotional names like Gwasdewi (the devotee of St David) or Gwasmeir (the devotee of the Virgin Mary) or Gwasmihangel (the follower of St Michael the archangel). Instead of having this huge variety of Catholic names and pagan names, people became very frightened and nervous as to what should be given as a name, and people invented a short catalogue of safe respectable names. And there were only about a dozen of them. A few safe Biblical names like John, Thomas and David, and a few safe royal names like Richard, Edward, Henry. That was the only sort of name that was safe to give. About a dozen names. So the great tragedy was that at the very time that the Welsh were being forced by the clerks of the courts or the parsons of the parishes to take fixed surnames, it was the very time when the Welsh were being forced to take a very very small range of names. So there were hundreds and hundreds of people being forced to take fixed surnames at the very time when there were hundreds and hundreds of fathers being given the name John. So their children, also probably John, landed up in three generations, instead of being Llywarch ap Gwalchmai ap Gwasmihangel, they ended up being John Jones. And that's all. John Jones. Hundreds and hundreds of John Jones.
The colour of things to come... Sara Huws, 8 February 2010 It was really refreshing to see so many people out in the sun at St Fagans on Friday. The place really felt revived and busy - it's so easy to forget, over the winter, quite how many visitors we see once Spring kicks in. Even though there's been plenty of coming and going over the last few months, it has been work done behind the scenes: securing thatch, digging trenches, conserving and installing objects. The site seems to have been reclaimed, by now, by the general public. A trip down to Cosmeston lakes over the weekend confirmed that half of the south east had finally emerged from hibernation, as there were more people about than mallards. In St Teilo's church, artist Fleur Kelly has been back again to work on some painted panels in the chancel. Since this part of the church was - and still is in some cases - considered as the most sacred, the decoration relfects the taste and preoccupations of sixteenth century Clergy, rather than Laity. The wall-paintings depict the Archbishop Thomas Beckett, and the chaste, pious St George (for those of you wondering why St George appears in a Welsh church, there'll be a post on that soon!). We have chosen musical angels, playing instruments sourced from 1500-30, and linenfold motifs for the wooden panels on the parclose screens. I took the Learning Department's new camera up to the building in the hope of getting some footage of Fleur at work, to share with you on the blog. Scorsese I am not, and so I present you with some stills from my otherwise wobbly film debut. Fleur will be back in a few weeks' time to put the finishing touches on the paintings. Traditional pigment paint dries very slowly indeed - hopefully by then I will have had a chance to practice with the camera and can bring you a little film that's more 'The Agony and the Ecstasy' and a bit less 'Pollock'... Line drawings, or 'cartoons' of musical angels used in St Teilo's Church Artist Fleur Kelly working on a parclose screen at St Teilo's Church
Italian Memories in Wales Sian Lile-Pastore, 8 February 2010 Italian Memories in Wales, Our new exhibition in Oriel 1, St Fagans:National History Museum opened on Saturday January 30 and will run until May. It's a lovely exhibition so please come and visit! As part of the exhibition we have been collecting feedback about people's thoughts on the exhibtion as well as their stories of leaving a country. Here are some that we have had so far:Tina and Angela Minoli wrote: 'My father Giuseppo Minoli came to the Welsh valleys from Brugnoli in the Bardi region of Emilia-Romagna when he was 5 years old in 1914.'Paulo Nuzzo wrote: 'My father left Italy in 1956 to work in the steel works of S.Wales - lovely to see what he had to go through to stay in S.Wales.'Paulo also commented on the exhibition, saying it was: 'Very interesting and moving.'Roberto Pastore wrote:'My mother and father left Italy in the early 70s after getting married. They came to the UK and had my brother and me, and found work as a boutique owner and hairdresser, respectively.'He also commented on the exhibition: 'Some beautiful images and such distinctive expressions + faces of Italy.'Angelina Cooper wrote:'My Grandmother and mother left Bardi 59 years ago - we visited Bardi for the first time in Sept 09. Fantastic!!'If you would like to comment on the exhibtion please do so below or fill in one of the postcards in Oriel 1.