Beyond Single Repositories

The Peabody Essex Museum in the USA have been working on several web projects collaboratively through the ECHO project. The project is a mix of Native and non-Native institutions within USA and is funded by Federal Government grant.

Even though ECHO is challenged by different educational standards at state and national level, they continue to work to engage young people and children in local communities. They also mentioned some cross-cultural design issues, though some issues have been successfully overcome with their interactive map and artists' gallery on newtradewinds.org.

We also listened to a Flickr representative talking about a new project called 'The Commons' (flickr.com/commons), which they developed alongside the Library of Congress. It's a more formal way for institutions to increase access their photographic collections through Flickr. The number of tags and comments added are unbelievable - in two and a half days the Library of Congress' online collection had 20,000 tags, and have had 4,000 comments so far. And some of the feedback has been added into their records, which means it's a good way for the public to contribute knowledge.

A very brief update on new media

It's great to be back at the international Museums & The Web conference. The last conference helped shape a lot of the work we've been doing in the last year, so now seems a good time to update you on a few of those developments.

Around this time last year we launched a new blog area. If you haven't seen it yet, click 'refresh' and you're here! Since then we've expanded the feature and published over 70 blog entries. Similarly, we launched our first podcast in October of last year. There's more work to do here and in the short term, you'll see an overhaul of our blog pages and, of course, lots more content.

Tying a lot of things like this together is our new collections site,

Rhagor

. The goal behind Rhagor was to open up our collections and stories to the public in ways that weren't possible before, and really engage visitors with our collections.

The creative process and technical challenges behind our work is sometimes unseen in the final product of an exhibition or an event. We'd also often like to tell you the interesting stories behind our objects without filling our galleries full of text. For me, this really enriches the experience of going to museum for real. We're going to be doing a lot more work to tie our blogs, podcasts and Rhagor features into our visitor pages to give a fuller picture of the work we do.

This is all part of a wider plan we're working on and an evaluation of everything that goes into our site. As always, feedback is welcome. I'll keep you updated as this work develops, but like this time, I'll try to keep it short and sweet!

Engaging Museum Audiences

Today's sessions at Museums and the Web kicked off with an interesting opening plenary by Michael Geist, from the University of Ottawa. He looked at where we were 10 years ago in relation to internet policies, as well as current trends on the web, and looking towards the future for current policy approaches.

The session I attended this morning was about engaging museum audiences, with the Brooklyn Museum impressing again as they showed why they are one of the best at utilising familiar social networking technologies. They've had some interesting developments since last year including a Facebook application (Artshare) and a YouTube-based video competition. They also approached 10 photographers that posted on Flickr to photograph their collections in a different way. These images were much more dramatic than their current library, as the photographers seemed to give the objects much more character (presumably due to a free rein).

Also in the same session the Australian Museum showed some of the work they had been doing to classify their users, which was much different from the normal demographic data. They created characters to try and understand why people engage in certain behaviours, which allowed them to see how certain types used the internet.

Keeping the Focus on Learning in e-Learning

 

Today I went to a workshop that drew on the National Museums Online Learning Project (NMOLP), which was presented by staff from the Tate Museum and the Victoria & Albert Museum (V&A).

The project is the development of an e-learning resource for students, teachers, and lifelong learners. There are nine museums collaborating on this project, which will use all of the partners' online collections. It is a three year project that will launch in March 2009, funded by the UK Government.

The exercises for schools are called 'WebQuests', which are task-based lessons that draw content distributed across the partner museums' websites. For lifelong learners there is more of a social media portal, which uses an open source technology and although it is hosted by each partner museum it is continually updated via RSS feeds.

The workshop was interesting from a project management perspective, stating the importance of knowing your target audience and what you want to achieve. It's also important to establish who is leading the project, who needs to be involved and what the implications are after the funding ends.

They showed how they used wireframe sketches of the interface to shape the final product - testing their ideas with children and other stakeholders before starting web development. The project coordinators also gave templates to content producers to standardise the information supplied for WebQuests. I look forward to seeing the final result!

Chris and I will be blogging throughout the week about the sessions held at this year's Museums and the Web conference.

Gas-guzzling clams

The new species and Genus Spinaxinus sentosus, collected from the organic cargo of the sunken ship Francois Vieljeux

The new species and Genus Spinaxinus sentosus, collected from the organic cargo of the sunken ship Francois Vieljeux. The genus bears little resemblance to other known thyasirids and remains the only record of this species.

Thyasira methanophila Clam
Thyasira methanophila

, a clam new to science from a methane seepage area off Concepción, Chile. Its name suggests its dependence on methane.

An extreme magnification of the exterior shell of Spinaxinus sentosus

An extreme magnification of the exterior shell covering of Spinaxinus sentosus, recovered from the organic cargo of the sunken ship Francois Vieljeux. The spines witnessed at this magnification lead scientists at the Museum to name the new genus 'Spinaxinus'.

Deep beneath the sea floor there are large reservoirs of oil and natural gas, but it is only relatively recently that methane has been discovered to seep from the surface of the sea bed. These areas are known as 'gas seeps' and certain animals have evolved specifically to take advantage of this unique environment.

A diet of methane and sulphur

Found alongside these methane gas seeps are communities of clams that use the gas as a source of food. They don't actually eat the gas but they have evolved to harbour bacteria in their tissues that do the job for them.

These organisms are known as 'chemosymbiotic' and a few groups of clams have been very successful in adapting to this environment.

The same group of clams can also exploit sulphur and these are found living in areas where there are layers of rotting vegetation, around decaying whale carcasses, at hot vents and even on mud contaminated with diesel oil.

Because these clams come from unusual environments and often from deep water, many have yet to be studied in detail. A number of these gas guzzling clams were sent to Amgueddfa Cymru - National Museum Wales for identification and description. Several scientific papers have now been written on these species new to science

Clams from Chile

Clam shells and whole specimens were sent to the Museum following the discovery of a methane seep off the coast of Chile at a depth of 700-900m. One of these species, belonging go the genus Thyasira, was new to science and has been described in a scientific paper. The bacteria in the gill tissue of the clam were studied using a scanning electron microscope. This confirmed the symbiosis (reliance) between the bacteria and the clam.

A species of the genus Lucinoma was also discovered to be new to science but only shells have been found so far. It is likely that the majority of species living at this site are endemic (restricted to this location) and found nowhere else in the world.

The Pakistan Margin

From the other side of the world, we were sent a small species from the same group as the Chilean bivalve - Thyasira - but from the Indus Fan, off the coast of Pakistan, collected while investigating the unusual fauna that live in the very low oxygen waters of this region. The Museum worked with the Natural History Museum, London to investigate the DNA alongside describing the anatomy and shell of this bivalve.

A clam with a taste for shipwrecks

Man-made sources of methane and sulphur are also exploited and one of the strangest was the cargo of the sunken container ship Francois Vieljeux. This ship sank off the north coast of Spain in 1,160m of waters, taking with it its cargo of castor beans and sunflower seeds.

During attempts to salvage the vessel it was noted that clams had settled and grown on the cargo. All the clams belonged to chemosymbiotic groups and were exploiting the sulphur released by the rotting cargo. One clam was a Thyasira, similar to the specimen from Chile.

Cascadia Basin, off Washington State

The Baby Bare Seamount in the north-east Pacific Ocean is a hot spring and home to a new species of Axinus (similar to Thyasira). This site is unusual in that no other species of bivalve typically found at other methane seeps and hot vent sites are found here. Methane and Hydrogen sulphide levels are low, so initially it was a mystery as to what these animals were using as nutrition.

Cadiz Mud Volcanos

Off the Southern coast of Portugal there are numerous marine mud volcanoes created by stresses on the African and Eurasian tectonic plates. These stresses cause hot, methane and sulphur rich fluids to eject from deep within the volcanoes out into the sea bed above. By the time the fluids reach the sediment surface they are cold, so the mud volcanoes are classed as cold-seeps. Many species of Thyasira clams are found at some of these sites, but only a few are known to harbour the chemosymbiotic bacteria that help them to extract nutrition from sulphur and methane. A collaboration between the Museum and Cadiz University, Spain has resulted in the newly described species Thyasira vulcolutre , meaning 'belonging to mud volcano'.

Finally, in conjunction with Bangor University, the Museum is carrying out the taxonomic work on a Thyasira collected from a mud volcano in the Arctic and a mussel of the genus Idas which was collected from diesel contaminated mud beneath an oil rig in the North Sea.

This work by Amgueddfa Cymru - National Museum Wales is helping research the possibility of using these clams to clean up contaminated areas of the sea bed.