Caernarfon Blankets: History, Design, and the Debate Behind a Welsh Icon Mark Lucas, 17 January 2020 Introduction to Caernarfon BlanketsCaernarfon blankets have been described as an oddity in Welsh textiles; the National Wool Museum at Dre-fach Felindre has a couple of examples of this blanket in its collection.What Makes Caernarfon Blankets Unique?These Caernarfon blankets are made up of three pieces; the most obvious is the middle piece. On this piece are the words ‘Cymru Fydd’ (Wales to be) underneath a picture of Aberystwyth College, and under a picture of Caernarfon Castle the words ‘Cymru Fu’ (Wales that was). Above and beneath these pictures are two dragons and three leeks; the rest of the quilt is then covered with leeks and daffodils in full bloom.Origins and Historical BackgroundThe origins of the original design are disputed by scholars. Ann Sutton, a leading authority on Welsh textiles, credits the original blanket to weaver John Roberts of Caernarfon; he is said to have presented the blanket to the Prince of Wales (the future Edward VII) on a visit to Caernarfon to open the water works in 1876. Welsh historian D. G. Lloyd Hughes disputes this as he states the water works in Caernarfon were opened in 1868 not 1876, and as the blankets show Aberystwyth College with the extension that was not completed until 1872. The Prince of Wales did not visit Caernarfon again until 1894; he accredits the design to Pwllheli Woollen Mill who patented the design in February 1895. There is a picture of the staff from Pwllheli Woollen Mill holding a Caernarfon blanket from the 1890s. There are other claimants to the original design, most notably Edward Davies-Bryan, whose great-granddaughter says he commissioned Pwllheli Woollen Mill to produce a blanket commemorating Aberystwyth college in the early 1890s as he was a former student and a great benefactor to the college.Debates Around the Design and AttributionThe last Caernarfon blanket was produced in 1969 at Trefriw Woollen Mill to commemorate the investiture of the Prince of Wales at Caernarfon Castle. A recent donation to the National Wool Museum may have finally answered this debate: it is an early hand-woven blanket that is similar to the other blankets and is made up of two pictures of Caernarfon Castle and no picture of Aberystwyth College. The donor said the blanket belonged to her great-grandparents from Denbigh, North Wales, and they passed away in the 1890s. Could this be the type of blanket that was presented to the Prince of Wales in 1868?
Underground Bible Ceri Thompson, 30 October 2019 Mynydd Newydd Colliery was situated about three miles to the north west of Swansea. It commenced working in 1843 and was initially owned by the Swansea Coal Company. In 1844 an explosion killed five workmen and seriously injured several others. After this explosion the workmen came together and discussed how to protect themselves from further deaths. They decided to hold prayer meetings underground before starting work. They approached the colliery management who were enthusiastic about the idea and allowed them to construct a chapel in the workings. After they had constructed the chapel in the Five Feet Seam, they bought the first Bible which was carried underground and used in the first meeting at half past six on the morning of the 18th August 1845. After this a meeting was held every Monday morning. By 1859 a new Bible was purchased as the original was by now falling apart due to the dampness of the workings. The new Bible was kept in a box in the engine room near the chapel to help keep it in better condition. However, on one occasion, the ‘preacher’ got over excited and banged his fist down on the Bible and broke the binding scattering the pages over the floor of the chapel. A new Bible was presented by a visiting Scottish medical man, Dr McRitchie, in 1899. In the same year a Journalist from the Sunday magazine visited the colliery and described the underground chapel: "The coal has been worked out of the seam to the left (of the roadway) till a chamber about 16 yards long by 6 yards wide has been formed. The walls are formed, in parts, of small rough pine logs, through which the splendid thick coal seam out crops to the view, here and there. The roof is somewhat menacingly close overhead, but it is of hard, smooth clift and has been whitened with lime, so it looks like an artificial ceiling. As you enter you observe that the chapel is timbered with pit props on either side, and furnished with rude plank seats placed at equidistance between the props." There was room for a congregation of around a hundred and a high wooden desk formed a pulpit. The colliery was deemed to be ‘gas free’ and lighted candles were arranged around the chapel for illumination. In 2019 the last Bible used in the underground chapel was donated to Big Pit. This Bible was purchased in 1904 and contains the following inscription: ‘To the prayer meeting service held in the Five Foot (seam) at Mynydd Newydd Colliery every Monday morning when the works is working. This work commenced on 28th November 1904. Dated August 9th 1915.’ In 1924, after the colliery changed owners and closed down for a short while, a Prayer Meeting Festival was held. A programme for the event was printed with the title: ‘A list of Hymns for the Preaching Festival Service Mynydd Newydd Colliery To celebrate 80 years of Prayer Meetings Underground.’ It would be interesting to find out if any of these programmes still exist. In 1929 the Radio Times carried an article on the underground chapel and an underground service was broadcast by the BBC on Sunday October 13th. Mynydd Newydd Colliery closed temporarily in 1932 but re-opened by the Mynydd Newydd Colliery Company in 1935 when it employed 76 men. The colliery was finally closed by the National Coal Board in 1955. The donor’s grandfather, worked in the colliery and when it was closing he went down to the chapel to look for the Bible. There had also been a hymn book but only the Bible was still there which he brought out of the pit. His son, John Moelwyn Thomas who worked in Garn Goch Colliery, inherited the old Bible and took it around Miners’ Galas and other events. This important piece of Welsh social and industrial history was donated to Big Pit by the Thomas family in 2019. This particular Bible is the 1904 one, and the last one to be used in Mynydd Newydd. Strangely enough, a different Bible was pictured in the National Museum’s publication ‘Welsh Coal Mines’ (now out of print) and captioned as the Bible used underground. However, that particular Bible is not the same as the one the Museum now holds so may have been an earlier one. If that is the case, there must be another Mynydd Newydd Bible still in private hands.
Brethyn Llwyd Mark Lucas, 15 October 2019 Lloyd George’s poetic idea'I should like to see a Welsh army in the field. I should like to see the race that faced the Norman for hundreds of years in struggle for freedom, the race that helped to win Crecy, the race that fought for a generation under Glyndwr against the greatest captain in Europe. I should like to see that race give a good taste of their quality in this struggle in Europe and they are going to do it'On 29 September 1914 the Welsh National Executive Committee was formed to recruit a Welsh Army Corps of 40,000 to 50,000 men. The recruitment was based on the Corps's unique Welshness, with the encouragement of Welsh-speaking officers and Welsh-language recruitment posters.Equipment ShortageDue to the rapid expansion, the British Army faced a severe shortage of uniforms and equipment. To overcome the shortage the Committee decided in October 1914 to reinforce the national identity of the Welsh Army Corps by tendering for Welsh Grey homespun cloth “Brethyn Llwyd” for uniforms from the woollen manufacturers of Wales.David Morgan of Cardiff was the main contractor, with all finished material sent to their offices in Cardiff before being made into uniforms by Messrs Masters. The woollen manufacturers of Wales were in desperate need of these new contracts as the industry was in decline due to worker unrest and competition from the larger mills of Northern England.Production problemsThere were early supply problems from the woollen manufacturers; Brethyn Llwyd is made by blending fleece from black and white sheep. Each mill had its own unique colour for Brethyn Llwyd; they therefore sent samples to the Committee to agree the colour.The cloth produced by the mills was sent to Bristol for finishing and returned to Cardiff adding to the cost and time to make a complete uniform. A Brethyn Llwyd jacket was more expensive than traditional khaki, a Brethyn Llwyd jacket cost almost £1 and a khaki Jacket cost 14s 6d.Factories re-equippedBy 1915 the mills were being re-equipped in anticipation of large orders for Brethyn Llwyd. Cambrian Mills Dre-fach Felindre (Now the National Wool Museum) built a new weaving shed, other mills invested in new equipment and staff. David Lewis of Cambrian Mills claimed he was able to produce 3,500 yards of cloth a week in February 1915 enough for 1,200 uniforms. Demise of Brethyn LlwydUnfortunately this increased capacity came too late and production of Brethyn Llwyd was short-lived due to extra cost and the now ready availability of Khaki forcing the Committee to only order 8,440 uniforms in Brethyn Llwyd. The mill owners sent many letters to the Committee pleading for orders. Brethyn Llwyd uniforms never saw active service but due to their hard wearing qualities the uniforms were re-used repeatedly by the Reserves at Kinmel Park Camp until at least November 1916. In August 1915 the War Office took over the Welsh National Executive Committee, the raised units were formed into the 38th Welsh Division and the dream of a Welsh Corps vanished.Supplying the AlliesBrethyn Llwyd was not the only war contract for woollen manufactures of Wales, woollen manufactures across Wales produced blankets for the army. One of the largest orders was secured by Ben Evans of Swansea for 15,000 blankets.Welsh woollen manufactures also secured orders from foreign governments, for example in 1917 the Romanian Army ordered large quantities of Welsh flannel. The North Wales stocking industries supplied 300,000 pairs of socks to the allies during the war although these contracts only benefitted the larger manufactures.Labour ShortageWith conscription of men into the army mill owners struggled for labour, before the war unlike English mills Welsh mills employed predominately men and the weavers worked one man one loom. The weavers threatened to strike over pay finally resolved with the intervention from the War Office in favour of higher wages but for more output.Mill owners attended tribunals arguing for their workers not to be conscripted into the army because they could not be replaced, women preferred to work in the munitions factories and other heavy industries for higher wages than work in the woollen mills. Weavers at warMany workers from the mills volunteered for the army or were conscripted. Willie Evans worked at Cambrian Mills Drefach Felindre, he joined the royal artillery serving on the western front and in Russia, Willie returned to Cambrian mills after the war.David Emlyn Jones was a weaver at Ogof Mill Cwmpengraig he was conscripted into the army in 1917 to the Welsh regiment. David was killed on sentry duty on the Western front 12th December 1917 he left behind 4 children including a baby that he never met. David's last letter home, written in Welsh arrived after the letter in English informing his wife of his death.Post war decline and fires'[Mill owners who made vast profits from war contracts] made no attempt to set their mills on a sound financial basis, content to bank the money or buy seaside cottages'Geraint Jenkins 1967, the Welsh Woollen Industry, p. 278After the war 12 million yards of surplus flannel was sold on the open market by the government at ridiculously low prices forcing woollen manufactures to also cut their prices. Flannel shirts for example sold at 52s 6d a dozen in 1916 by 1923 the price had dropped to 38 shillings. In Dre-fach Felindre 21 factories closed and 7 more burnt to the ground including Cambrian Mills, arson was suspected but never proven.Unfortunately no Brethyn Llwyd uniform has been found, all that exists are the samples sent by woollen manufactures to the committee to decide the final colour, the choice they made remains a mystery. The samples are now part of the Welsh Army Corp collection held at the National Library of Wales.
Yama – The mining art of Sakubei Yamamoto Ceri Thompson, 27 September 2019 At the age of seven years old, Sakubei Yamamoto (1892–1984) moved with his family to the coal mines of the Chikuho region in Kyushu. He was apprenticed to a colliery blacksmith at the age of twelve, and later worked as a mine blacksmith and coalminer until the age of sixty-three in 1955. He then became a colliery security guard when he started painting his memories of the mining industry. He had little formal education but, from the age of 21 in 1913, began keeping notebooks and diaries in which he recorded events. These influenced his later painting. "The yama [the miners' term for the coal mines] is fading away, leaving 524 mountains of rubble in the Chikuho region; and as for me, I'm no spring chicken. I've decided to leave behind something of the work and feelings from the yama for my grandkids. It'd be faster just to write something down, but after a couple of years, who knows, maybe the notes would just get thrown out during spring cleaning. With pictures, though, so much can be taken in just with a single glance – I've decided to paint." In 2011, Sakubei Yamamoto’s coal mining paintings and drawings were registered in UNESCO’s Memory of the World programme. This exhibition focuses on a small selection of the 2000 drawings and paintings by the artist. They are very Japanese in style but any Welsh mineworker can recognise the type of work and the characters depicted.
Wheels in Wales Ian Smith, 17 September 2019 When you come into the National Waterfront Museum, Swansea, there are usually around 2,000 artefacts for you to see, but this makes up only small fraction of our collection! Even though we refresh parts of the museum periodically there are many objects which never make it to the display stage. Why do you collect them then? I hear you ask. There are many reasons why something might not be on display. Curators collect things that are important to our heritage and very often these things are in poor condition, so an artefact might need a lot of expensive conservation work before it can be presented to the public. When we collect objects our first priority is to preserve them and stop any deterioration to their condition. Restoration for exhibitions or display takes a back seat until finance can be found for projects – especially large objects like cars and buses. In the Industry Collection of the National Museum of Wales there are many different forms of transport and each one has to have a strong connection to Wales – by manufacture, inventor or usage. The ones not on display are kept at Nantgarw, near Cardiff, until their turn comes. From helicopters to horse-drawn hearses and electric cars to steam rollers, the National Collection Centre in Nantgarw sometimes resembles a child’s toy box – but on a grand scale! Delicate objects are stored in acid-free boxes or specially made crates, but how do you store a bus or helicopter? Of course they can’t be kept in boxes, but are lined up like a supermarket car park and are arranged quite randomly as size and shape dictate. There is access to the stores for group visits by appointment, where you will see that some of the vehicles look quite dilapidated whilst they await the magic touch of our conservation team. Meanwhile, back at the National Waterfront Museum in Swansea one can still see quite a variety of transportation and in our Networks Gallery is the story of transport links in Wales. This gallery has a host of models of vehicles of all kinds and large digital displays of how the transport networks have grown – from sheep drovers’ pathways to the M4. Just outside ‘Networks’ can be found a ‘sociable tricycle’ from the 1880s and a Benz ‘Duc’ motorcar first registered in Monmouthshire in 1904. The sociable was exactly that with a side-by-side arrangement of seats and was a special favourite of courting couples! The Benz was owned by a Dr Cropper of Chepstow who kept it until 1910 when he donated it to the Science Museum. It was taken into the care of the National Museum of Wales in 1911 and once fully restored took part in a number of London-to-Brighton rallies. Hanging overhead is one of the star attractions of the museum. The ‘Robin Goch’ or ‘Red Robin’ has a strong claim to be the first aeroplane to fly in Wales. It was built by Charles Horace Watkins, an amateur airman, around 1908. I has a wooden structure braced with piano wire. The cockpit looks distinctly home-made, including a kitchen chair for the pilot’s seat and simple household objects for instruments. Indeed, Charles navigated by using an egg timer – he would turn the timer over, fly straight ahead until the sand ran out then turn 90 degrees and fly ahead again and repeat the turn twice more so that he ended up back where he started! To help him judge his height when landing two pieces of weighted string one 20’ and one 10’ long were hung on the underside so when the first weight touched ground he knew he was at 20’ and when the second at 10’. Not everything in this section is over one hundred years old. You’ll find two examples of the Sinclair C5, one for display and one for use by the public to sit in and get the feel for it. On high days and holidays (and weather permitting) this model is used in our garden and any visitor can try it out. The C5 is pedal-powered with battery backup for hills or if the driver became tired. With a top speed of around 15 mph the C5 was produced secretly in 1985 at the Merthyr Hoover factory. It was so secret that a tunnel was built under the road between the factories to keep prying eyes from discovering the design. Different component manufacturers only saw their plans, not the whole car. It was launched with wide public expectation but proved a flop as it was deemed too small to be safely driven in heavy traffic. A brilliant concept and years ahead of its time, it might yet make a comeback one day when cycle paths are more widespread We have many vehicles brought in for temporary exhibitions and displays. In recent years these have included a caravan and a number of boats and quite a few concept electric vehicles, but one of my favourite vehicles is actually a child’s toy car. In our ‘Made in Wales’ Gallery is the Austin J40, a blue pedal car made in Bargoed in 1959. In 1947 Parliament passed an act that recognised that many miners who were suffering from pneumoconiosis (coal dust in the lungs) could no longer work underground. So it was proposed that new factories be set up to provide lighter cleaner work to employ these men. The Austin factory at Bargoed was just one of these. The factory, which opened in 1949, stopped making the little cars in 1971 but between those dates about 36,700 were produced! All the museums in the Amgueddfa Cymru – National Museum Wales family have free entry. Visiting to the National Collections Centre in Nantgarw is by appointment only; contact them on (029) 2057 3560 for availability.