Collections & Research

Festival of British Archaeology 2009

More photos from finished events... This time Sally demonstrating dyeing with natural dyes.

The orange comes from madder, the yellow from weld, blue from woad, and green is a mix of woad and weld.

At last, the first review for Saving St Teilo's has come in.

Reviews make me nervous but in a good, exciting way. I never really dread seeing them but it is a truth universally acknowledged (in publishing at least) that you can't keep all of the people happy all of the time. So, sooner or later we'll get a stinker. But not this time –

"Gerallt Nash’s book also conveys a spirit rarely found in museum publications – pride and joy, craftsmanship and passion, a genuine sense of adventure and achievement. It makes the reader not just want to see St Teilo’s, but also to wish that they had rolled up their sleeves and lent a hand in its rescue."

To read the rest of the review go to http://www.vidimus.org/booksWebsites.html

Thanks to everyone who joined us last weekend and took part in the activities at the Celtic Village and St Teilo’s Church. My roundhouse has never been so colourful! The walls look amazing, full of your wonderful artwork. Many of you also joined Tracey and Nia in St Teilo’s Church and had a go at re-creating the wall paintings there. If you missed the activities then remember the Festival of British Archaeology continues here this weekend, 1-2 August.

Festival of British Archaeology 2009

It’s been a busy two days at the Festival. Yesterday started badly with torrential rain, but by midday the clouds cleared and St Fagans filled up with visitors.

It was the first day of the Magic Flute event in which Gareth Riseborough began a project to make replicas of a medieval and a possible Neolithic flute, both found in Wales. The original medieval flute was made from the foreleg of a large deer, and Gareth has sourced the correct bone for the project. He set up shop in the smaller of the roundhouses in the Celtic Village, and much of the morning was spent trimming down the bone, and answering a near continuous stream of questions from interested visitors.

Sally Pointer, manager of the museum’s Glanely Gallery, worked alongside him demonstrating natural dyeing techniques and proving that people in the past wore clothes which were just as colourful as we have today. The grand finale of her demonstrations was the magical transformation that occurs when woad-dyed wool is removed from the dye pot, turning blue before your eyes. Fabulous.

In the roundhouse next door Ian Daniel, interpreter in the Celtic Village, ran wall painting workshops. Tired of the house’s plain white walls, Ian had decided to enlist the public’s help in transforming them with Celtic designs drawn from a portfolio compiled by museum conservator and Iron Age art specialist Mary Davis. By the end of the day dozens of children had covered every spare inch of white wall with an amazing array of designs – all painted with natural pigments.

There was so much going on in the village that I didn’t have a chance to get over to St Teilo’s Church where another team was running painting workshops of a different kind. But I made up for it with a few trips over there today to catch up on what was going on.

The painting activity proved extremely popular, with some children staying for over an hour while they created designs and learnt how these would have been transferred onto the walls of the church. Meanwhile for the adults there was the chance to hear museum conservator and pigment expert Penny Hill explain how medieval craftsmen had produced the original paintings at St Teilo's, and the lengths to which the museum has gone to ensure our reproductions are faithful to their work.

A highlight of the day for me was the chance to see Tillerman Beads at work producing Iron Age glass beads in their tent outside the Celtic Village. This was a real eye-opener and a good deal of time was spent in awe of Mike Poole as he created one amazing design after another. The crowds loved it too, with Su Poole providing expert commentary on the work, and explaining the history of glass beads using the incredible selection she had on display.

Tomorrow, Tillerman Beads continue their demonstrations, Gareth and Sally are back with their magic flute and dyeing events, Ian continues to enlist the support of budding artists to paint the inside of his roundhouse, and the team in the church will be back with more talks and painting workshops. Enough to ensure a good day out for all.

Festival of British Archaeology 2009

Sian, who ran yesterday's pottery sorting workshop at National Museum Cardiff, sent me a photograph of some of the joining sherds they found among the mass of material from the Llandaff Cathedral School excavations (see earlier post for background).

They may not look like much, but by reconstructing these broken pots it's possible to work out what type of vessel they were once part of, what that vessel might have been used for, and sometimes when the pot was made. So, important stuff.

And how did we find these joining pieces from among the many hundred sherd jigsaw puzzle that came from the excavation?  We enlisted the help of dozens of sharp-eyed museum visitors who were willing to spend some time, sorting, grouping, and fitting pieces together.

For visitors it was an interesting way to pass some time, for us it was an opportunity to make sense of the finds from an important site.