: Collections & Research

Dyddiadur Kate: ‘Oes y dillad gore’

Elen Phillips, 18 June 2015

Ar 18 Mehefin 1915, cynhaliwyd ‘Sassiwn Plant’ yn Llidiardau, ger y Bala. Er nad oedd hi’n bresennol, fe wnaeth Kate Rowlands nodyn o’r achlysur yn ei dyddiadur:

Anfon dipyn o bysgod adref. Sassiwn Plant Llidiardau. Emrys yn cael mynd yno. Anwen ag Ella yno yn y Sassiwn Plant. Diwrnod hynod o braf. Mary Lizzie Pandy yn cael tarawiad o appendicitis.

Ar wefan Papurau Newydd Cymru Arlein, mae modd dod o hyd i erthyglau di-ri am gyfarfodydd o’u math yng nghapeli’r ardal. Yn Sasiwn Plant Moel-y-garnedd a’r Parc yn Mehefin 1914 holwyd y plant yn ‘fedrus ac i bwrpas’ am y 6ed a’r 7fed bennod o’r Rhodd Mam. Gyda’r nos, rhanwyd gwobrau a thystysgrifau, a chyn gorffen ‘anrhegwyd bob un o’r plant a ‘bun’ cyn iddynt gychwyn adref.’ Trît derbyniol ar ddiwedd diwrnod hir ddywedwn i!

Mewn cyfweliad llafar â’r Amgueddfa yn 1969, cyfeiriodd Kate Rowlands at bwysigrwydd cael dillad newydd ar gyfer rhai o brif ddigwyddiadau blynyddol y capel. Dyma ddyfyniad o’r cyfweliad dan sylw, gyda chyfeiriad penodol at un Sasiwn Plant cofiadwy o'i phlentyndod:

Lynn Davies: Oedd hi’n arferiad cael dillad newydd ar gyfer achlysuron arbennig?

Kate Rowlands: Diar oedd! A chadw dillad fyddech chi’n gael at achlysuron felly. Cadw nhw’n ddillad gore ynde. Oedd hi’n oes y dillad gore yn siwr yn de. Fydde nhw ond yn dod allan ar gyfer rwbeth hynod o bwysig ynde… cwarfodydd yn y Bala a rwbeth felly yn de… gwyl yr ysgol sul, sassiwn plant a rwbeth felly ynde wch chi… Dw i’n cofio ni’n dod i fyny ryw sassiwn plant o Llantisilio a wedi cael popeth ynde, a het wen reit smart. A wedyn mewn wageni o nhw’n mynd … a mi ddoth hi’n law mawr. Pan o’n i’n mynd adre, het goch o’genai. O’dd y papure’r trimmings wedi colli lliw i gyd! Dyne fo, dodd honno dda i ddim byd wedyn ynde.

A ninnau bron ar ddiwedd hanner cyntaf @DyddiadurKate, gobeithio eich bod yn mwynhau'r cynnwys hyd yn hyn. Mae llawer mwy i ddod, y llon a'r lleddf, felly lledaenwch y gair a chadwch lygad ar y blog.

 

 

Become a Housekeeping volunteer

Penny Hill, 17 June 2015

We would like to offer volunteers the opportunity to get involved in caring for the museum collections on open display in the historic houses. We have a huge number of objects, including items made from pottery, glass, textiles, paper, wood and leather, all of which need constant care and repair.


We plan to use traditional housekeeping techniques as well as modern conservation methods to help keep our collection looking good.  No previous experience is required, all training will be provided.


New facilities are also being created for our housekeeping volunteers, providing a comfortable area to work as well as relax.


If you are interested in joining us, please follow this link to the application form and we look forward to hearing from you.
This is a pilot project so even if the initial days we offer are not suitable, please still register your interest as more opportunities will arise in the future.

Spring Bulbs for Schools - Applications and Information

Penny Dacey, 15 June 2015

Climate-change study in your own school yard
Science & Geography (KS2)


Make use of your outdoor classroom! Join the 175 schools taking part in this exciting investigation.


Spring Bulbs for Schools provides primary school pupils with the opportunity to adopt, study and record the development of spring bulbs as part of a spring watch network. Each pupil will receive a Tenby Daffodil, Crocus bulb and garden pot to record growth and flowering times.

Through collecting and comparing real data pupils discover how our changing climate is affecting our seasons and what this means for ourselves and the nature around us. Pupils take part in Professor Plant's Challenges to receive a super scientist certificate.

Any schools in Wales can take part as results are collected over the internet (or by post if necessary). This is an on-going investigation which means schools can take part year after year.

To apply for Spring Bulbs for Schools 2015-2016 please fill out the online application form by following the link below.

Application are now open but numbers are limited so apply soon to ensure your place on the project! Application is only open to schools in Wales. Recruitment for English and Scottish schools has closed but please contact The Edina Trust for information about taking part in the project 2016-2017.

Spring Bulbs for Schools - Application form

For enquiries please Email SCAN

Become a Housekeeping volunteer

Penny Hill, 13 June 2015

We are currently recruiting housekeeping volunteers at St.Fagans to help look after the displays in the historic houses and Castle. This is a new scheme that is open to anyone who would like to get involved and learn more about traditional housekeeping techniques. Many of which still have a use today, such as using natural herbs and flowers to repel moths from precious woollen jumpers.


With your help we would also like to enhance the interpretation of the buildings by putting more of the collections on display and reintroduce traditional crafts to create replica items, such as rag rugs, baskets and wicker carpet beaters.


Training will be provided, so no previous experience is required, all we ask in return is a few hours of your time a week.  This is a pilot project, so even if the days currently on offer are not suitable please do still get in contact and register your interest.


As part of the project we have converted one of the cottages at Llwyn yr Eos farm into a base for housekeeping volunteers, with studios and a comfortable place to relax.


If you are interested in becoming a housekeeping volunteer please follow this link and we look forward to hearing from you.

In conversation with Clare Twomey and Claire Curneen

Penelope Hines, 10 June 2015

One of the joys of working in the world of contemporary art is the opportunity it presents to hear information directly from the artist.

On Friday we are lucky enough to have such an opportunity from two artists who were commissioned to make works for Fragile? Clare Twomey and Claire Curneen (12/06/2015 at 1.05pm).

Fragile? In Conversation with the Artists, Clare Twomey and Claire Curneen

In preparation for this we have collated sources of information on the two artists:

Clare Twomey

Clare Twomey is a British artist and a research fellow at the University of Westminster who works with clay in large-scale installations, Sculpture and site-specific works. Her work in Fragile? is a version of "Consciousness/Conscience" (claretwomey.com).

A statement on her University of Westminster Research Fellow profile reads:

"A great deal of my projects my practice can be understood as "post-studio ceramics", my work engages with clay yet often at a critical distance. I have in the past five years negotiated the realms of performance, serial production, and transience, and often involve site-specific installations. I am especially concerned with the affective relations that bind people and things, and how objects can enable a dialogue with the viewer. Clay is my constant medium as it embodies notions of permanence and inheritance, and has a profound connection with the everyday."

Over the past 10 years she has exhibited at the Victoria and Albert Museum, Tate, Crafts Council, Museum of Modern Art Kyoto Japan, the Eden Project, York Museum, Denver Art Museum and the Royal Academy of Arts.

Information sourced (and further available) from the following websites:

Claire Curneen

Claire Curneen is a tutor at Cardiff School of Art and Design. Her work is distinct for its figurative representation which draws us into a world of narrative. She has two works in Fragile? one piece already owned by the museum 'In the Tradition of Smiling Angels' from 2007 (View work in Art Online) and a work commissioned by the Derek Williams Trust called 'Touched'.

A statement on her website reads: " As one of the UK's foremost ceramic artists Curneen draws us into a world of narrative, where the tension between the real and the imagined is played out before us. Her ceramic figures have an imposing presence which tap into our desires, fears and mysteries....These figures bear bold narratives of human experiences and explore themes around death, rebirth and the sublime, which are both subtle and dramatic."

Her work has been exhibited both in Britain (Mission Gallery, Swansea, London and Ruthin Craft Centre to name a few) and internationally in Switzerland, the USA and France.

Information sourced (and further available) from the following websites: