: Keeping and caring for collections

The rarest plants in Wales

1 April 2009

thumbnail flower

Scientists at Amgueddfa Cymru have been researching the possibility that the Perennial Centuary (Centaurium scilloides) colonised Britain by sea.

For its size, Wales has a rich flora. The variation in rock types and landscapes from the limestones of the Gower Peninsular to the mud-stones and volcanic rocks of Snowdonia support many different and special plants. Wales is home to a number of rare plants. Some rare species are endemic to Wales and occur nowhere else in the world, such as Ley's Whitebeam or the Black Mountain Hawkweed. Other rare plants occur elsewhere but in the British Isles only occur in Wales, such as the Snowdon Lily or Yellow Whitlow Grass. Others are rare on an international basis, such as Perennial Centaury or Wild Asparagus.

The Welsh Rare Plants Project aims to help conserve threatened Welsh plants by providing a firm scientific basis for their conservation. The advice is provided by collecting information on the size and location of rare plant populations, assessing threats to their survival, collecting ecological information, analysing genetic variation and making recommendations for habitat management.

It is a joint project between Amgueddfa Cymru — National Museum Wales and the National Botanic Garden of Wales, with part funding from the Countryside Council for Wales.

Click on the thumbnails below for information on each rare plant:

St Teilo's

12 March 2008

A selection of images from St Teilo's Church

Wooden crucifix originally sparkled with gold

4 September 2007

The crucifix figure from Kenys Inferiour, Monmouthshire

The crucifix figure from Kenys Inferiour, Monmouthshire

Detail of the head of the crucifix figure.

Detail of the head of the crucifix figure.

Detail of the torso and loin-cloth in UV light.

Detail of the torso and loin-cloth in UV light.

Detail of the torso and loin-cloth in reflected light.

Detail of the torso and loin-cloth in reflected light.

Scientific examination of a crucifix of the Middle Ages from Kemeys Inferior, south Wales reveals that the wooden object seen today was once richly decorated in vibrant colours and magnificent gold leaf.

In 1850, the remains of a carved wooden figure of Christ were discovered in the church of Kemeys Inferior, a few kilometres east of Caerleon, south Wales.

An object of exceptional importance

Before the Reformation of the 16th century (when England and Wales officially turned from being a Catholic nation to a Protestant one), such figures of Christ were common throughout England and Wales and the Kemeys Christ is the most complete example of only a handful of medieval fragments to survive in Britain, and so is of exceptional importance.

Fragments of the Kemeys Inferior figure were found, 'together with skulls and bones', in 'the blocked up rood-staircase' during repairs and alterations to the church in about 1886. It was transferred in 1930 to Amgueddfa Cymru.

Although the figure was thought to be from the 14th century, arguments supporting this have never been set out in detail. Dating the figure relies on comparing other sculptures, and it is now thought to be from the late 13th century.

Made in Wales

Owing to the rarity of surviving figures in Britain from this period it is necessary to study objects from the continent for further clues. For example, late 13th-century crucifix figures from Sweden share several similar characteristics, whereas the 14th-century Christ from Mochdre, Denbighshire, the only comparable wooden figure from Wales, is quite different. The Kemeys Christ was more than likely to have been made in England or Wales.

Investigation and analysis of the crucifix

Very little of the colour that once covered the wooden figure can be seen today, but routine work done by Amgueddfa Cymru in 1999 led to in-depth investigation of the surface of the object.

The figure was X-rayed and viewed under ultra violet (UV) and infra-red (IR) light before being examined under the microscope. This revealed the original colour scheme, with differences between the torso and the arms, previously considered to have been later additions.

Vivid and rich colours

In contrast to its present condition, the Kemeys Christ originally boasted a vivid and richly coloured appearance as was popular throughout the Middle Ages. Great care was taken in decorating the figure. When new, it would have shone with gold leaf.

Examination of the figure has revealed considerable evidence of polychromy (use of many colours), and, like other examples of medieval sculpture, over-painting. Although little colour survives on the arms, the right arm does have two layers, which may suggest replacement of the left arm either during the first half of the 16th century or even earlier.

At least three layers of painting have been detected, though the dating of each is problematic. The secondary colour scheme appears to have included gilding on the hair; gold, red and blue on the inside of the loin-cloth; dark brown and black details on the face; a green crown of thorns; and flesh tones in pale pink, with red emphasising the wounds.

Stunning polychrome work like this would have been standard on such an important sculpture. The Kemeys figure clearly represents Christ on the cross, who is portrayed alive, with his eyes still open.

The Kemeys Christ is a rare survival of pre-Reformation devotional figures once common in the British Isles. With the original height of about 94 cm, this powerful image of Christ's suffering would have been widely seen and prayed to, and formed a purposeful part of everyday life.

The largest turtle in the world

15 August 2007

The leatherback turtle on display at National Museum Cardiff was washed ashore on Harlech beach, Gwynedd in September 1988. Sadly, the turtle had drowned after being trapped by fishing lines. It was approximately 100 years old when it died. The turtle attracted worldwide attention as it was the largest and heaviest turtle ever recorded, measuring almost 3m (9ft) in length and weighing 914 kilos (2,016 pounds).

The turtle's arrival on the beach saw a flurry of activity by Museum staff who were keen to exhibit the turtle. However, preparing such a specimen for display was not straightforward.

Leatherback turtle

The turtle had to be flipped upside down before repairing cracks on the underside.

Displaying the world's largest turtle

After undergoing an autopsy for scientific information, the skin was removed and preserved and a mould of the body shape was made. The preserved skin was stretched over the mould to produce a lifelike pose.

The skeleton was also removed and prepared for display alongside the body. The taxidermy mount and associated skeleton were then put on display in their own gallery, with linking displays on the leatherback's history, threats, ecology and conservation.

Leatherback turtle

The Leatherback being cleaned and repaired

Sixteen years on

After 16 years on display, significant cracks had started to appear on the specimen. There had long been problems with cracking, and it had been patched up over the years. Low humidity was identified as a cause, so there was no choice but to close the gallery and conserve this popular specimen properly.

The first stage was to clean the turtle of its layer of dust and oily grime. A non-ionic detergent removed the worst of the dirt.

Once reasonably clean the next stage was to return the distorted parts of the specimen back to the correct shape. This involved soaking the exterior with a solution of deionised water, salt and detergent, enabling it to be moved back into position.

Removing old repairs

Once the specimen was dry, the old repairs were removed. This was a long and slow process requiring care so as not to damage the turtle's skin any further. A large amount of the skin had been painted black some years before, so this also had to be removed. This was achieved with acetone and a mobile fume extraction system.

Once the previous repairs and paint were removed, the turtle's original patterns and skin texture could be seen once more. Gaps and splits in the specimen were then filled in and painted over to blend with the turtle's original skin colour and texture.

Letherback turtle

The Turtle after conservation

Leatherback Turtle

The leatherback turtle in its new display at the National Museum, Cardiff

Redisplaying

The skeleton was also carefully cleaned before the finished turtle was re-hung as before. After 4 months of work, the turtle gallery could finally be re-opened to the public.

Another journey for the turtle

Conditions in the turtle gallery were continuing to cause conservation problems. As a result, during 2006 the turtle was moved to a new location in the adjoining 'Man and the Environment' gallery, next to the humpbacked whale. The new space has better environmental conditions, allowing the turtle to remain on open display. In addition, the information panels have been renewed with up-to-date information. The turtle now sits as a fine addition to this gallery space.