: Collections & Research

Rediscovering First World War collections

Jonathan Wheeler, 19 February 2016

Since late 2012, with the centenary of the First World War in mind, curators at St Fagans have been involved in a project to digitise objects with relevance to the conflict. The results are on the First World War database which you can see on this website. But in 2016, the project is still very much ongoing. One aspect which has surprised everyone involved is that objects with stories to tell about the war are still being rediscovered.

Before we began looking specifically for these objects, their potential to reveal stories about the conflict had not always been realised, and connections between objects not always made. Huge numbers of objects were often collected in the past - some in the years immediately following the war - meaning that the information recorded at the time was often limited.

Sometimes a bit of luck has been involved. As part of the Making History project, thousands of items from the collection have moved between storerooms and conservation labs. While auditing an area containing military and civilian uniform, I recently found a collection of badges and buttons of relevance to the period, taking the extent of our First World War collections beyond what we had previously realised.

As artefacts of war, these objects often have poignant associations. One lapel badge was recently found complete with a tiny photograph of a soldier who was killed in 1915. A shoulder badge and button of the Grenadier Guards were found belonging to a soldier who was involved in the retreat from Mons in 1914, and of whom there is also a photograph in our collections. We have also discovered objects from areas of the conflict previously thought to be unrepresented in the collections, such as this South Wales Borderers cap badge commemorating the Egyptian campaign.

The exciting aspect of working on this project has been the discovery of collections not previously categorized by their First World War associations. We have uncovered objects in a variety of areas: among pictures and photographs, letters and certificates, medical equipment, textiles, badges and medals. Not only can these items be seen on our First World War database, but some of the stories we have discovered will be told within the displays planned for the new galleries here at St Fagans –  just one example of enabling the full richness of our collections to be permanently shared.

#WalesRemembers #CymrunCofio

This project is supported by the Armed Forces Community Covenant Grant Scheme.

 

Artist in Residence: Building a Play Area

Sian Lile-Pastore, 12 February 2016

While Nils, Fern and Imogen get stuck into searching archives and stores, looking at the Museum's collections and working with visitors and groups to get their ideas, how about we think about what play areas we like? what local ones have you played in or taken children to and they loved? what ones have you been to that you didn't like? have you seen play areas that just look amazing? What makes a playground good? what do want from a playground? does it have to look nice? does it have to look like a playground? I'd be really interested in hearing your thoughts and ideas.

Meanwhile, I have been collecting images of play areas which I think are good design, look fun, are imaginative, look exciting... i'm not suggesting we have a play area exactly like these in St Fagans, but it wouldn't it be great to have something different and unexpected?

How the Welsh landscape was transformed by events in Turkey – 300 million years ago

Christopher Cleal, 11 February 2016

Turkey may seem a long way away to the people of Wales. But events there some 300 million year ago have had a profound and lasting effect, on our Welsh climate, landscape and wildlife.

For about 10 million years, Wales was part of an enormous tropical swampland extending from eastern North America to Turkey and the Caucasus. The dead remains of the plants that grew there caused massive deposits of peat to build-up. This peat was then buried by mud and sand, and the resulting heat and pressure changed it into the coals on which much of the industrial growth of places such as Wales depended, especially in the 19th and early 20th centuries.

But nothing lasts for ever, and the swamps eventually dried up and the accumulation of the economically important coal-forming peat came to an end. What caused this profound change to the environment has been the subject of much scientific debate. Research co-ordinated from Amgueddfa Cymru–National Museum Wales (as part of the International Geoscience Programme project IGCP 575) suggests that it was due to the combination of two major factors.

  1. Landscape Change: The collision of two large continental plates (Euramerica and Gondwana) caused a massive upheaval of the landscape, with rivers changing direction and new mountain ranges forming. The effect of these changes was particularly felt in the areas where the swamps had been.
  2. Climate Change: The changing landscape caused a different type of vegetation to grow here, and this coincided with a significant warming of the climate and a reduction in rainfall.

Importantly, these environmental changes started first at the eastern end of these swamplands, in places such as northern Turkey, and then progressively moved westwards towards Wales.

So, in order to understand properly what caused the collapse of this ancient wetland in Wales, we need to study events in Turkey. To do this might have needed extensive (and expensive) field excursions to the area. Fortunately, we have a scientific resource nearer to hand that can provide at least a start to this work. In the years just before and after World War II, the great Dutch palaeobotanist Wilhelmius Jongmans led expeditions to northern Turkey to collect Carboniferous plant fossils. He sadly died before he could properly work on them. Fortunately, however, his collection of over 5,000 Turkish fossils is now stored safely in the Naturalis Museum in the Netherlands.

Chris Cleal from Amgueddfa Cymru–National Museum Wales is now leading a collaborative project with colleagues from the Netherlands, Germany and the UK, to research this collection – using expertise developed in Wales to bear on an internationally important problem. It will help us understand what controlled the formation of coal deposits such as those found in Wales, and how vegetation, atmosphere and climate interacted in Carboniferous times. 

The world 300 million years ago was in many ways similar to today (far more similar to what it was in the intervening millions of years ago, for instance in Mesozoic times, when the dinosaurs were roaming around). Studying how climate, vegetation and the atmosphere interacted in this ancient world therefore allows us to check some of the assumptions on which scientists have been basing their modern-day climate models.

This shows the importance of international collaboration between museums in scientific research – why it is vital for scientists in Wales to work with colleagues from across the world.

Artist in Residency: Building a Play Area

Sian Lile-Pastore, 10 February 2016

Here are some images of the work of Nils Norman who is designing our new play area in St Fagans. For more information about his work and other projects, please check out his website

Artist in Residency: Building a Play Area

Sian Lile-Pastore, 3 February 2016

The two artists we are lucky enough to have assisting Nils Norman on the playground project are Fern Thomas and Imogen Higgins. Fern will be investigating the archives and collections at St Fagans in order to find inspiration and stories for the new play area. Fern's own practice is based in research and she has previously had a solo show investigating the history of the Mission Gallery in Swansea, entitled When the moon fell out of orbit: from the Institute for Imagined Futures & Unknown Lands

Imogen is a recent graduate from the ceramics course in Cardiff Metropolitan although her work has since developed to be more community focused and inspired more by land art. Imogen will be working with community groups and visitors to collect ideas and suggestions to feed into the design.

We hope both supporting artists will be able to share their work, discoveries and experiences as the project progresses.