: The 20th Century

Tales from down under - memories from Bevin Boy colliers

4 January 2008

Being a Bevin Boy in Cwm Colliery by Mel Harris.

Mel Harris, Bevin Boy, Cwm Colliery 1944-1947

Mel Harris, Bevin Boy, Cwm Colliery 1944-1947.

I had done many jobs since Ernest Bevin forced me into the coalmine rather than the RAF. I had worked with a repairer and a haulier, with a shot firer, as a rider with journeys of drams — always reluctant, uninterested and rebellious.

"Now I was on the coal face with a senior collier who was also chairman of the miners' lodge — the union leader at the colliery... As the days passed, I watched him at work, noticing how neat and careful he was in everything he did. To the uninitiated the work of the collier appears rough and ready but it is really skilled and, at times, almost aesthetic. The care taken to keep floor, face and top of the stent well trimmed, the posts and cross pieces in line and the pride taken in leaving the stent neat and tidy at the end of the shift...

"Although working hard with Mr David — never called him anything else — my feeling about coal mining did not change. All my friends wore the uniform of one of the Forces and serving overseas, whilst I was in civilian clothes with no uniform provided except boots and helmet. I was on meagre rations, a very small wage and open to accusations of cowardice. Various attempts to get re-assigned to military posts were thwarted so that future prospects seemed bleak.

"In this feeling of despair I continued to work alongside Mr David and gradually he brought me some peace and resolution of my attitudes. I began to see him as a role model for a balanced and more optimistic view of life. He was a poorly educated, very intelligent man with clear views on rights and responsibilities. Once I asked him how, in his role as lodge chairman, he dealt with the payment agreements with the manager. He told me 'I will see that he keeps to his side of the agreement — and if any of my men break it they will answer to me.'

"I still hated being a Bevin Boy but he helped me to look at it as an experience which would benefit me in later life."

This article forms part of the Glo publication by Big Pit: National Mining Museum. Download here

Recollections by Raymond George Isted, Bevin Boy in Roseheyworth Colliery 1943—9

Raymond George Isted, Bevin Boy, Roseheyworth Collier 1943 — 1949

Raymond George Isted, Bevin Boy, Roseheyworth Collier 1943 — 1949

I was born in Herstmonceux in East Sussex; I left school at 14 and worked in a factory making automotive parts. When I reached 18, I was called up and sent to Brighton for a medical, I wanted to join the army although to be honest I would have been quite happy stopping at home!

"I was actually balloted to go into the mines and sent to Oakdale Training Centre. I lodged with a Mrs Jones in Risca along with Wyndham Jones, a cockney who had relations in Abertillery. We trained for six weeks at Oakdale (Wyndham proved to be 'like a woman' on the shovel) and then sent to Roseheyworth Colliery. We had to wear our own clothes at work, mine were supplied by my parents, and I used to send them back to Sussex every week by my mother for washing. She used to say 'I would rather my Raymond go to the army than the pit' — she thought it was all terrible, thought that Welsh people lived in caves.

"After a while I worked with Sid Fox on a heading where we were filling 13 or 14 drams a shift — Sid used to give me around £3 'knocking money'. When Sid went on the sick I worked the road with Gerald Williams.

"Gerald introduced me to Phyllis on a night out — I was shy and couldn't dance so that was the only way to do it in those days. But it ended up that she was the only girl I ever went out with and we've been married for 58 years this August (2005). We had a quiet wedding, both my parents were ill and couldn't come and there was no one else from my side of the family there. We went to Weston Super Mare for the honeymoon. My new wife didn't want to settle in Eastbourne so we stopped in Wales. It was always 'Hello Ray' every ten minutes in Wales - in Eastbourne you could walk around for six months and no one would talk to you!

"I worked for 6 years in the pits. I remember an overman pointing me out to someone and saying 'You see this boy here? A Bevin Boy and still working here — we can't get him from here!' I even picked up the accent a bit although that was to stop me getting ribbed about my Sussex accent. I feel more Welsh than my wife does now!"

This article forms part of the Glo publication by Big Pit: National Mining Museum. Download here

Remembering the Bevin Boys in the Second World War

3 January 2008

Bevin Boys commemorative banner

Bevin Boys commemorative banner

Bevin Boys

Bevin Boys from South Wales

Bevin Boys Association blazer badge.

Bevin Boys Association blazer badge.

Bevin Boys annual reunion

A retired pit pony poses with two former Bevin Boys at the annual reunion at Trentham Gardens, Stoke-on-Trent.

Bevin Boys attending the Remembrance Parade in London on the 14th November 2004

Former Bevin Boys attending the Remembrance Parade in London on the 14th November 2004

The underground front

The story of the Bevin Boys miners has been largely untold; those many men who spent their war on the so-called 'underground front' went unrecognized for almost half a century.

When Britain declared war in 1939, thousands of experienced miners left the mines to join the armed services or transfer to higher-paid 'war industries'. By the summer of 1943 over 36,000 men had left the

coal industry . The British government decided that it needed around 40,000 men to take their places.

Ernest Bevin

In December 1943, Ernest Bevin, the wartime Minister of Labour and National Service, devised a scheme whereby a ballot took place to put a proportion of conscripted men into the collieries rather than the armed services. Every month, ten numbers were placed in a hat; two numbers were drawn out, and those whose National Service registration number ended with those numbers were directed to the mining industry.
These "ballotees" became known as "Bevin Boys".

Alongside the ballotees were the "optants", men who had volunteered for service in the coal mines rather than the armed services. Between 1943 and 1948, 48,000 young men were conscripted for National Service Employment in British coal mines. Contrary to a common belief at the time, only 41 of them were conscientious objectors.

Bevin Boys, therefore, came from all social classes and regions in Britain, not just the mining areas. Many had only been vaguely aware of the mining industry before being drafted. Most had set their sights on a career in the armed services and were horrified to be sent to the collieries instead.

Punishment

In April 1944 the Colliery Guardian reported that 135 ballotees had been prosecuted for failing to comply with the direct labour order. Thirty two went to prison, although 19 of them were released when they eventually agreed to go into the mining industry.

Picks and shovels

Unlike the ordinary miners, who wore their own clothes, Bevin Boys were issued with overalls, safety helmet and working boots. However, they still had to pay for their own tools and equipment, which led to complaints that the infantry were not expected to supply their own rifles so why were they expected to buy picks and shovels!

Only a small proportion of Bevin Boys were actually employed cutting coal on the coal face, although some worked as colliers' assistants filling tubs or drams. The majority worked on the maintenance of haulage roads, or generally controlled the movement of underground transport. A small number who had previous electrical or engineering experience were given similar work in the collieries.

Bevin Boys suffered from resentment from local mining families who had seen their own children drafted into the armed services only to be replaced by "outsiders". In addition, just being young men out of uniform could lead to abuse from the public or attention from the police as possible deserters, "army dodgers" or even enemy spies. It is not surprising that they suffered from high absentee rates. A very small number stayed in mining after the war, but most couldn't wait to leave.

Official records destroyed

The ballots were suspended in May 1945, with the last Bevin Boys being demobbed in 1948. Unlike other conscripts, they had no right to go back to their previous occupations, they received no service medals, "demob" suit or even a letter of thanks. Because the official records were destroyed in the 1950s, former Bevin Boy ballotees cannot even prove their service unless they have kept their personal documents.

The first official Bevin Boys reunion was held at the former Chatterley Whitfield Mining Museum in 1989. More have been held at various venues since then. However, it was not until 1995, 50 years after Victory in Europe Day, that the British government finally recognized their service to the war effort and former Bevin Boys are now officially allowed to take part in the Remembrance Day service at Whitehall.

For any information on the Bevin Boys Association please contact:
Warwick H Taylor, Vice President, Bevin Boys Association, 1 Rundlestone Court, Dorchester Dorset, DT1 3TN

This article forms part of a booklet in the series ' Glo ' produced by Big Pit: National Mining Museum.

Nantgarw Colliery - once the deepest coal mine in South Wales

2 September 2007

Parc Nantgarw

Nantgarw Colliery under construction May/June 1951

Nantgarw Colliery under construction May/June 1951

Anyone visiting Amgueddfa Cymru's Collections Centre at Parc Nantgarw, north of Cardiff, might not realise that this was once the site of one of the most famous collieries in south Wales. All that now remains are two small concrete pyramids marking the sites of the shafts and a commemorative winding wheel.

The deepest mine in south Wales

Nantgarw Colliery was one of the flagships of the National Coal Board. It was the nearest deep mine to Cardiff, and a reminder to travellers that they had entered the south Wales coalfield.

Opened in 1911, it boasted two large shafts and, at a depth of 782.73m (856 yards), was the deepest mine in south Wales. However, despite appearing as a fine example of a clean and efficient modern coal industry, the colliery was abandoned in 1927 due to lack of manpower, poor industrial relations and, above all, being located above very complex underground geology.

The war years

The mine re-opened in 1937 after a major reorganization, but work was suspended when war broke out in 1939. A later project to re-open the colliery was approved by the Ministry of Fuel and Power in 1946. It was the first major scheme to be operated by the new NCB in the south-west district.

A new state-of-the-art colliery

Nantgarw in 1974

Nantgarw in 1974

In order to construct a model colliery at Nantgarw, all traces of the original were demolished and new surface buildings were designed with state-of-the-art facilities. Appliances were installed to reduce smoke and fumes, and all waste was placed underground keeping the surface clear of unsightly spoil heaps. The entire underground network was designed to minimise the risk of accidents. Great care was taken to minimise any dust produced both underground and on the surface, in order to protect the workforce from contracting illnesses such as pneumoconiosis.

Not enough miners to mine

During the 1940s there was a marked decline in the number of men willing to consider a coal mining career, even in the traditional mining strongholds such as the Rhondda.

The Nantgarw Colliery posed a specific manpower problem, with the working population choosing employment elsewhere. The workforce had to be recruited from new entrants or from closed collieries outside the area. By 12 March 1954 the total cost of the project had increased to £5.25 million. Labour relations were also a cause for concern. During 1958 alone there were 65 stoppages, go-slows and walk-outs in the colliery

Declining fortunes

Nantgarw survived the mass pit closures of the 1960s and, in 1975, merged with Windsor Colliery (near Abertridwr). By 1979, the combined Nantgarw / Windsor Colliery employed around 650 men, producing over 4,000 tons of coal per week. During 1979–80 they made a profit of just over £0.5 million. Despite development difficulties, the pit's future looked reasonably secure.

However, by the early 1980s the colliery's fortunes were again hit by low manpower and poor geological conditions. The colliery lost £7 million in 1981, and in 1982 output declined steeply as a major coal seam became unworkable. A year later, an overtime ban led directly to the twelve-month strike of 1984-5. Within eighteen months of the strike ending, the mass pit closures took place in south Wales. This time, Nantgarw Colliery was included. Nearly 80 years of coal mining history at Nantgarw ended.

The industrial legacy of David Davies

29 July 2007

David Davies (1818-1890)  This image shows him in a rare moment of repose. Private collection (Lord Davies)

David Davies (1818-1890)
This image shows him in a rare moment of repose. Private collection (Lord Davies)

The completed Talerddig cutting, the deepest in the world at that time.  Private Collection (Lord Davies)

The completed Talerddig cutting, the deepest in the world at that time.
Private Collection (Lord Davies)

No.1 dock in 1913, when Barry docks exported 11m tons of coal. What appears to be a solid level surface in the right foreground of this scene in is fact water — thick with coal dust.

No.1 dock in 1913, when Barry docks exported 11m tons of coal. What appears to be a solid level surface in the right foreground of this scene in is fact water — thick with coal dust.

David Davies of Llandinam

The gifts and bequests of Gwendoline and Margaret Davies completely transformed the range and quality of Wales's national art collection. The sisters were the granddaughters of David Davies of Llandinam, one of the great entrepreneurs of 19th–century Wales.

Gwendoline and Margaret Davies were the granddaughters of David Davies of Llandinam, one of the great entrepreneurs of 19th–century Wales.

David Davies started in life as a tenant farmer and sawyer. He made his fortune during the industrialisation of Victorian Wales. He built much of the railway system in mid-Wales, became a pioneer of the coal industry in the Rhondda valley and was the driving force behind the construction of Barry dock in south Wales.

Railways

Starting with the construction of the Newtown & Llanidloes Railway in 1859, he became involved in the construction of a number of railways in mid-Wales, the Vale of Clwyd and Pembrokeshire.

His greatest achievement as a railway engineer was the great Talerddig cutting on the Newtown & Machynlleth Railway, completed in 1862 and the deepest in the world at that time.

Not all the ventures in which Davies was involved succeeded — the grandly named Manchester & Milford Railway reached neither destination!

Coal – 'Davies yr Ocean'

1864 marked a decisive turning point in David Davies's career when he took out a pioneering mineral lease in the south Wales valleys. It took two years before the first pits were in full production. Five more collieries were opened by 1886.

In the following year they were vested in a new public limited company, the Ocean Coal Co. Ltd.

At the time of Davies's death in 1890, it was the largest and most profitable coal company in south Wales.

From pit to port

The crowning achievement of David Davies's career was the construction of the dock at Barry, south Wales.

Davies and a number of fellow Rhondda colliery owners came together to solve congestion both on the Taff Vale Railway and at Cardiff's Bute docks. They promoted the construction of a railway from the coalfield to a new dock facility at Barry, then a tiny hamlet. Despite fierce opposition from the Bute faction, the dock opened in 1889.

The application of wealth

David Davies was a passionate supporter of Calvinistic Methodism — a strict non-conformist faith unique to Wales and distinct from Wesleyan Methodism.

Like all of Gwendoline and Margaret's family he was a life-long Sabbatarian and teetotaller. It instilled in him a profound sense of philanthropy and public service. He gave generously to religious and educational causes.

Having received a very basic schooling himself, the provision of university education in Wales was a cause close to his heart. He was a staunch supporter of the first college at Aberystwyth, opened in 1872.

He served as Liberal MP for Cardigan Boroughs during 1874-86 and was elected to the first Montgomeryshire County Council upon its creation in 1889.

After David Davies

David Davies died in 1890 and was succeeded by his son Edward, who found the stresses of running the business empire so overwhelming that he died just eight years later.

He in turn was succeeded by Gwendoline and Margaret's brother David, later 1st Lord Davies, who had to contend with the depression of the inter-war years.

The post-war nationalisation of the coal, dock and railway industries saw the family lose control of their vast undertaking.

Today, all the Ocean pits have closed, as has much of the railway system created by David Davies, and Barry dock sees little activity.

The Gregynog Press

29 July 2007

The Davies Sisters of Gregynog

The stealing of the mare by Robert Maynard

The frontispiece to The stealing of the mare (1930), the work of Robert Maynard.

One of the outstanding aspects of the Davies sisters' involvement in the arts was the creation of the Gregynog Press. This was the only component of the arts and crafts scheme planned for Gregynog Hall to be implemented, beginning production in 1922. The first book, Poems by George Herbert, was published a year later, the last being published in 1940.

The Gregynog Press, like other private presses of the time, produced high quality books in limited editions. Such books were usually superbly printed on handmade paper, using hand presses or small letterpress machinery. Many of the greatest wood engravers of the twentieth century were commissioned to produce illustrations for these books.

The sisters already possessed books from some of the finest private press productions of the late nineteenth and early twentieth centuries, such as those from the Kelmscott and Ashendene presses.

Staff

specially bound copy of the Loyal Address to King George V

One of the specially bound copies of the Loyal Address to King George V on the formal opening of the National Museum of Wales on the 21 April 1927.

At its peak, the Press employed seventeen staff. Most of the general workforce in the composing room and the bindery was Welsh and local to Gregynog. The artistic staff came mainly from England and Scotland.

The Gregynog Press Board had three aims in the production of fine books: to print books in the Welsh language, to publish some of the best examples of Anglo-Welsh literature and to publish translations of Welsh works.

From the 1930s the subject matter was more varied. Of the forty-two books, eight were in Welsh, while a further eleven had a Welsh connection. It is this attention to Welsh material that was one of the distinguishing features of the Press.

Loyal Address of the King

Fables of Esope
The fables of Esope

(1932). Agnes Miller Parker's wood engravings for this book, and XXI Welsh gypsy folk-tales (1933), established her as one of the greatest wood engravers of the twentieth century.

One of the more handsome productions was for Amgueddfa Cymru, and undertaken at a few weeks notice. This was the printing of the Loyal Address read at the formal opening of the Museum on 21st April 1927 by King George V, accompanied by Queen Mary. A number of copies were bound in blue levant morocco, decorated in gilt.

Printing

Illustrated psalm

Illustrated page of Psalm XC from Psalmau Dafydd (1929)

The first 'Press' book, Poems by George Herbert, was printed on an Albion hand press. Most of the printing at Gregynog was done on the less labour-intensive Victoria, although William McCance, the second controller of the Press, used the Albion to print his first book, John Milton's Comus, in 1931.

The first four books were restricted to a single typeface (Kennerley), but soon it became possible to use a range of types. A Gregynog type was made, but it was only used for one book (Eros and Psyche, 1935).

The paper used at Gregynog was handmade. From 1927 to aid the process of printing this was done on dampened paper, a widely used technique.

The outstanding quality of the printing of the letterpress and the wood engravings was largely due to Herbert Hodgson, printer from 1927 until 1936.

Wood Engravings

The story of the red-deer

Illustration from The story of the red-deer (1935/6), a children's book, which was the only book produced at Gregynog where the illustrations were printed in colour.

Some of the finest books ever illustrated with wood engravings were printed in Britain between the two world wars. The Press played a major part in this era. In the 1930s, the Gregynog Press saw one of the most outstanding periods of book illustration in Britain, with the sensuous engravings of Blair Hughes-Stanton and the intricate ones of Agnes Miller Parker.

A small number of external artists were commissioned to prepare engravings, one of the best known of whom was David Jones; his two engravings were printed in Llyfr y Pregeth-wr, the Book of Ecclesiastes.

Bindings

Illustration from The stealing of the mare (1930)

Illustrated capital from The stealing of the mare (1930)

The Gregynog Press was unique amongst private presses in that the binding of the books was seen as being as important as the printing. Up to 1935 each title was bound in buckram cloth or marbled paper, with one in vellum, but a small number of 'specials', were bound in full leather, of varying colours and designs.

Almost all the specials were bound by Fisher, who is recognised as one of the greatest bookbinders of the twentieth century. His versatility is shown at its best in the implementation of the designs prepared by McCance and Hughes-Stanton, notably for The Fables of Esope, The Revelation of Saint John the Divine and The Lamentations of Jeremiah. Other 'specials' were designed by the artistic staff including Maynard and Hughes-Stanton.

Images: Gwasg Gregynog/Gregynog Press