Collections & Research

War, What Is It Good For?

by National Roman Legion Museum - Youth Forum, 30 March 2016

Exhibition review by Museum's Youth Forum.

As youth forum members we were able to help input our opinions into the design of the temporary exhibition and have been able to see it develop from a drawing on paper to a physical form. Today we have examined the exhibition and have evaluated the information and items displayed.

Amgueddfa Cymru has been tasked with commemorating the WW1 centenary. Personally, we believe that the exhibition is very interesting as it gives an insight into the medicinal history starting from Ancient Greece right up to the 21st century. We enjoyed the exhibition overall. The video grabbed our attention the most and we were able to see a visual aspect of medicinal practice with a humorous touch.

The exhibition has a number of different displays which hold valuable information about medicine and the different tools used to carry out medical procedures such as amputations. It contains a silent video in both Welsh and English that shows a few medical procedures from the Roman times. There are some replicas of medical items in the display case that have been used such as a Face Mask used in World War One to disguise facial wounds. 

There is also a small game on an iPad that tests your knowledge of the information in the exhibition. This together with the video has proved to be a success with the general public. Some reviews say that they liked “the doctor video” and a young person enjoyed it when the doctor was “cutting the leg off”.

 

By Joel Powell, Emma Jones and Hannah Sweetapple.

Creativity from conflict - needlework made by soldiers

Elen Phillips, 24 March 2016

This week marks the centenary of the St Fagans Red Cross VAD Hospital which opened in the grounds of St Fagans Castle on 22 March 1916. This blog looks at three examples of needlework made by serving soldiers from the collection, including a delicate piece of beadwork hand-crafted by a patient at the St Fagans auxiliary hospital.

Patchwork chest of drawers cover (1883)

Richard Evans from Llanbrynmair served with the Army in India. While stationed there in 1883, he supposedly made this striking patchwork chest of drawers cover as a present for his mother. The back is marked with a handwritten dedication in black ink: Rhodd i fy mam Sarah Evans 1883 (A gift for my mother Sarah Evans 1883).

The bold geometric design is stylistically very similar to other patchworks made by soldiers of this period. The Victoria & Albert Museum has a large bedcover in its collection attributed to Private Francis Brayley, whose regiment was based in India between 1864 and 1877. Both Richard Evans and Francis Brayley made their patchworks from thick woollen cloths, likely to be off-cuts or remnants of military uniforms.

Needlework was considered a very useful skill for soldiers to learn, not only to maintain and repair their kit, but also as a method of relaxation – a distraction from the temptations of alcohol and gambling. Textile crafts were also used as occupational therapy for injured soldiers, as depicted by the artist Thomas William Wood in his painting of Private Thomas Walker. Held by the Hunterian Museum, the painting shows the convalescing soldier stitching a patchwork quilt from his sick-bed.

Sweetheart pincushion (1914 - 1918)

Private Brinley Rhys Edmunds from Barry died of dysentery while imprisoned at Konigsbruck in September 1918. During the War, he made this heart-shaped pincushion for his mother – possibly at a military training camp or barracks. The centre of the pincushion features the insignia of the Welsh Regiment and the motto Gwell Angau na Chywilydd (Better Death than Dishonour). Known as ‘sweetheart’ pincushions, many thousands have survived in museums and family collections, although very little is known about their production and distribution. The uniformity of these pincushions suggests they were produced as craft kits for soldiers and civilians to assemble.

Beadwork butterfly (1918)

Corporal Walter Stinson, a painter from Battersea, was a patient at the St Fagans Red Cross Hospital in early 1918. While recuperating from injuries sustained in France, he made this intricate butterfly belt buckle from tiny glass beads. It seems that he and his fellow patients made and sold similar pieces in aid of the Evening Express Prisoners of War Fund. The following note was published in the Western Mail on 19 April 1918.

Yesterday’s total of £38 15s 6d sent to the Evening Express Prisoners of War Fund included… £10 from the patients at St Fagans Red Cross VAD Hospital (proceeds of bead work).

According to Walter Stinson’s descendants, the Prince of Wales bought one of his pieces at an exhibition in Cardiff. He was discharged from the Army on 3 December 1918 for being no longer physically fit for service.

To discover more about the use of textiles and needlework to commemorate, celebrate, mourn and heal during the First World War, take a look at Amgueddfa Cymru's online collections database. And as we continue to mark the centenary of the St Fagans Red Cross Hospital, follow the hashtags #Hospital100 #Ysbyty100 on Twitter.

 

 

Many thanks to our new conservation volunteers

Penny Hill, 24 March 2016

We are 6 months old now and still going strong.  We have achived loads in that time, such as treating 130 objects and sorting out the support collection so we can use the objects on site.  We have also produced handcrafted soft furnishings to help improve interpretation in the houses, plus introduced traditional skills back into the historic buildings by using herbs to protect our textiles from pests and creating rag rugs to keep the dust down. Not to mention learning to spin the wool from our sheep.  Phew what a lot!

We are now well settled into our cottage at Llwyn yr eos farm at St. Fagans and even reinstated the open fireplace, which has been a welcome boost to the heating on colder days this winter.  Also it's good for toasting teacakes!

Yesterday we put our work on show during a one day seminar in Cardiff ' Small Changes Add Up' organised by the the Wales Council for Voluntary Action and the Museum. Here are some photos

 

Cig Oen a Chig Dafad

Mared McAleavey, 24 March 2016

Dwi’n siŵr eich bod, fel finna yn dotio gweld yr ŵyn bach adeg hyn o'r flwyddyn, ac wedi bod yn cadw llygaid ar y diweddaraf o'r Sgrinwyna sy'n cofnodi'r genedigaethau ar fferm Llwyn-yr-eos, yma yn Sain Ffagan.

Erbyn heddiw ystyrir cig oen fel ein danteithfwyd cenedlaethol, a dwi’n siŵr y bydd amryw ohonoch yn mwynhau gwledda ar gig oen wedi ei rostio dros Sul y Pasg. Be sy’n syndod yw mai tan yn gymharol ddiweddar, ni fwytawyd llawer o gig oen yma yng Nghymru. Cedwid defaid ar gyfer eu gwlân a’u llefrith, nid ar gyfer eu cig. Dim ond ar achlysuron arbennig y bwytawyd cig oen, gan ei fod yn fwy proffidiol i gneifio a gwerthu gwlân y ddafad.

Wrth chwilota trwy’r archif, prin iawn yw’r ryseitiau sy’n cynnwys cig oen. Ond yr hyn sydd yn rhan o’n traddodiad, ac sy’n profi dadeni ar hyn o bryd yw cig dafad – sef cig o anifail a gedwid rhwng tair a phum mlynedd. Tan y 1940au, roedd cig dafad yn ffefryn ar draws Prydain a’r consensws oedd bod ei flas a’i ansawdd yn rhagori ar gig oen. Wrth deithio o amgylch Cymru ym 1862, fe brofodd George Borrow gig dafad am y tro cyntaf, a bu’n canu ei glodydd:

The leg of mutton of Wales beats the leg of mutton of any other country, and I had never tasted a Welsh leg of mutton before. Certainly I shall never forget that first Welsh leg of mutton which I tasted, rich but delicate, replete with juices derived from the aromatic herbs of the noble Berwyn, cooked to a turn, and weighing just four pounds ... Let anyone who wishes to eat leg of mutton in perfection go to Wales.

           George Burrow Wild Wales: Its People, Language and Scenery, 1862

Felly pam fod cig dafad wedi mwy neu lai diflannu o’n basgedi siopa a’n bwydlenni? Gyda gostyngiad ym mhris gwlân yn ystod degawdau cyntaf y 1900au, roedd yn talu i ffermwyr werthu ŵyn gwrywaidd ar gyfer cig, yn hytrach na’u cadw i roi gwlân. Rhaid cofio hefyd fod cig dafad yn cymryd tipyn yn hirach i'w goginio, felly nid yw'n syndod iddo gael ei ddisodli gan gig oen sy'n yn cymryd chwarter yr amser.

Dros y degawd diwethaf, fodd bynnag, mae cig dafad wedi cynyddu yn ei boblogrwydd unwaith eto, gyda mwy o fwytai, ffermydd, siopau cig a chogyddion enwog yn gwerthu a hyrwyddo'r cig arbennig yma. Er ei fod ar gael drwy’r flwyddyn, mae ar ei orau rhwng mis Hydref a Mawrth. Felly tymor cig oen yw hi ar hyn o bryd, ond erbyn yr Hydref, cofiwch edrych allan am gig dafad yn ei siop cig lleol.

Dyma rysáit o’r archif, mae’r dull o goginio’r pryd hwn yn amrywio, ond dyma fersiwn teulu o Garnfadrun, Llŷn:

         Tatws Popty

          darn o gig dafad

          tatws

          nionyn

          dŵr

Llenwi gwaelod y tun cig â thatws a nionod, a’u gorchuddio â dŵr.  Rhoi darn mawr o gig eidion neu gig dafad ar wyneb y tatws a rhostio’r cwbl yn y popty.

              

 

Centenary of the St Fagans Red Cross VAD Hospital

Sioned Williams, 22 March 2016

A century ago, on 22 March 1916, a hospital was opened in the grounds of St Fagans Castle – one of the hundreds of auxiliary hospitals set up by the Red Cross during the First World War.

Before the war the Red Cross had joined with the Order of St John’s to establish the Voluntary Aid Detachment Scheme (VAD). The aim of the scheme was to provide training for volunteers to assist the military hospitals in the event of war. Here, at St Fagans in 1909 the first detachment (VAD) in Wales was established with many others following soon after.

The Countess of Plymouth from St Fagans Castle was the President of the Glamorgan branch of the Red Cross and was instrumental in the progress of the society in the county. It was the Countess and her husband, the Earl of Plymouth, who offered the Castle gardens and grounds for hosting the VAD recruitment and training days. They later gave the Banqueting Hall over to the Red Cross to be used as an auxiliary hospital. The Hall had been originally built to host social and family celebrations but the large building with its extensive gardens was suitable for housing a small hospital.

It was the Plymouth’s who contributed to the majority of the necessary refurbishment. The hospital opened with 30 beds but within a few weeks another 10 beds were added. A year later, in 1917, the hospital had 70 beds including a new extension and sanitary wing.

Most of the nurses in the auxiliary hospitals were volunteers and members of the Red Cross Voluntary Aid Detachment. Each hospital had some professional staff too; a Commandant, a Quartermaster and a Sister-in-Charge. At St Fagans Hospital, most of the women were local, some of whom were in the service of the Plymouth family at the Castle.

Auxiliary hospitals assisted the larger hospitals and didn’t have the facilities to nurse severely injured soldiers. Many of the patients at St Fagans were transferred from the 3rd General Western Hospital in Cardiff, others were sent directly from the front line. We can’t begin to imagine how the soldiers had suffered before coming here to St Fagans. A century on, it brings comfort that this hospital would have once been a haven for many to begin to heal the physical and mental scars of war.

Twitter: #Hospital100 #Ysbyty100