: General

A Delicious, Romantic Treat ready for St Dwynwen's Day

Angharad Wynne, 20 January 2021

It’s Saint Dwynwen’s Day on 25th January, the day when we celebrate love here in Wales. In case you’re separated from your loved one during this lockdown, we’re posting this recipe early so you get a chance to pop them in the post. Whatever you’re doing, we send you Covid safe cwtches from the museum.

This delicious recipe is from our catering team at National Wool Museum in Drefach Felindre.

 

Pice Bach – Welsh Cakes

 

INGREDIENTS:

1lb self-raising flour

8oz butter

6oz caster sugar

2 eggs

2 handfuls currants – or cranberries if you want to add a dash of red for St Dwynwen’s day!

extra butter for greasing

 

METHOD:

  1. Sift the flour into a bowl and add the diced butter.
  2. Rub with your fingertips, or pulse in a food processor, until the mixture resembles breadcrumbs.
  3. Add the sugar, currants / cranberries and beaten eggs  and mix well to form a ball of dough, using a splash of milk if needed.
  4. Roll the dough out on a floured board to a thickness of about 5mm/½in.
  5. Cut into heart shape with a 7.5–10cm/3-4in heart cutter.
  6. Rub a bakestone or heavy iron griddle with butter, wipe away the excess and place on the hob until it is heated through.
  7. Cook the Welsh cakes a few at a time for 2–3 minutes on each side, or until golden-brown.
  8. Remove from the griddle and dust with caster sugar while still warm.

Here they are, delicious, romantic Welsh Cakes!

Enjoy!!

Adult Learning in Partnership at St Fagans National Museum of History

Loveday Williams, Senior Learning, Participation and Interpretation Officer, 23 September 2020

Forums were established early in the Creu Hanes Making History project at St. Fagans to help us develop our participatory practice. One of these was the Informal Learning Forum, its focus was adult and community learning and involvement. Partners on this forum were largely involved in these areas of work and came together to support us to develop an adult learning programme at the Museum.

During the project the Forums played different roles, and some were more active than others. The Informal Learning Forum initially worked with us a lot and subsequently throughout the life of the project they helped to shape the scope of Adult Learning at the Museum.

In 2015 when I took on the role working with the forum we began to revisit their role and revitalise their involvement in not only the project but in Adult Learning throughout the Museum, in addition to contributing to the development of the Wellbeing programme.

Since then the forum, now known as the Adult Learning Forum, has gone from strength to strength. They have supported us through the project and with new and ongoing work. Many of the original partners are still with us after the completion of the project in 2018, and new partners have since joined, adding to the diversity and scope of the group.

Here’s a flavour of some of the work we’ve done together over the years and what the partners have to say about it:

“Llandaff 50+ felt extremely privileged to be asked to join the Adult Learners’ Forum and attend its quarterly meetings at St Fagans National History Museum.

Our charity’s aims are to help to ease the problems of loneliness and social isolation amongst older people and to encourage them to organise, and take part in, activities and social events.  So, the opportunity to not only work with St Fagans, but also other local charity groups and organisations was an opportunity not to be missed.  Contributing to discussions about facilities and opportunities for older people during the refurbishment of the Museum provoked many suggestions from our members about the problems of old age.

It’s so easy to become centred on your own organisation and not see what else is happening in the voluntary and charitable sectors.  Although we have the opportunity to give an update on our own activities in the Forum, it is always amazing to find out what else is happening.  And we also get the chance to meet new people from all over Cardiff and the Vale, people helping others to improve their lives.  Our Treasurer said ‘I didn’t realise there was so much going on, people are doing wonderful things’ after her first meeting.

And we hear of opportunities to volunteer, too.  We cherish the memories of cataloguing the books from the library at the Oakdale Workmen’s Institute, and then seeing them back on the shelves, where they belong.  The books on engineering, that expanded the mind, children’s classics, that entertained at bedtime, and even a few that were a little risqué (and popular, too, judging by the stamps on the inside cover!).  And an enjoyable lunch, after each session, formed a friendship group that still remains.

The Forum has made Llandaff 50+ feel part of the Museum, and our organised visit and tour had a record attendance from members, all re-visiting with new friends, and enjoying the explanations of knowledgeable guides.  Many returned with family later in the year to tell of their learning.

We are also able to pass on information, learned at the Forum, to our members.  Many attended Adult Learners’ Week events and enjoyed learning new crafts, and remembering old ones.  New walks and leaflets are explained during 50+ meetings, and visits encouraged.  

We hope that the Forum will continue and enable our small, but very active charity, to work with such an important and much-loved Museum into the future, for mutual benefit.” (Volunteer, Llandaff 50+)        

Oakdale Reinterpretation Project

The forum members were integral to the reinterpretation of Oakdale Workman’s Institute in 2015-16. The impact of their contribution saw the building reopen with a more participatory and user-friendly interpretation. This included developing resources for Welsh learners, those living with dementia, and individuals with sensory conditions.  You can now also access all the rooms of the institute, some of which were only viewable from the doorway prior to the reinterpretation work.

“In March 2016, as a member of Cardiff U3A’s Local History group, I became part of a re- interpretation project of Oakdale Miners Institute or ‘stute as locals called it. The project, which involved me in research of the building, built during the First World War and which remained a key educational and social centre for Oakdale miners and community through its reading room, meetings, library, concerts, films and dances for many years. This project culminated in the re-opening of the building in its centenary year, celebrated with a party for local people from Oakdale and for me by writing an article in the national U3A quarterly magazine ‘Third Age Matters’.” (Valerie Maidment, member of the Cardiff U3A).

Trialling Adult Learning at St Fagans

Forum members have been central to trialling courses and taster sessions at St Fagans over the past few years. We worked with local community partners Action Ely Caerau (ACE) to recruit volunteers to pilot our first accredited course in sewing skills in 2016. All participants were local to the area and faced barriers to participating in traditional learning opportunities. The course was integrally linked to the Museum, as the participants were making costumes for Museum staff to wear when delivering the Iron Age school session. The garments were based on a traditional pattern, and participants were guided through the techniques required to make them by the experienced tutor and expert historic garment seamstress Sally Pointer. None of the participants had previously sewn and they all left at the end of the 10-week course having not only achieved a qualification, but improved their confidence and interest in further learning.

“We’ve really enjoyed working with the National Museum of Wales at St Fagans, and they’ve become a hugely valued partner in the CAER Hidden Hillfort Project.  An example of the impact this partnership has made is found in our collaboratively organised sewing course.  Accredited by Agroed Cymru and run in partnership with Adult Learning Wales, the project built on the strengths of both organisations, with ACE recruiting participants from our local communities (and hosting the training at the local community hub) and the National Museum creating a welcoming environment, facilitating the training and arranging participant visits to St Fagans.  13 participants, all of whom faced barriers to learning and none of whom had sewed before, completed the course.  Outcomes included increased self-confidence and renewed interest in learning.  The replica Iron Age costumes they made are still used by the museum, so they’ve left their mark!  We love this kind of project and are enthusiastic participants in the Adult Learning Forum to ensure we can continue working with partners like the National Museum on precisely this kind of project well into the future.” Dave Horton, ACE Development Manager.

Adult Learners Week:

A key member of the Forum, the Learning and Work Institute, run the Adult Learners Week campaign across Wales every year. They have provided support when it comes to developing and delivering our programmes over the years and we have been regular contributors since 2015. We have tested activities and craft workshops, explored the potential of joint delivery and hosting courses, and ensured we’ve been able to provide opportunities to the participants of our partner organisations, as well as offering opportunities on a larger scale e.g. by holding an information fair in 2019. This year, for Adult Learners Week we have been proud to take part in this digital event, creating a programme of opportunities focused on making, crafting and creating.

Here’s a quote from a key partner Hafal, whose participants have trialled and taken part in workshops during previous Adult Learners Weeks and at different times throughout the year.

“I run a gardening project for groups of people at Hafal, the Mental Health Charity based inside St Fagans museum.       

Being part of the Adult Learners Forum has given me the fantastic chance to take groups to a variety of workshops held in the museum. The Decorative Copper workshop was a great success as was the Love spoon carving, and we worked for quite a few weeks on helping to thatch the Roundhouse building.

Finding out from other members of the forum about what they have going on in the community has also offered opportunities for us to attend different activities. One of these was the archaeological dig at the Ely Hillfort, where we were shown around the site being worked on and then got to see some of the artefacts that had been uncovered there.

This led to a workshop in the museum with the lead archaeologist, looking in more depth at what was found on the site and what it could tell us of the way people were living at that time, which was extremely interesting to the whole group.

There are many learning opportunities discussed at the forums, and I am able to inform my groups so that they can take up them opportunities if wanted.

Loveday is extremely knowledgeable and approachable, and very good at linking people together for mutual benefit. It has been a privilege to be part of the forum.” (Lesley, Recovery Practitioner, Hafal).

Hosting courses at St Fagans

Since the opening of the new facilities at St Fagans in 2017 we have worked hard with partners to establish opportunities for other organisations to bring their learning opportunities to the Museum. We have worked with Cardiff Met’s Widening Access Department who in 2019 bought a series of courses to the Museum e.g. Creative Writing and Complimentary Therapy. These courses used the Museum and its collection to draw inspiration and influence the content of the courses. This delivery partnership enables learners to experience a unique Welsh perspective on their learning experience.

Here’s what the Widening Access team at Cardiff Met have to say about the partnership:

“It has been our great pleasure to work collaboratively with St Fagans, enabling us to enrich courses by sharing the wonderful resources and expertise available at the Museum.  Tutors from the University are able to work with the staff at St Fagans to incorporate Welsh culture into their courses and the exhibits bring this to life for students.

By sharing resources, publicity and expertise the students benefit by a greater offer than without the partnership work.  We are also able to reach a wider community and are able to consult via the learning forum so that we have a better understanding of what the community would like to learn.

Finally it is great to be able to hold the courses in such fantastic buildings and have the support of all the staff who are always professional, friendly and most importantly provide a warm welcome.” (Jan Jones, Head of Widening Access, Cardiff Met).

We also work closely with Welsh for Adults, based within the School of Welsh at Cardiff University. We have hosted Sadwrn Siarad, a day of welsh language activities, in the summer for several years, but in 2019 we were able to offer them classroom space to bring Welsh evening courses to St Fagans. This was piloted in January 2019 when the first Entry 1 course started. Following its success two further courses started the following September, whilst the learners engaged on the first course progressed to Entry 2.

Here’s what the Welsh for Adults team at the School of Welsh have to say about the partnership:

“Mae Dysgu Cymraeg Caerdydd yn falch iawn o gael y cyfle i gyd-weithio â Sain Ffagan Amgueddfa Werin Cymru. Ffurfiwyd y bartneriaeth drwy Fforwm Addysg Oedolion sy’n cael ei arwain gan Loveday Williams o’r Amgueddfa ac mae’r cyd-weithio rhyngom wedi mynd o nerth i nerth ers hynny. Yn Ionawr 2019, cynhaliwyd cwrs dysgu Cymraeg lefel Mynediad ar gyfer dechreuwyr yn yr Amgueddfa. Mae’r gwaith wedi dwyn ffrwyth ers hynny gan i ni ddarparu tri chwrs ym mis Medi 2019, cwrs dilyniant a dau gwrs lefel Mynediad i ddechreuwyr. Er i ni orfod oedi’r dysgu wyneb yn wyneb ym mis Mawrth eleni, mae’r holl gyrsiau wedi parhau’n rhithiol ac yn parhau ar-lein am 2020-2021. Felly er nad oes modd i ni gynnal dosbarthiadau yn Sain Ffagan ar hyn o bryd, mae’r Fforwm Addysg Oedolion yn ein galluogi ni i barhau i gyd-weithio a chynllunio at y cyfnod nesaf.” (Mari Rowlands, Dysgu Cymraeg Caerdydd)

“Learn Welsh Cardiff is delighted to have the opportunity to work with St Fagans National Museum of History. The partnership was formed through the Adult Learning Forum led by Loveday Williams from the Museum and the partnership has gone from strength to strength ever since. In January 2019, we held an Entry level Welsh course for beginners at the Museum. The work came to fruition when we provided three courses in September 2019, a progression course and two Entry level courses for beginners. Despite pausing all face-to-face learning back in March, all courses have continued virtually and will remain online for 2020-2021. So although we can't hold classes at St Fagans at the moment, the Adult Education Forum allows us to continue to work together and plan for the next period.” (Mari Rowlands, Learn Welsh Cardiff)

We look forward to continuing to work with all our partners, and establishing new ones in the future as we assess what our “new normal” will look like and how we can continue to operate and grow our adult learning offer.

Queer lives celebrated: LGBTQ+ Tours at National Museum Cardiff

Dan Vo, 27 August 2020

Just prior to lockdown we were able to run the first LGBTQ+ tours at the National Museum Cardiff which were created in partnership with Pride Cymru. As the doors unlock and visitors can start to return to the museum and also to mark and celebrate Pride Cymru 2020, I would like to share with you my favourite set of objects from the tours.

LGBTQ+ Tours
© Dan Vo @DanNouveau

An Encounter with May and Mary

Sleeve clasp made by May Morris (1862-1938)

When I first saw the exquisite silver sleeve clasps with a centrally suspended chrysoprase teardrop gemstone flanked by two apple-green orbs, I was utterly charmed. What rooted me to the spot and caused goosebumps to tickle my skin though was the name of the owner and the donor: Miss May Morris, given by Miss M. F. V. Lobb.

Echoing in my mind was a talk, The Great Wings of Silence, that I’d seen Dr Sean Curran deliver at an LGBT+ History Month event at the V&A museum on their relationship. Curran also wrote about May Morris (1862-1938) and Mary Frances Vivian Lobb (1879-1939) saying, “people like Mary Lobb and May Morris are part of a still barely visible queer heritage that can contribute to legitimising contemporary queer identities”.

I felt what I was seeing was evidence of their relationship. Though, as it turns out, there are two great collections that hold jewellery made by May and gifted by Mary, National Museum Cardiff and my ‘home collection’ of the V&A. Somewhat ironic! 

 

The Welsh Connection

The link between May and the V&A, I think, is easy to deduce: William Morris had significant influence in the early years of the V&A and after he died May, a respected artist in her own right, carried on his work teaching about good design principles and maintained a strong relationship with the museum. 

While the Morris family were proud of their Welsh ancestry, the question of how May’s jewellery ended up specifically at National Museum Cardiff involves a curious path that takes in sites from all across Wales, and certainly affirms the significant relationship between May and Mary.

May was a skilled jewellery maker and embroiderer and took charge of the embroidery department of her father’s renowned company Morris & Co. when she was 23. By the time Mary came into her life, May was living alone in the Morris family summer residence, Kelmscott Manor in the Cotswold.

Mary was from a Cornish farming family and during the First World War and as an early recruit to the Women’s Land Army she was involved in demonstrations showing how women could support the war efforts, even making the news with a headline “Cornish Woman Drives Steam Roller”!

At some point after the war, Mary joined May at Kelmscott Manor and the couple became a familiar sight, even attending local events together. Then, perhaps as it is for some now, not everyone was sure what to make of the relationship: Mary has been variously described as Morris’s close companion, housekeeper, cook, and even bodyguard!

When May died in 1938 she bequeathed her personal effects and £12,000 to Mary, an amount larger than any she left to anyone else. She also secured the tenure of Kelmscott for the rest of Mary’s life, however, Mary tragically died five months later in 1939. In those short months, Mary arranged the donation of May’s jewellery as well as her own scrapbooks to the National Library of Wales.

The scrapbooks were not given much consideration and were broken up and scattered across various sections of the library. It was researcher Simon Evans who began slowly reassembling the collection, and as he did so started to realise the significance and how it helps paint a clearer picture of the relationship between May and Mary.

Rediscovered items include watercolour landscapes painted by May, which suggests the pair traveled extensively together across Wales with journeys including Cardigan, Gwynedd, Swansea, Talyllyn and Cader Idris (one of my favourite images of the couple is a photograph from the William Morris Gallery that shows them camping in the Welsh countryside).

 

The Queer Perspective

Sandwiched in the scrapbooks is also a cryptic note in a letter from May to Mary, "after posting letter, I just grasped the thread at the end of yours, and having grasped (how slow of me!) I will be most careful.” 

To contextualise, Evans also describes a postcard (at Kelmscott Manor), written on a trip in Wales, in which Mary asked someone back at the Manor to send Morris’s shawl which is in "our" bedroom, which seems to put to bed the rumour May and Mary shared a room. Further, writer and curator Jan Marsh concludes in her book Jane and May Morris by saying the relationship between May and Mary was, in contemporary terms, a lesbian one.

LGBTQ+ Tours
© Dan Vo @DanNouveau

Through the jewelry gifted to the National Museum Cardiff we have a small glimpse of two lives intertwined, an intimate relationship between May and Mary that was full of love, care, and concern for each other. Theirs is one story among many on the free volunteer-led LGBTQ+ tours, which will return in the future when it is safe to do so.

In the meantime, labels for 18 objects have now been written that help highlight works with an LGBTQ+ connection for visitors. Connected to the May and Mary is a stunning hair ornament, which resembles a tiara, formed by floral shapes studded with pearls, opals, and garnets with silver leaves, all meeting symmetrically in the middle of the head. 

There are landscapes and a self-portrait by Swansea born painter Cedric Morris and several portraits by the renowned Gwen John who hails from Haverfordwest, as well as a bust of her by lover Rodin. Other highlights include works by Francis Bacon, John Minton, Christopher Wood, and 'Brunette' - a ceramic bust of Hollywood star Greta Garbo by Susie Cooper.

It is also now possible to explore the museum’s queer collection online by searching for ‘LGBTQ’ in the Collections Online. This will allow you to see works like The Wounded Amazon by Conwy sculptor John Gibson, a painting of Fisher Boys by Methyr Tydfil born artist Penry Williams (Gibson and Williams lived together in Rome and are understood to be lovers), and a ceramic plate that features perhaps the most famous lesbian couple in history, the Ladies of Llangollen, who lived together at Plâs Newydd. 

It is a joy and a privilege to be able to share the rich history of Welsh queer culture in such a historic place. I'm pleased to say the tours and the related research are merely just getting started! There are so many more stories to be found and told, many that will take us down interesting intersectional paths too. So do stay tuned for more from the National Museum Cardiff and Pride Cymru volunteers. 

For now I wish you a happy Pride. However you’re celebrating it, I hope it’s with as much sparkle as May and Mary’s glamorous bling! 

LGBTQ+ tour leaders


Dan Vo is a freelance museum consultant who founded the V&A LGBTQ+ Tours and developed the Amgueddfa Genedlaethol Caerdydd National Museum Cardiff LGBTQ+ Tours. He is currently the project manager and lead researcher of the Queer Heritage and Collections Nework, a subject specialist network supported by the Art Fund formed of a partnership between the National Trust, English Heritage, Historic England, Historic Royal Palaces and the Research Centre for Museums and Galleries (University of Leicester).

Minecraft Your Museum: The Winners!

Danielle Cowell, 25 July 2020

We have had fantastic entries from all areas of Wales & beyond! The standard is truly incredible! Visiting these virtual museums has been great fun and an incredible honour! Many thanks to everyone who took part in the Minecraft Your Museum Competition! 

We hope you enjoyed taking part as much as we enjoyed visiting your Museum! 

The video below shows entries from all our participants and highlights the winning entries.

Congratulations to everyone who took part in this (woolly) mammoth of a challenge!

This competition shines a light on the talented young 'crafters' we have in Wales! They have created the most beautiful Museums and wonderful collections. They also thought of everything a visitor might need from cafes, to play areas, shows and of course toilet facilities. They are digital architects, curators and Museums managers all rolled into one! The digital skills they have used in both creating and presenting is something to shout about! Digital Literacy being a cross-curricular theme in Wales is really paying off. 

We are delighted to announce that the People's Collection Wales will be creating a collection of all the entries so others too can appreciate the amazing museums created. Once we have permission from participants,we will update this blog with links. People’s Collection Wales is a National digital collection that gathers history from the People of Wales.

We are delighted to announce that the Minecraft Your Museum competition has been shortlisted for the Family Friendly Museum Award From Home. 

The Winners:

1st place: Prize VIP trip for your class to your chosen museum (when safe to do so). Plus two reserved tickets for the Museum Sleepover - Dino nights at home & certificates.

Year 2 - Thomas Denney
Year 3 - Carys Lee
Year 4 - Gwilym Davies-Kabir
Year 5 - Osian Jones
Year 6 - Caitlin Quinn & Lucy Flint
Group category: Marc, Zach and Matthew Chatfield.

2nd place: Two reserved tickets for the Museum Sleepover - Dino nights at home & certificates!

Year 2 - Monty Foster
Year 3 - Nico Poulton
Year 4 - Luca Dacre
Year 5 - Chloe Hayes
Year 6 - Bethan Silk
Group category - Emily Jones and Daisy Slater

3rd place: Two reserved tickets for the Museum Sleepover - Dino nights at home & certificates!

Year 2 - Meilyr Frost
Year 4 - Arwen Silk
Year 5 - Zach Waterhouse
Year 6 - Evie Hayden
Group category - Theo Harrison, Thomas Sommer, William Howard-Rees 

Highly commended: One reserved ticket for the Museum Sleepover - Dino nights at home & certificates!

Year 2 - Mali Smith
Year 4 - Oliver Jarman
Year 5 - Ffion Ball
Year 5 - Zac Davis
Year 6 - Scarlett Foster
Year 7 - Wren Ashcroft 
Group category - Bella Hepburn and Phoebe Wilson
Group categroy - Gwen Fishpool, Ethan Coombs and Sofia Mahapatra

To be awarded Minecraft Your Museum certificates for completing the challenge!

Rita Jones
Thomas Silk
Elliott Thompson
Entry 1 (Gelli Primary)
Entry 2 (Gelli Primary)
Entry 3 (Gelli Primary)
Entry 4 (Gelli Primary)
Alis Jones
Andrew Poulton
Cari Hicks
Elyan Garnault
Ethan Beddow
Evan Hicks
Greta Wyn Jones
Joshua Akehurst
Jude Clarke
Matilda Turner
Ronan Peake
Tomos Dacey
Zac Jonathan
Cally Sinclair
Chris Jones
David Hughes
Durocksha Eshanzadeh
Eifion Humphreys
Emilia Slater
Emily Akehurst
Freya Powell
Harriet Heskins
Henry Lansom
Holly Wyatt
Ioan Davies
Isaac Smith
Jessica Thomas
Kayden Matthews
Lewis Hopkins
Macy Jo Tolley
Maisie Boyce
Mia Livingstone
Noah Pearsall
Oliver Reeves
Peyton Creed
Phoebe Skinner-Quinn
Rufus Huckfield
Sam Cowell
Sam Rees 
Sophie Vickers
Sumaiyah Ahmed
Tomos Pritchard
Will Heskins
Zoe Murfin
Abhay Prabhakar
Alexander Newman
Angharad Thomas
Floyd Thomas
Gwydion Frost
Morgan Trehearne
Rhys Tinsley
Ziggy Dyboski-Bryant
Ben Fox-Morgan
Emilia Johns
Trixx Flixx
Dylan, Rhiannon, William Bringhurst Dylan, Rhiannon & William 
Ellouise Grace James Matthews 
Pippa and Monty Walker
Daniel Brenan & Micah Bartlett
Chloe and Grace Chamberlain

 

The Competition

Competition for 6-11 year olds.

The Challenge: Use your imagination to build your dream museum in Minecraft. Decide how you would like the building to look and fill it with some of your favourite Museum objects. They could be anything from any of our seven museums, such as a Dinosaur, a Roman coin or a house from St Fagans!

Prizes: Win a VIP trip for you & your whole class to your chosen museum - when schools re-open!  A prize will be awarded to each year group (Yrs. 2-6).

A Day in the Life of a Natural History Curator

Jennifer Gallichan, 11 May 2020

A Day in the Life of a Natural History Curator

My name is Jennifer Gallichan and I am one of the natural history curators at National Museum Cardiff. I care for the Mollusc (i.e. snails, slugs, mussels, and octopus) and Vertebrate (things with backbones) collections. Just like everybody else, museum curators are adapting to working from home. But what did we use to do on a 'normal' day, before the days of lockdown?

Caring for the National Collections

Most of our specimens are not on display. Amgueddfa Cymru holds 3.5 million natural history specimens and the majority are held behind the scenes in stores. Caring for the collections is an important part of our role as curators. We have to meticulously catalogue the specimens to ensure that all of the specimens are accounted for. As you can imagine, finding one object amongst 3.5 million could take a while.

Harriet Wood (Curator: Mollusca) in the collections

Natural history collections cover a whole range of materials including shells, dried plants, minerals, fossils, stuffed animals, bones, pinned insects and fluid preserved specimens (this includes things in jars).

Cephalopod specimens from the William Evans Hoyle collection

These collections are vital for research, education, exhibitions and display. Some have been in the museum for well over a century, and it is our role to ensure they last into the next century and beyond. We work with specially trained Conservators to monitor the collections and highlight anything that might be at risk, needs cleaning or repair.

Cleaning the skeleton of one of Cardiff famous residents, Billy the Seal

Answering your Questions

We spend a lot of time working with you, our fantastic visitors. Much of our time is spent answering the thousands of enquiries we receive every year from families, school children, amateur scientists, academics of all kinds, journalists and many more. We also host open days and national events throughout the year which are another great opportunity to share the collections. Many of us are STEM (Science, Technology Engineering & Mathematics) ambassadors, so an important part of our role inspiring and engaging the next generation of scientists.

Talking about the collections at the Eisteddfod

Working with Volunteers

Our museums are crammed full of fascinating objects and interesting projects to inspire and enjoy. We spend a lot of time with our excellent volunteers, helping them to catalogue and conserve the collections, guiding them through the often intricate and tricky jobs that it has taken us decades to perfect.

Our fantastic volunteers currently working on transcribing letters from the Tomlin archive of correspondence

Working with Other Museums

Museums across the world are connected by a huge network of curators. We oversee loans of specimens to all parts of the globe so that we can share and learn from each other’s collections. We have to be ready to deal with all manner of tricky scenarios such as organising safe transport of a scientifically valuable shell, or packing up and transporting a full sized Bison for exhibition.

A meeting of mollusc curators as part of a research project at the Natural History Museum, London

Working with Visitors

Despite the fact that a large part of the collections are behind the scenes, they are open to visitors. Researchers from across the globe come to access our fantastic collections to help with their studies. We also host tours of the collections on request.

Working with visitors in the collection, examining Sawfish rostra

Making Collections Bigger and Better

Despite having millions of specimens, museum collections are not static and continue to grow every year. Be it an old egg collection found in an attic, or a prize sawfish bill that has been in the family for generations, it’s an important part of a curator’s job to inspect and assess each and every object that we are offered. Is it a scientifically important collection or rare? Has it been collected legally? Do we know where and when it was collected? Is it in a good condition? Do we have the space?

Bryn, our Sumatran Tiger was donated to us in 2017 from Colwyn Bay Mountain Zoo

Creating New Exhibitions

A fun part of the job is working with our brilliant Exhibitions department to develop and install new exhibitions. We want museums to be exciting and inspiring places for everyone so we spend a lot of time making sure that the information and specimens we exhibit are fun, engaging, inspiring and thought provoking.

Adding specimens to a specially created exhibit called Museum in a House, for Made in Roath festival, 2015

Being Scientists

Last but definitely not least, when we aren’t doing all of the above, we are doing actual science. Museums are places of learning for visitors and staff alike. Many of us are experts in our field and undertake internationally-recognised research. This research might find us observing or collecting specimens out in the field, sorting and identifying back in the lab, describing new species or researching the millions of specimens already in the collections.

Kate Mortimer-Jones (Senior Curator: Marine Invertebrates) hard at work identifying marine worms

Museums from Home?

Despite lockdown, we are working hard to keep the collections accessible. We’re answering queries, engaging with people online, writing research papers and chipping away at collection jobs from home. And like all of you, we are very much looking forward to when the museum opens its doors once again.

If you want to find out more about the things we get up to in the museum, why not check us out on Twitter or follow our blog? You can also find out more about all of the members of the Natural Sciences department here.