Museums, Exhibitions and Events

Augusta Hall, Lady Llanover (21 March 1802 – 17 January 1896) was a strong advocate and supporter of the Welsh Woollen Industry and Welsh traditions. At the National Eisteddfod in 1834 she submitted an essay titled `The Advantages Resulting from the Preservation of the Welsh Language and the National Costume winning first prize. She took the bardic name "Gwenynen Gwent" 'the bee of Gwent'.

Harpist's Costume from the Llanover Estate

In 1865 she commissioned the building of Gwenffrwd Woollen Mill on the Llanover estate near Abergavenny. The mill carried out all operations for woollen production and produced heavy flannel cloth that was made into clothes for the house and estate workers to wear.

Harpist's Costume from the Llanover Estate

Material from the mill was also made into clothes for lady Llanover and her friends styled on her own ideas of Welsh traditional Costume. The mill continued in production until the 1950s using equipment installed by Lady Llanover.

Worker at Gwenffrwd Woollen Mill

The Royal National Lifeboat Institution’s highest award for gallantry is its Gold Medal, only 150 of which have been awarded since 1824. Richard Evans (1905-2001), Coxswain of the Moelfre Lifeboat, Anglesey, remarkably was presented with two RNLI Gold Medals for heroic rescues at sea.

Richard Evans won his first Gold Medal on 27 October 1959 when in hurricane force winds the M.V. Hindlea, a small cargo ship, was dragging its anchor in Moelfre Bay and being driven onto the rocky coast. The captain of the Hindlea gave the order to abandon ship when only 200 yards from the rocky shore and coxswain Evans took the Moelfre reserve lifeboat Edmund and Mary Robinson, with an incomplete crew, close to the ship ten times, enabling the eight man crew to one by one jump onto the lifeboat. During the rescue the lifeboat was once washed onto the deck of the ship and back off, and the coxswain had to manoeuvre perilously close to the ship’s propellers which were churning at full speed, at times out of the water and above the lifeboat. At one point the lifeboat heeled over until its mast was under water before righting itself. Thirty five minutes after the last of the crew were saved, the Hindlea struck the rocks and was lost.  

R.N.L.B. Watkin Williams, the Moelfre lifeboat from 1957 to 1977, on which Richard Evans won his second R.N.L.I. Gold Medal in 1966. The lifeboat was donated to Amgueddfa Cymru – National Museum Wales in 1983 and displayed until 1998; it is currently in store but can be viewed by appointment.

On 2 December 1966 coxswain Evans won his second Gold Medal. The Moelfre lifeboat Watkin William had been at sea since early morning having been called out to two vessels in trouble. They were then told that the Greek cargo vessel M.V. Nafsiporos was being driven out of control by 100 mile an hour winds towards Point Lynas, five miles north of Moelfre, and the Holyhead and Moelfre lifeboats went to her assistance. The Holyhead lifeboat rescued five of the crew and sustained damage. The Moelfre lifeboat rescued ten more crew but the captain and three crew of the Nafsiporos remained on board. After landing the rescued crew members at Moelfre, coxswain Evans took the lifeboat back to the Nafsiporos and stood by all night until a tug from Liverpool arrived and managed to take the cargo vessel in tow. The lifeboat returned to Moefre after 24 hours at sea; coxswain Evans, then aged 61, had been at the wheel the entire time.

Over his 50 years as a lifeboatman Richard Evans was involved in 179 launches which rescued 281 lives. In addition to his two RNLI Gold Medals, for other rescues he was awarded the Thanks of the RNLI on Vellum and the RNLI Bronze Medal, for the 1959 rescue was awarded the Queen’s Silver Medal for gallantry at sea, and in 1969 was awarded the British Empire Medal. In 1978 he was made an Honorary Bard at the National Eisteddfod.

VE Day Celebrations in London, 8 May 1945

8th May 2020 marks the 75th Anniversary of VE Day. Victory in Europe Day in 1945 celebrated the end of World War Two when fighting against Nazi Germany came to an end in Europe. Celebrations erupted throughout the western world, especially in the UK and North America, with more than one million people taking to the streets, village greens and town centres to celebrate across Britain.

The National Wool Museum had a VE Tea Party planned to mark this day, but as we’re all staying safe at home, our team would like to share some of their delicious VE Tea recipes with you in the hope that you can create your own celebration to mark this important occasion.

 

LEMON SPONGE

Lemmon Cake

8oz. margarine

8oz. castor sugar

4 eggs, lightly beaten

9oz. self - raising flour

1 dessert spoon lemon juice

 

TOPPING

2 Tablespoons caster sugar

1 Tablespoon lemon juice

 

​Preheat oven at 180°C  350° F  Gas mark 4

Grease and line 11" x 7" tin.  Cream butter and sugar until pale and creamy, then beat in the eggs.  Add a tablespoon of flour with the last amount of egg to prevent curdling.  Add the lemon juice.  Fold in the rest of the flour with a metal spoon.

Place in tin and bake for about 45 mins​.

Meanwhile make topping by mixing lemon juice and castor sugar.

Remove from oven, prick all over with a skewer and spoon topping over the hot cake.  Leave to cool in tin until topping is absorbed.

 

SCONES

Scones

1 lb. self- raising flour

1 teaspoon salt

4 oz. butter

2 oz. castor sugar

½ pint milk

beaten egg to glaze

For the filling:

strawberry or raspberry jam

quarter pint double cream, whipped

 

Preheat oven 230° C  450° F  Gas mark 8

Sift flour and salt into a bowl.  Rub in butter until mixture resembles fine breadcrumbs.  Add castor sugar and mix to a soft dough with the milk.

Turn onto a lightly floured table, knead quickly, then roll out to ¼ inch thickness. Cut into 20 rounds with a 2½  inch cutter. Place scones on greased baking trays and brush tops with beaten egg or milk. Bake in oven for 8 - 10 minutes.  Cool on a wire tray.

When cold, split and serve with jam and whipped cream.

 

On a Monday morning in January 2016 I received a phone call from the Museum’s archaeology department in Cardiff. It turned out that the storm a few days earlier had shifted the sand in Oxwich Bay on the Gower. Apparently a wreck had been uncovered and some old wooden casks were visible!

Because National Waterfront Museum in Swansea is the home of our Maritime Collection, I was asked to take a look and grab a few images before the sand covered it up again. As curator I’m part of the National Museum’s History & Archaeology Department, and I studied archaeology at Trinity College Carmarthen so I was well up to the task. Now, as much as I love a field trip, it was January and a cold wind was blowing from the Atlantic, but the weather in two days’ time was supposed to be fine. I hunted for my wellies (found in the boot of the car eventually) and charged my camera batteries.

So Wednesday morning bright and early found me in the car park for Oxwich Bay. Time was on my side, as at nine o’clock the tide was out as far as it would go that day. I had vague directions to follow as to where on the beach the barrels had been found – a very crude ‘X marks the spot’ hand drawn map. There was no scale on the map so I started at the western end of the beach and worked my way across it, zig-zagging to check out every little bump in the sand.

There were a lot of bumps too! Many pieces of metal, plainly from ships that had ended up there. Bits of steel rope, hull plating and rusty conglomerates. It was a lovely day for the search even though a keen wind was

Barrel exposed on the beach

blowing from the north now making the tops of the breakers misty. Then in the distance I spotted a larger disturbance in the sand and I could make out barrel shapes. There appeared to be six barrels and pieces of broken barrels, none of them were intact. They were lovely wooden casks and we had all hoped that they might be at least a few hundred years old. Alas, their proximity to a piece of steel hull spoke of a more recent wreck. Throughout the Twentieth Century, during WW2 and just after, a number of ships ended up on Oxwich Beach. Some were re-floated but others were broken up for scrap.

With such scant evidence it was impossible to tell which our ship was. The barrels contained a hard concrete-like substance, which later proved to be lime - originally a powder, it hard set hard in the sea water. Lime is used for a number of things such as making cement or lime mortar; as a soil improver just spread on the land, and for marking white lines on football pitches!

Wooden barrel containing hardened lime revealed by winter storms at Oxwich Bay

I took plenty of images and luckily had remembered to take a 30cm ruler with me to give a scale to the casks. As I worked I noticed the tide had turned and was getting closer and closer soon to cover the scene. It was time to leave and make my way back to the Waterfront Museum.

Are the barrels still visible? I don’t know. The power of the sea shifts the sand about after every storm revealing and then hiding historic treasures away maybe for another seventy years, maybe never to be seen again….

The National Wool Museum in Drefach Felindre is home to a comprehensive collection of tools and machinery involved throughout history in the processing of woollen fleece into cloth. It also holds the national flat textile collection and the best collection of Welsh Woollen blankets with documented providence dating back to the 1850s. These range from large double cloth tapestry blankets that are now very collectable, to plain white single utility blankets from WWII. In this blog, Mark Lucas, Curator of the Woollen Industry Collection for Amgueddfa Cymru – National Museum Wales, shares his knowledge of the heritage of Welsh blankets and some fine examples from this important collection.

 

Welsh Blankets traditionally formed part of the bottom draw for Welsh brides. A pair of Welsh blankets was also commonly given as a wedding gift. The would have travelled great distances with people moving during the Industrial Revolution looking for work, but wanting to keep a small piece of home with them. Thus, Welsh blankets have found their way across the world, adding a touch of homely aesthetic to a room by day and providing warmth at night.

 

Narrow Width Blankets

Narrow Width Blanket - two narrow lengths stitched together.

Narrow width blankets were the earliest, woven on a single loom. They were made of two narrow widths hand sewn together to form a larger blanket. Single loom blankets of this type were the norm before the turn of the twentieth century when the introduction of the double loom enabled the weaving of broader widths of fabric. However, many of the smaller mills, as well as individual weavers, did not convert to wider looms and, as a result, narrow-loom blankets continued to be produced in significant quantities during the 1920s, 30s and even later.

 

Plaid Blankets

Plaid Blanket

Plaids were popular during the nineteenth century, usually featuring strong colours against a natural cream background. The introduction of synthetic dyes in the late 19^th century allowed weavers to mix more coloured yarns into the designs, although some colour combinations were subtle, others could be gaudy. Many smaller mills continued the use of natural dyes well into the 20^th century. The natural dyes were made from madder and cochineal for reds, woad and indigo for blues, and various berries and lichens for other shades. The National Wool Museum has its own natural dye garden and hosts courses and talks throughout the year on natural dyeing

 

Tapestry Blankets

Tapestry Blanket

Welsh Tapestry is the term applied to double cloth woven blankets, producing a pattern on both sides that is reversible and is the icon of the Welsh woollen industry. Examples of Welsh tapestry blankets survive from the eighteenth century and a pattern book from 1775 by William Jones of Holt in Denbighshire, shows many different examples of tapestry patterns. Double cloth was first used to make blankets, but its success as a product for sale to tourists in the 1960s led to its use as clothing, placemats, coasters, bookmarkers, tea cozies, purses, handbags and spectacle cases. Because of the hardwearing quality of the double cloth weave the material has also been used for reversible rugs and carpeting.

 

Honeycomb blankets

Honeycomb Blanket

Honeycomb blankets are a mixture of bright and soft colours. As the name implies the surface is woven to produce deep square waffle effect giving the blanket a honeycomb appearance. This type of weave produces a blanket that is warm and light.

With the current resurgence of Welsh blankets for a decorative home-style item there is much interest in old blankets and the designs patterns. Antique blankets have become very popular with interior designers and feature heavily in home décor magazines. They are used as throws and bed coverings in modern homes with many high-end textile designers as well as students researching old patterns for inspiration for their new designs.

Caernarfon Blanket

Many of the fine examples in the Museums’ blanket collection come from mills across Wales that ceased production long ago. A highlight is the collection of Caernarfon Blankets. These were produced on Jacquard looms in a range of colourways. Only a few mills used Jacquard looms, which can make complicated designs and pictures. The Caernarfon blankets show two pictures one with Caernarfon Castle with the words CYMRU FU (Wales was) and a picture of Aberystwyth University with the words CYMRU FYDD (Wales Will Be). It is believed that these blankets were first been made in the 1860s, and last produced for the investiture of Prince Charles in 1969. A recent donation to the museum is an earlier example of the blanket featuring two images of Caernarfon castle. Woven by hand it contains a critical spelling error - Anglicising the name to Carnarvon.